While China has a long tradition of lexicography and of phonological studies, unlike Europe and Indian it has no tradition of descriptive or prescriptive grammar. Outline of Classical Chinese Grammar fills that gap and is the first comprehensive introduction to syntactical analysis of Classical Chinese. Focusing on the language of the high classical period, which ranges from the time of Confucius to the unification of the empire by Qin in -221, the books pays particular attention to the Mencius, the Lunyu, and, to a lesser extent, the Zuozhuan texts. Renowed for his work in Classical Chinese, Edwin Pulleyblank opens the book with a brief historical overview and a discussion of the relationship between the writing system and the phonology. An outline of the overall principles of word order and sentence structure follows. He then deals with the main sentence types: nominal predicates, verbal predicates, and numerical expressions, which constitute a special type of quasiverbal predication. The final section covers topics such as subordinate constituents of sentences, non-declarative sentence types, and complex sentences. Clear and well organized, Outline of Classical Chinese Grammar is an authoritative study and will be an invaluable resource tool for anyone involved in Chinese language studies.

Outline of Classical Chinese Grammar is a comprehensive introduction to the syntactical analysis of classical Chinese. Focusing on the language of the high classical period, which ranges from the time of Confucius to the unification of the empire by Qin in 221, the book pays particular attention to the Mencius, the L�nyu, and, to a lesser extent, the Zu�zhu�n texts. Outline of Classical Chinese Grammar starts with a brief historical overview and a discussion of the relation between the writing system and the phonology. This is followed by an outline of overall principles of word order and sentence structure. The next sections deal with the main sentence types � nominal predicates, verbal predicates, and numberical expressions, which constitute a special type of quasiverbal predication. The final sections cover such topics as subordinate constitutents of sentences, nondeclarative sentence types, and complex sentences.

While China has a long tradition of lexicography and of phonological studies, unlike Europe and Indian it has no tradition of descriptive or prescriptive grammar. Outline of Classical Chinese Grammar fills that gap and is the first comprehensive introduction to syntactical analysis of Classical Chinese. Focusing on the language of the high classical period, which ranges from the time of Confucius to the unification of the empire by Qin in -221, the books pays particular attention to the Mencius, the Lunyu, and, to a lesser extent, the Zuozhuan texts. Renowed for his work in Classical Chinese, Edwin Pulleyblank opens the book with a brief historical overview and a discussion of the relationship between the writing system and the phonology. An outline of the overall principles of word order and sentence structure follows. He then deals with the main sentence types: nominal predicates, verbal predicates, and numerical expressions, which constitute a special type of quasiverbal predication. The final section covers topics such as subordinate constituents of sentences, non-declarative sentence types, and complex sentences. Clear and well organized, Outline of Classical Chinese Grammar is an authoritative study and will be an invaluable resource tool for anyone involved in Chinese language studies.

In just thirteen brief, accessible chapters, this engaging little book takes "absolute beginners" from the most basic questions about the language (e.g., what does a classical Chinese character look like?) to reading and understanding selections from classical Chinese philosophical texts and Tang dynasty poetry. "An outstanding introduction to reading classical Chinese. Van Norden does a wonderful job of clearly explaining the basics of classical Chinese, and he carefully takes the reader through beautifully chosen examples from the textual tradition. An invaluable work." —Michael Puett, Harvard University

"Forty lessons designed to introduce beginning students to the basic patterns and structures of Classical Chinese are taken from a number of pre-Han and Han texts selected to give students a grounding in exemplary Classical Chinese style. Two additional lessons use texts from later periods to help students appreciate the changes in written Chinese over the centuries.Each lesson consists of a text, a vocabulary list featuring discussions of meaning and usage, explanations of grammar, and explications of difficult passages. The standard modern Chinese, Japanese, and Korean pronunciations are indicated for each character, making this a learning tool for native speakers of those languages as well.Appendices give suggestions for further readings, review common and significant words, explain the radical system, and provide Japanese kanbun readings for all the selections. Glossaries of all vocabulary items and pronunciation indexes for modern Chinese and Korean are also included."

In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)