Includes an excerpt from Go west, young man: a novel of America.

The first-ever book to cover the history of the renegade Outlaw country music movement from its beginnings in the 1970s to its resurgence today, "Outlaws Still At Large " draws from the author's interviews with current artists to reveal a rich, vibrant music scene beneath the mainstream Nashville gloss, while it shows the trials and adventures of life on the road. Hamilton traveled more than 20,000 miles with the Outlaws to get his story, and in the end, the music changed his life. One of the Outlaws, Shooter Jennings, who is the son of 1970s Outlaws Waylon Jennings and Jessi Colter, says about Hamilton and this book: "Besides his insanely neurotic attention to detail, or his relentless obsession with perfection, Neil is someone who cares very deeply for music and art. He cares so deeply that he's willing to spend as much time as he finds necessary to do this right, to do it true, and do justice to the thing he loves and protects with such grace and dignity. He is, like us, a warrior." Hamilton begins with a historical background to the rise of country music and the Outlaw movement, before offering five chapter profiles on prominent Outlaws from the 1970s: Waylon, Willie Nelson, Billy Joe Shaver, Johnny Paycheck, and David Allan Coe. He then shows how the 1970s Outlaw movement faded, how Nashville pop regained its crown, and how the current Outlaw movement has emerged. From there he presents chapter profiles on 15 current artists, including Shooter, Blackberry Smoke, Elizabeth Cook, Dallas Moore, Jackson Taylor, Jason Boland, Lydia Loveless, Whitey Morgan, Wayne Mills, Joey Allcorn, and Hellbound Glory. The book concludes with a look at the promoters behind the Outlaw scene and the emergence of Outlaw music on SiriusXM radio. Hamilton found that there's really no one Outlaw musical form. Some of the artists are most heavily influenced by Hank Williams, others by Elvis Presley, or by the 1970s Outlaws, or by Southern rock, or even punk rock. Yet, beneath this diversity and creativity, there remains a central attachment to country's roots and to the belief that music should be created primarily for the heart and not the wallet-even if it means many a hungry night in a low-pay honky tonk. If readers bathed in music history get a feeling that Hamilton formatted the book in word similar to the way that Willie Nelson formatted his path breaking album "Red Headed Stanger" in music, they will be right on the mark. That structure is meant to convey the continuing link between country roots past and present and the continuing belief that country music based on sincerity still has something to say in a society awash with shallow forms and fleeting moments.

Outlaw by acclaimed author Michael Streissguth follows the stories of three legends as they redefined country music: Waylon Jennings, Willie Nelson, and Kris Kristofferson. Streissguth delves into the country music scene in the late '60s and early '70s, when these rebels found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music industry’s unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry. Outlaw offers a broad portrait of the outlaw movement in Nashville that includes a diverse secondary cast of characters, such as Johnny Cash, Rodney Crowell, Kinky Friedman, and Billy Joe Shaver, among others. With archival photographs throughout, Outlaw is a comprehensive examination of a fascinating shift in country music, and the three unbelievably talented musicians who forged the way.

For voice and piano; with chord symbols and guitar chord diagrams.

Renowned songwriter, singer, and wife of Waylon Jennings writes an intimate, enormously entertaining memoir of American music, of life with Waylon and the Outlaws, and of faith lost and found. The daughter of a Pentecostal evangelist and a race-car driver, Jessi Colter played piano and sang in church before leaving Arizona to tour with rock-n-roll pioneer Duane Eddy, whom she married. Colter became a successful recording artist, appearing on American Bandstand and befriending stars such as the Everly Brothers and Chet Atkins, while her songs were recorded by Nancy Sinatra, Dottie West, and others. Her marriage to Eddy didn’t last, however, and in 1969 she married the electrifying Waylon Jennings. Together, they made their home in Nashville which, in the 1970s, was ground zero for roots music, drawing Bob Dylan, Johnny Cash, Willie Nelson, Kris Kristofferson, Shel Silverstein, and others to the Nashville Sound. And Jessi was at the center of it all, the only woman on the landmark Wanted: The Outlaws album, therecord that launched the Outlaw Country genre and was the first country album to go platinum. She also tasted personal commercial success with the #1-single “I’m Not Lisa.” But offstage, life was a challenge, as Waylon pursued his addictions and battled his demons. Having drifted from the church as a young woman, Jessi returned to her faith and found in it a source of strength in the turmoil of living with Waylon. In the 1980s, Waylon helped launch the super group The Highwaymen with Willie Nelson, Johnny Cash, and Kris Kristofferson, and the hits kept rolling, as did Waylon’s reckless living. Amid it all, Jessi faithfully prayed for her husband until finally, at Thanksgiving 2001, Waylon found Jesus, just months before he died. An Outlaw and a Lady is a powerful story of American music, of love in the midst of heartache, and of faith that sustains.

In Outlaw Paradise, the author argues that countries become tax havens as a conscious economic development strategy. These countries do not have the natural resources or the population to pursue more traditional economic development strategies, but they do have the ability to write and implement laws that create a virtual resource: banking secrecy. These countries are able to carry out this strategy because they tend to be well-governed, stable, and relatively wealthy, making them attractive partners for the international banking, legal, and accounting firms that drive offshore finance. The qualities tax havens possess also enable them to calculate that the benefits they reap from pursuing this strategy outweigh any penalties assessed by anti-tax haven international collective action activities, such as the naming and shaming campaigns of 2000 and 2009. The author argues that, while the tax havens seem to be complying with the campaigns from a juridical standpoint, actual financial behavior is unaffected. The author further argues that this outcome is predetermined given the nature of international regimes and the history of the concept of sovereignty, as well as tax haven relationships to both. Finally, Outlaw Paradise offers policy prescriptions and surveys recent developments resulting from the Panama Papers.

Winston, a journalist from Tennessee is given an assignment to travel to Ohio in order to cover the live music scene and visit the world famous Rock and Roll Hall of Fame. Initially he can't find a concert that's worth attending and instead becomes entangled with some very strange people. Winston then finds himself diving deep into the Cleveland underground scene, before ultimately pitching the magazine company an idea that he would set out to cover the final stages of Outlaw Country Music. Winston eventually luck's out and finds himself right at home attending a concert to see the legendary David Allan Coe.

The town of Tucson on a Saturday night in 1870 is a dangerous place. When a man is murdered in the Golden Saddle Saloon, Jacob Payne, bounty hunter, teams up with the sheriff's deputy to catch a killer. But which of the many outlaws, shady characters and suspects roaming around the town committed the crime? Jacob must piece together the clues and evidence to bring the guilty party to justice. If you love classic westerns full of romance and action, you’ll love Jacob Payne.

"This book is a terrific tribute, from a son to his father."---Willie Nelson "I'm so excited about Terry's new book."---Dolly Parton From the Foreword by Ken Mansfield "There are many stories about Waylon . . . the family man, the creative genius man, the quiet man, the king-of-the-six-day-roar-man, the uncommon man, the legendary man, the bad-ass man . . . they are all in this book." In a signed copy of his autobiography, Texas-born country "Outlaw" icon Waylon Jennings penned a personal note to his son Terry: "I did my best. Now it's your turn." Two decades later, Terry Jennings finally completes the true story of his father's remarkable, unvarnished life with Waylon: Tales of My Outlaw Dad. Born when Waylon was only nineteen, Terry came of age just as Waylon's career hit the stratosphere with hits like "I've Always Been Crazy" and "Good Hearted Woman," one of his famous Willie Nelson duets. Terry dropped out of high school and joined his dad on tour, and the two became more like brothers than father and son. On the road, they toured with legends like Nelson, Johnny Cash, Kris Kristofferson, and Jessi Colter, Waylon's fourth and final wife. Together father and son led a hard-partying lifestyle centered around music, women, and drugs. Waylon's success--critical acclaim, bestselling albums, sold-out tours, and even TV stardom on The Dukes of Hazzard--was at times eclipsed by his demons, three divorces, crippling debt, and a depression that Terry traces to the premature death of Buddy Holly. (Waylon was supposed to be on Holly and Ritchie Valens's doomed flight.) Through it all, Terry worked on the touring crew, helped manage Waylon's career, and became one of his father's closest confidantes. Debunking myths and sharing incredible never-before-told stories, this book is a son's loving and strikingly honest portrait of his father, "the greatest Outlaw country musician to grace this earth" and an unlikely but devoted family man. Waylon: Tales of My Outlaw Dad will resonate for generations of fans.