Our all-time bestselling title, this classic and powerful novel spanning three generations of a Slovak immigrant family has been adopted for course use in more than 250 colleges and universities nationwide. Out of This Furnace, is Thomas Bell's most compelling achievement. Its story of three generations of an immigrant Slovak family - the Dobrejcaks - still stands as a fresh and extraordinary accomplishment. The novel begins in the mid-1880s with the naive blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, and his eventual downfall through foolish financial speculations and an extramarital affair. The second generation is represented by Kracha's daughter, Mary, who married Mike Dobrejcak, a steel worker. Their decent lives, made desperate by the inhuman working conditions of the mills, were held together by the warm bonds of their family life, and Mike's political idealism set an example for the children. Dobie Dobrejcak, the third generation, came of age in the 1920s determined not to be sacrificed to the mills. His involvement in the successful unionization of the steel industry climaxed a half-century struggle to establish economic justice for the workers. Out of This Furnace is a document of ethnic heritage and of a violent and cruel period in our history, but it is also a superb story. The writing is strong and forthright, and the novel builds constantly to its triumphantly human conclusion.

The novel begins in the mid-1880s with the naive, blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, and his eventual downfall through foolish financial speculations and an extramarital affair.

Out of This Furnace is Thomas Bell’s most compelling achievement. Its story of three generations of an immigrant Slovak family -- the Dobrejcaks -- still stands as a fresh and extraordinary accomplishment. The novel begins in the mid-1880s with the naive blundering career of Djuro Kracha. It tracks his arrival from the old country as he walked from New York to White Haven, his later migration to the steel mills of Braddock, Pennsylvania, and his eventual downfall through foolish financial speculations and an extramarital affair. The second generation is represented by Kracha’s daughter, Mary, who married Mike Dobrejcak, a steel worker. Their decent lives, made desperate by the inhuman working conditions of the mills, were held together by the warm bonds of their family life, and Mike’s political idealism set an example for the children. Dobie Dobrejcak, the third generation, came of age in the 1920s determined not to be sacrificed to the mills. His involvement in the successful unionization of the steel industry climaxed a half-century struggle to establish economic justice for the workers. Out of This Furnace is a document of ethnic heritage and of a violent and cruel period in our history, but it is also a superb story. The writing is strong and forthright, and the novel builds constantly to its triumphantly human conclusion.

When fourteen-year-old Alex is framed for murder, he becomes an inmate in the Furnace Penitentiary, where brutal inmates and sadistic guards reign, boys who disappear in the middle of the night sometimes return weirdly altered, and escape might just be possible.

Dead Space, 2401 AD Kyle Tanner is about to die. Alone, floating in a vacsuit only a few million kilometers from a massive, uncaring sun, he has barely enough time or juice to get out a distress signal before either his oxygen runs out or he succumbs to the radiation. When the CCF sent investigator Kyle Tanner to SOLEX One, a solar energy harvester past Mercury, he thought it would be an open-and-shut murder case. A crew member was found dead, minus his head and hands. Not the worst Tanner has ever seen, but the deeper he delves, the more nightmarish it becomes. A shadowy figure, bleeding from his hands, assaults Tanner in his quarters. Then two more turn up dead, missing their heads and hands as well. With no one to trust and everyone a suspect—even the intriguing chief engineer, Shaheen—Tanner must navigate a crew on the brink of madness to uncover a conspiracy that could threaten the whole of the human race. Even if it means making the ultimate sacrifice… 115,000 words

Focusing on the intersection of Christianity and politics in the American penitentiary system, Jennifer Graber explores evangelical Protestants' efforts to make religion central to emerging practices and philosophies of prison discipline from the 1790s through the 1850s. Initially, state and prison officials welcomed Protestant reformers' and ministers' recommendations, particularly their ideas about inmate suffering and redemption. Over time, however, officials proved less receptive to the reformers' activities, and inmates also opposed them. Ensuing debates between reformers, officials, and inmates revealed deep disagreements over religion's place in prisons and in the wider public sphere as the separation of church and state took hold and the nation's religious environment became more diverse and competitive. Examining the innovative New York prison system, Graber shows how Protestant reformers failed to realize their dreams of large-scale inmate conversion or of prisons that reflected their values. To keep a foothold in prisons, reformers were forced to relinquish their Protestant terminology and practices and instead to adopt secular ideas about American morals, virtues, and citizenship. Graber argues that, by revising their original understanding of prisoner suffering and redemption, reformers learned to see inmates' afflictions not as a necessary prelude to a sinner's experience of grace but as the required punishment for breaking the new nation's laws.

After a failed escape attempt from Furnace, Alex is trapped in solitary confinement, where the real nightmares live.

A truck driver is ensnared by satanic forces in a small town in the Appalachians. He is Josh Spiller and his ordeal begins when a woman pushes a carriage with a baby under the wheels of his truck. The police say it was an accident, but Spiller knows she did it on purpose.