Moritz's 'Memorabilia Mathematica' inspired this work, but this one differs in that sources are limited to mathematicians of the 20th century. Useful to researchers to facilitate a literature search, to writers who want to emphasize or substantiate a point, and to teachers, students, and other readeres who will have their appetite for the subject whetted by the 83 quotes. -- Book News, Inc.

This reference serves as a reader-friendly guide to every basic tool and skill required in the mathematical library and helps mathematicians find resources in any format in the mathematics literature. It lists a wide range of standard texts, journals, review articles, newsgroups, and Internet and database tools for every major subfield in mathematics and details methods of access to primary literature sources of new research, applications, results, and techniques. Using the Mathematics Literature is the most comprehensive and up-to-date resource on mathematics literature in both print and electronic formats, presenting time-saving strategies for retrieval of the latest information.

Physical Laws of the Mathematical Universe: Who Are We? sets off from the first page on an arduous and ambitious journey to define and describe a comprehensive depiction of reality that embraces the rigors of physics, the elegance of mathematics, and the intricacies of human perception. Neeti Sinha brings to bear her extensive education and research as she pursues an explanation that unites these often disparate disciplines in service of a nuanced description of the wonders of the whole universe. In the course of its exploration of this topic, Physical Laws of the Mathematical Universe: Who Are We? unites insights from the fields of mathematics and physics in light of human perception to explain the contours of the universe and the origins of its parallel forms. The work also demonstrates how major scientific conundrums find their resolution when one adopts a holistic perspective. Finally, the author uncovers the profound foundations of human appreciation for truth and beauty in the aesthetics that bind together physics and mathematics. If you look at your life and the world and wonder about their true nature, then Physical Laws of the Mathematical Universe: Who Are We? will accompany you on a journey that may test the limits of your understandings of the universe while opening to your gaze vistas you previously had not imagined.

Presenting mathematics as forming a natural bridge between the humanities and the sciences, this book makes calculus accessible to those in the liberal arts. Much of the necessary geometry and algebra are exposed through historical development, and a section on the development of calculus offers insights into the place of mathematics in the history of thought.

This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives.

This is the second volume of the second edition of the now classic book “The Topos of Music”. The author explains his theory of musical performance, developed in the language of differential geometry, introducing performance vector fields that generalize tempo and intonation. The author also shows how Rubato, a software platform for composition, analysis, and performance, allows an experimental evaluation of principles of expressive performance theories.

This is the third volume of the second edition of the now classic book “The Topos of Music”. The authors present gesture theory, including a gesture philosophy for music, the mathematics of gestures, concept architectures and software for musical gesture theory, the multiverse perspective which reveals the relationship between gesture theory and the string theory in theoretical physics, and applications of gesture theory to a number of musical themes, including counterpoint, modulation theory, free jazz, Hindustani music, and vocal gestures.