Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the development of American literature. Unlike many of her contemporaries, Hale insisted on the power of women within both the public and private spheres. Throughout her long career, Hale helped popularize new ideas about reading and genre, and she made significant contributions to the development of professional authorship.Our Sister Editors also provides the first overview of the large and diverse group of nineteenth-century women editors. In her examination of the role of women as editors, owners, and publishers of periodicals and her use of Hale's career to exemplify and discuss a series of major issues related to women's writing and reading in Victorian America, Patricia Okker offers a provocative revisionist study.

The former first daughters share intimate stories and reflections from the Texas countryside to the storied halls of the White House and beyond. Born into a political dynasty, Jenna and Barbara Bush grew up in the public eye. As small children, they watched their grandfather become president; just twelve years later they stood by their father's side when he took the same oath. They spent their college years watched over by Secret Service agents and became fodder for the tabloids, with teenage mistakes making national headlines. But the tabloids didn't tell the whole story. In Sisters First, Jenna and Barbara take readers on a revealing, thoughtful, and deeply personal tour behind the scenes of their lives, as they share stories about their family, their unexpected adventures, their loves and losses, and the sisterly bond that means everything to them.

Fiction. MY SISTER'S CONTINENT is a contemporary retelling of Freud's infamous "Dora" case study, following a loosely parallel plot and containing similarly controversial sexual themes and layers of possibilities. Kirby is a young woman attempting to come to terms with a "failed" bout of therapy while concurrently trying to decipher the truth about her identical twin, Kendra's, life. When she is sent a skewed case study of herself by her former psychiatrist, she decides torespond by using Kendra's journals to reconstruct her final months with her sister and her brief time in therapy, finally creating her own version of the truth.

INSTANT NEW YORK TIMES BESTSELLER—NOW A HALLMARK+ ORIGINAL SERIES! A REESE'S BOOK CLUB PICK “A charming, hilarious, feel-good story about the kind of bonds & rivalries only sisters can share. Also, a great present for your sister for the holidays!!”—Reese Witherspoon Three generations. Two chicken shacks. One recipe for disaster. In tiny Merinac, Kansas, Chicken Mimi's and Chicken Frannie's have spent a century vying to serve up the best fried chicken in the state—and the legendary feud between their respective owners, the Moores and the Pogociellos, has lasted just as long. No one feels the impact more than thirty-five-year-old widow Amanda Moore, who grew up working for her mom at Mimi's before scandalously marrying Frank Pogociello and changing sides to work at Frannie's. Tired of being caught in the middle, Amanda sends an SOS to Food Wars, the reality TV restaurant competition that promises $100,000 to the winner. But in doing so, she launches both families out of the frying pan and directly into the fire. . . The last thing Brooklyn-based organizational guru Mae Moore, Amanda's sister, wants is to go home to Kansas. But when her career implodes, helping the fading Mimi's look good on Food Wars becomes Mae's best chance to reclaim the limelight—even if doing so pits her against Amanda and Frannie's. Yet when family secrets become public knowledge, the sisters must choose: Will they fight with each other, or for their heritage?

This comprehensive portrait of nineteenth-century reformer Clarina Howard Nichols uncovers the fascinating story of a complex woman and reveals her important role in women's rights, antislavery, and westward expansion.

‘I did something terrible Grace. I hope you can forgive me…’ Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend. When Grace starts a campaign to find Charlie's father, Anna, a girl claiming to be Charlie's sister steps forward. For Grace, finding Anna is like finding a new family, and soon Anna has made herself very comfortable in Grace and boyfriend Dan's home. But something isn't right. Things disappear, Dan's acting strangely and Grace is sure that someone is following her. Is it all in Grace's mind? Or as she gets closer to discovering the truth about both Charlie and Anna, is Grace in terrible danger? There was nothing she could have done to save Charlie... or was there? A compelling, gripping psychological thriller perfect for fans of The Girl on the Train, I Let You Go and The Girl With No Past. What people are saying about The Sister: ‘I was gripped to The Sister from the first page until the very end. I thought I had it all worked out until I was proven sooo wrong.’ Robert Bryndza ‘I could not put this book down. I neglected all the house work and put off cooking dinner until I was finished… I loved every page.’ Renee Reads ‘My eyes were racing down the pages… had me guessing right up to the very end and I had tears in my eyes as I relived Charlie's last moments… exceptional… It's an addictive page-turner that begs time and again for just one more chapter until the whole book has been devoured and thoroughly enjoyed.’ The Book Magnet ‘Wow! What an amazing debut novel! Full of intense twists! Fantastic book to start off summer reading! Highly recommend.’ Loud and Proud Book Junkie, 5 stars ‘I loved this book, it grabbed me right from the beginning.' Beady Jans Books 'I genuinely struggled to put this book down… I can't recommend this book enough, it's made it to my favourites... I can't wait for more books to come from Louise Jensen… A well-deserved five stars from me.' Emporio Epidemic 'I couldn't put my Kindle down until I had answers!!… I wasn't sure which characters to trust and which to not trust… a 5 star book that would make a fantastic summer read!' Steph and Chris’ Book Review 'As the skillfully woven web of lies and deceit starts to untangle the author throws in a massive twist that I certainly didn't see coming… a definite must read for all psychological thriller fans and it's one of those books that deserves to be talked about.' The Haphazardous Hippo 'One of those books that you can't stop thinking about even when you're not reading it!!... the tension never seems to drop for one second!… an absolute treat, albeit a scary one, to read!! Highly recommended!' Books and Me! 'Just as I thought the story was wrapping up BANG! I was hit again with another twist. Brilliant! It is chilling and sinister and yet heart-breaking and tragic, and I felt really emotional on finishing it… I can’t wait to read more by Louise.' Bloomin Brilliant Books 'OMG I love this... one corker of a psychological thriller which ticked all the boxes for me giving it an easy 5 stars.' Chelle’s Book Reviews 'Hooked from the first page till the end... A gripping tale for fans of I Let You Go and The Girl on the Train. A must read.' Berlitz Chile 'I was left gaping… You cannot help but speed read through this novel. You have to know what happens.' Aloha Reviews 'I was hooked on the story from the word go.' Hollie in Wanderlust

ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • BOOKER PRIZE NOMINEE • “A taut and darkly funny contemporary noir that moves at lightning speed, it’s the wittiest and most fun murder party you’ve ever been invited to.” —MARIE CLAIRE Korede’s sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead, stabbed through the heart with Ayoola’s knife. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she’s exactly what he needs. But when he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and how far she’s willing to go to protect her.

The Women’s National Indian Association, formed in response to the chronic conflict and corruption that plagued relations between American Indians and the U.S. government, has been all but forgotten since it was disbanded in 1951. Mathes’s edited volume, the first book to address the history of the WNIA, comprises essays by eight authors on the work of this important reform group. The WNIA was formed in 1879 in reaction to the prospect of opening Oklahoma Indian Territory to white settlement. A powerful network of upper- and middle-class friends and associates, the group soon expanded its mission beyond prayer and philanthropy as the women participated in political protest and organized successful petition drives that focused on securing civil and political rights for American Indians. In addition to discussing the association’s history, the contributors to this book evaluate its legacies, both in the lives of Indian families and in the evolution of federal Indian policy. Their work reveals the complicated regional variations in reform and the complex nature of Anglo women’s relationships with indigenous people.