"This is the second (and most likely the last) volume of my memoirs of the Foreign Service. The first, Our Man in Belize ..."--Page xi.

Fin-de-siecle Vienna was a special place at a special time, a city in which the decadent abandon of the era commingled with dark forebodings of the coming century. The artistic and intellectual ferment of the Austrian capital was extraordinary: Sigmund Freud, Gustav Mahler, Arthur Schnitzler, Theodor Herzl, Gustave Klimt, and Ludwig Wittgenstein were but a few of the figures who lived and worked there. And, in September 1897, into the very midst of this heady milieu, came America's most famous citizen, Mark Twain. Although most of Twain's biographers have mentioned his Viennese sojourn (occasioned by his daughter Clara's musical studies), it has remained an unexplored hiatus in his career. Partly because of impressions created by Twain himself, the twenty months he spent in Vienna are often dismissed as uneventful and unproductive. In "Our Famous Guest" Carl Dolmetsch shows the truth to be otherwise. Upon his arrival Twain found all the doors of the celebrity-mad city, from its literary cafe's to its aristocratic salons, flung wide open to him. The aging writer imbibed freely of Vienna's atmosphere, and the result was a final, astonishing surge of creativity. Among the thirty works that came, either whole or in part, from Twain's Austrian visit were the Socratic dialogue What Is Man?, the "Early Days" section of his Autobiography, Book I of Christian Science, the classic short story "The Man That Corrupted Hadleyburg," the polemical essay "Concerning the Jews," and, most important, a major portion of the manuscript cluster known as The Mysterious Stranger. As Dolmetsch notes, conventional wisdom about Twain attributes the "bitter pessimism" of these late writings to such factors as his personal bereavements and financial reversals. Rejecting this view as grossly oversimplified, Dolmetsch argues that the transformation in Twain's outlook and writing style owe much to the cultural currents he encountered abroad, above all in Vienna. He suggests that Twain was especially responsive to a peculiarly Viennese blend of nihilism and hedonism and to the "impressionistic" style favored by its writers. In locating these influences, Dolmetsch portrays a Mark Twain far more cosmopolitan and urbane than previous biographical studies have allowed. Through meticulous research in Viennese newspaper reports as well as in Twain's own journals and writings, Dolmetsch reconstructs the writer's visit in breathtaking detail. The narrative sparkles with accounts of Twain's shrewd manipulation of the Viennese press, his involvements in the city's musical and theatrical life, the attacks he endured from anti-Semitic journalists, and even his futile attempts to obtain marketing rights to two inventions by a Polish engineer. In one particularly intriguing chapter Dolmetsch ponders the riddle of Twain's association with Freud (who was then virtually unknown outside of Vienna) and their congruent fascination with the relationship between dreams and "reality." An invaluable addition to Twain scholarship, "Our Famous Guest" is equally compelling for the glimpse it offers of a vanished world.

*Finalist for the Pulitzer Prize for Biography* *Winner of the Los Angeles Times Prize for Biography* *Winner of the 2019 Hitchens Prize* "Portrays Holbrooke in all of his endearing and exasperating self-willed glory...Both a sweeping diplomatic history and a Shakespearean tragicomedy... If you could read one book to comprehend American's foreign policy and its quixotic forays into quicksands over the past 50 years, this would be it."--Walter Isaacson, The New York Times Book Review "By the end of the second page, maybe the third, you will be hooked...There never was a diplomat-activist quite like [Holbrooke], and there seldom has been a book quite like this -- sweeping and sentimental, beguiling and brutal, catty and critical, much like the man himself."--David M. Shribman, The Boston Globe Richard Holbrooke was brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites. Admired and detested, he was the force behind the Dayton Accords that ended the Balkan wars, America's greatest diplomatic achievement in the post-Cold War era. His power lay in an utter belief in himself and his idea of a muscular, generous foreign policy. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied the postwar American impulse to take the lead on the global stage. But his sharp elbows and tireless self-promotion ensured that he never rose to the highest levels in government that he so desperately coveted. His story is thus the story of America during its era of supremacy: its strength, drive, and sense of possibility, as well as its penchant for overreach and heedless self-confidence. In Our Man, drawn from Holbrooke's diaries and papers, we are given a nonfiction narrative that is both intimate and epic in its revelatory portrait of this extraordinary and deeply flawed man and the elite spheres of society and government he inhabited.

The Vienna in which Franz Schubert lived for the thirty-one years of his life was not just a city of music, dance, and coffeehouses - a centre of important achievements in the arts. It was also the capital of an empire that was constantly at war in the composer's youth and that became a police state during his maturity.

“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.

A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsmen. It is also a moving vindication of historical study itself, in the face of modernism's defiant suggestion that history is obsolete." -- David A. Hollinger, History Book Club Review "Each of [the seven separate studies] can be read separately....Yet they are so artfully designed and integrated that one who reads them in order is impressed by the book's wholeness and the momentum of its argument." -- Gordon A. Craig, The New Republic "A profound work...on one of the most important chapters of modern intellectual history" -- H.R. Trevor-Roper, front page, The New York Times Book Review "Invaluable to the social and political historian...as well as to those more concerned with the arts" -- John Willett, The New York Review of Books "A work of original synthesis and scholarship. Engrossing." -- Newsweek

For the true story behind Argo, read Our Man in Tehran The world watched with fear in November 1979, when Iranian students infiltrated and occupied the American embassy in Tehran. The Americans were caught entirely by surprise, and what began as a swift and seemingly short-lived takeover evolved into a crisis that would see fifty-four embassy personnel held hostage, most for 444 days. As Tehran exploded in a fury of revolution, six American diplomats secretly escaped. For three months, Ken Taylor, the Canadian ambassador to Iran—along with his wife and embassy staffers—concealed the Americans in their homes, always with the prospect that the revolutionary government of Ayatollah Khomeini would exact deadly consequences. The United States found itself handcuffed by a fractured, fundamentalist government it could not understand and had completely underestimated. With limited intelligence resources available on the ground and anti-American sentiment growing, President Carter turned to Taylor to work with the CIA in developing their exfiltration plans. Until now, the true story behind Taylor’s involvement in the escape of the six diplomats and the Eagle Claw commando raid has remained classified. In Our Man in Tehran, Robert Wright takes us back to a major historical flashpoint and unfolds a story of cloak-and-dagger intrigue that brings a new understanding of the strained relationship between the Unites States and Iran. With the world once again focused on these two countries, this book is the stuff of John le Carré and Daniel Silva made real.

Between the Confederacy and recognition by Great Britain stood one unlikely Englishman who hated the slave trade. His actions helped determine the fate of a nation. When Robert Bunch arrived in Charleston to take up the post of British consul in 1853, he was young and full of ambition, but even he couldn’t have imagined the incredible role he would play in the history-making events to unfold. In an age when diplomats often were spies, Bunch’s job included sending intelligence back to the British government in London. Yet as the United States threatened to erupt into Civil War, Bunch found himself plunged into a double life, settling into an amiable routine with his slavery-loving neighbors on the one hand, while working furiously to thwart their plans to achieve a new Confederacy. As secession and war approached, the Southern states found themselves in an impossible position. They knew that recognition from Great Britain would be essential to the survival of the Confederacy, and also that such recognition was likely to be withheld if the South reopened the Atlantic slave trade. But as Bunch meticulously noted from his perch in Charleston, secession’s red-hot epicenter, that trade was growing. And as Southern leaders continued to dissemble publicly about their intentions, Bunch sent dispatch after secret dispatch back to the Foreign Office warning of the truth—that economic survival would force the South to import slaves from Africa in massive numbers. When the gears of war finally began to turn, and Bunch was pressed into service on an actual spy mission to make contact with the Confederate government, he found himself in the middle of a fight between the Union and Britain that threatened, in the boast of Secretary of State William Seward, to “wrap the world in flames.” In this masterfully told story, Christopher Dickey introduces Consul Bunch as a key figure in the pitched battle between those who wished to reopen the floodgates of bondage and misery, and those who wished to dam the tide forever. Featuring a remarkable cast of diplomats, journalists, senators, and spies, Our Man in Charleston captures the intricate, intense relationship between great powers on the brink of war.