With humor and grace, the memoir of a first-generation Chinese American in New York City Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng's upbringing in Flushing, Queens in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese Hand Laundry. From behind the counter of his parent’s laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of tv’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the Counterculture and Civil Rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who could not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

With humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

Hadassah's high school crush Ahmad is back in town for his little brother's graduation and she is avoiding him by working the night shift at her family's 24-hour laundromat. The last time she saw him, she got drunk and did some things still make her blush and make her cover her face with shame. The last thing she wants to do is relive that humiliating moment. But then Ahmad shows up with dinner and a bottle of Henny. Confessions slip from her lips and clothes hit the floor in Liquor & Laundry. Unrequited love High school crush

From the G Clefs of the mid-1950s to the Dresden Dolls of today, from the down & dirty to the royalty of rock, here's what's been rockin' Boston for the past fifty years.

A social history of the role of the Chinese laundry on the survival of early Chinese immigrants in the U.S.during the Chinese Exclusion law period, 1882-1943, and in Canada during the years of the Head Tax, 1885-1923, and exclusion law, 1923-1947. Why and how Chinese got into the laundry business and how they had to fight discriminatory laws and competition from white-owned laundries to survive. Description of their lives, work demands, and living conditions. Reflections by a sample of children who grew up living in the backs of their laundries provide vivid first-person glimpses of the difficult lives of Chinese laundrymen and their families.

With humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.

“This novel will reconvince you of the power of wilderness to heal a human heart” (Pam Houston, author of Contents May Have Shifted). Tara Marconi has made her way from Philadelphia to “the Rock,” a remote island in Alaska governed by the seasons. Her mother’s death left her unmoored, with a seemingly impassable rift between her and her father. But in this majestic, rugged frontier she works her way up the commercial fishing ladder—from hatchery assistant all the way to king crabber. Disciplined from years as a young boxer, she learns anew what it means to work, to connect, and—through an unlikely old tugboat—how to make a home she knows is her own. A testament to the places that shape us and the places that change us, The Alaskan Laundry tells one woman’s unforgettable journey in waters as far and icy as the Bering Sea, back to the possibility of love.

THREE TREES. by Alvin Eng. A Portrait Play about Alberto Giacometti and Isaku Yanaihara. "THREE TREES is an astonishingly moving play about Alberto Giacometti, his wife Annette, his brother, Diego, and his good friend, Isaku Yanaihara. Eng has perfectly captured the personalities of each as well as the steamy and stormy interactions that wove them into a tight triangle. Eng's deep appreciation for and comprehension of Giacometti's art sheds a brilliant light on the complex human drama that unfolds before our eyes." LAURIE WILSON, author of Alberto Giacometti: Myth Magic and the Man. This is a NoPassport Press publication.

The Clothesline is a nostalgic yet practical guide to a less complicated time, when women shared household secrets, recipes and remedies over the back fence. Filled with historic and contemporary photographs and illustrations, the book includes tips on creating a fun yet functional laundry room, information on laundry collectibles, hints for easy care of heirloom linens, and traditional wash-day recipes like lavender ironing water and verbena soap. Visit the Clothesline website for helpful tips, excerpts from the book, and author tour information.

A captivating memoir of New York’s Historic Upper West Side at a time when community and unity defined the neighborhood Step into the world of Just City and embark on a poignant journey to a time when ideals were woven into the very fabric of a neighborhood. Jennifer Baum’s evocative storytelling brings to life an era in New York City’s history where affordable housing wasn’t just a concept, but a reality that defined the essence of community. Within the pages of this captivating memoir, you’ll find yourself transported to the historic Upper West Side—a place where diversity flourished and a shared belief in the importance of a home for all bound the residents together. Through personal anecdotes and heartfelt accounts, Baum illuminates her own upbringing alongside the stories of those who shared her neighborhood. She describes how as an adult, she came to appreciate that being raised in an integrated collective was a unique and exceptional experience. As she moves around the world for school, a husband, and work, she tells the story of her search for a home that would embody the values and community she grew up with. Just City goes beyond the physicality of housing; it unveils the emotional tapestry of housing for an entire generation. As you immerse yourself in the stories of rallies, grassroots efforts, and the sense of kinship that defined this era, you’ll witness a generation that stood united for justice and fairness. The book captures not just moments, but the ethos of a time when the city was a testament to the power of community. Celebrate the legacy of an era when a city was truly a home, when principles of social responsibility thrived. Just City isn’t just a memoir—it’s an invitation to revive the spirit of unity and create a city where everyone belongs. So open its pages and let its words rekindle the flame of a just and inclusive city once more.