Kitty, Kent and their parents move into a creaky old house one week before Halloween.

When Anna's and Jason's parents decide to move to a new house, the kids are less than thrilled. Especially when they suspect that their "new" house is haunted! But this ghost isn't spooky at all. In fact, this ghost seems to have a sense of humor! Readers will be "haunted" by the humorous antics in this delightfully illustrated ghost story. This short, 32-page hi-lo book will appeal to reluctant readers who enjoy a good whodunnit.

A Yuletide gathering in an eerie country retreat provides the backdrop for Dickens and his friends — including Elizabeth Gaskell and Wilkie Collins — who take turns spinning supernatural yarns.

Long out of print, Rebecca Brown’s brilliant debut novel explores the psychic repercussions of growing up in an alcoholic family, and the ways in which one woman’s past continues to inform and inhabit her life. Robin Daley’s childhood is dominated by a sense of impermanence: Her hard-drinking father disappears as suddenly and unexpectedly as he arrives. Her adulthood offers an escape, but strange things happen when the dark corners and locked rooms of family life are revealed. Rebecca Brown is the author of The Gifts of the Body, The Last Time I Saw You, and The End of Youth. She lives in Seattle.

The Haunted House, and Other Stories Table Of Contents THE HAUNTED HOUSE NO. 1 BRANCH LINE: THE SIGNAL-MAN THE BOOTS AT THE HOLLY-TREE INN

First published in 1859 for the weekly periodical “All the Year Round”, “The Haunted House" is a collection of short stories by Charles Dickens and others, with Dickens writing the opening and closing stories. They include: "The Mortals in the House" (Charles Dickens), "The Ghost in the Clock Room" (Hesba Stretton), "The Ghost in the Double Room" (George Augustus Sala), "The Ghost in the Picture Room" (Adelaide Anne Procter), "The Ghost in the Cupboard Room" (Wilkie Collins), "The Ghost in Master B's Room" (Charles Dickens), "The Ghost in the Garden Room" (Elizabeth Gaskell), and "The Ghost in the Corner Room" (Charles Dickens). Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Great Expectations” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with a specially-commissioned new biography of the author.

Kitty, Kent and their parents move into a creaky old house one week before Halloween.

We all know the same ghosts: it's simply a question of how doggedly they haunt us. Part-chilling tale, part-memoir, part-cultural exploration, Haunted: Ghost Stories and Their Afterlives takes us through some of the most chilling and enduring ghost stories, and discusses what they reveal about the listener, the teller and the times we live in. E. Jay Gilbert has been collecting tales of the supernatural from her local area (a small village outside of Newcastle) for years and what surprised her most is how universal those are: not only in terms of recurring spectres that haunt us the world over (I'm looking at you, White Ladies), but also how similar our experience of ghost-telling is, wherever we grew up. The result is a book which explores more widely the ghosts of the British Isles and how they have endured and changed through the ages: how they reflect the communities in which they originate, and how they are similar to and different from similar stories from across the world. Haunted doesn't just thrill with the tales of the inexplicable, but also asks why are we so fascinated by ghost stories and what do they tell us about the community and people who cultivate them. Why are some tropes universal, while others are very much unique to the place they haunt? Do we actually care about the identity of the ghost? Or are we more concerned about how the alleged sighting made us feel? Aimed at both believers and sceptics, it's not only for those who are looking to be frightened a little, but also for those interested in the psychology and history of the long tradition of supernatural storytelling.

When Catherine Porter murders her only son and takes her own life, no one can understand why. Vilified for her crimes, she becomes synonymous with everything evil and wicked amongst the locals, and parents begin using her name to scare their errant children into behaving. Soon after her death, reports begin to circulate that her ghost has been seen inside her old house. Over the years, the sightings continue, sending most of the house's occupants running from the property, screaming into the night, never to return. When the Jefferson family moves in, they decide to hold a séance to finally rid the property of its unwanted guest. But in doing so, they unleash something even more terrifying: a malevolent force that will stop at nothing to take back its domain.