Slimm, a seventeen-year-old Black boy in a hoodie suddenly finds himself in the first moments of his afterlife. He calls out for God. God does not respond. What happens next is a sacred journey through the unknown, as Slimm grapples with the truth of the life he lived and the death he didn't choose. Our Fathers, Sons, Lovers and Little Brothers is a protest for all Black life beyond headlines and hashtags, a prayer for all families left behind, and a promise to the community that all Black lives matter.

With an introduction by Rosamund Bartlett and an afterword by Tatiana Tolstaya Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could also sympathize with Arkady's fascination with its nihilist hero whose story vividly captures the hopes and regrets of a changing Russia. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Down to Earth: Busting the Myths of Mars and Venus blasts the lid off the myths of gender roles and stereotypes, and the damage they do to people and our planet. The book also offers strategies for changing the lives of women and men, girls and boys, for the better. Veronica Schwarz tells it like it is, with blistering clarity, anecdotes, statistics and humor, highlighting the points with her own illustrations. Busting The Myths of Mars and Venus is the result of ten years of research in fields ranging from anthropology to sociology, history to literature, folklore to psychology, medicine and neuroscience, myth, philosophy and religion. It offers you, the reader, an unforgettable experience and can change your life. Once you see it, you will never unsee it.

Unwilling to see Asian American women silenced beneath the noisy discourses of feminists, cultural nationalists, and Eurocentric historians, Wendy Ho turns to specific spoken stories of mothers and daughters. Against reductive tendencies of scholarship, she places her own conversations with her China-born grandmother and her U.S.-born mother and her own readings of other Asian American women writers. She finds in the writings of Maxine Hong Kingston, Amy Tan, and Fae Myenne Ng not only complex mother-daughter relationships but many-faceted relationships to fathers, family, community, and culture. Always resisting the simplistic explanations, In Her Mother's House brings Asian American women's experience as mothers and daughters to the forefront of gender and ethnicity.

Claudia is "an official pre-teen" still reeling from her parents' divorce. Her father is getting re-married, she has a science fair project coming due, and she is in the physical and emotional throes of puberty. Finding refuge in the basement of her school, Alcudia discovers the pain at the center of her brimming child 's heart. Some important adults in Claudia 's life -her grandfather, her father 's new girlfriend and the school custodian -shed light on her situation.

First published in Warsaw in 1816, Malvina, or the Heart's Intuition has been largely—and unjustly—ignored by the Polish literary canon. Ingeniously structured and vividly related by a Tristram Shandy-esque narrator, Maria Wirtemberska's psychologically complex work is often considered Poland's first modern novel. This splendid translation by Ursula Phillips should restore Wirtemberska to her rightful place in the literary pantheon while providing fertile new ground for the study of the international development of the novel. The romantic story of the young widow Malvina and her mysterious lover Ludomir, Malvina combines several literary styles and influences—from the epistolary to the Gothic. Nobel laureate Czeslaw Milosz argues that Malvina is quintessentially a sentimental novel—a model of the genre whose chief aspiration is to promote a change in sensibility and inspire new forces of feeling and imagination. For this reason Wirtemberska may be compared to her English contemporary, Jane Austen. A work of genuine artistic daring and sophistication, Malvina, or the Heart's Intuition has been overlooked by critics for too long, and readers have been denied the pleasure of reading one of literature's major landmarks—until now.