This book is an attempt to remedy the neglect of the cultural and aesthetic aspects of English socialism in the late nineteenth and twentieth centuries. An outstanding symptom of this neglect is the way in which the Fabian Society, and its two leading lights, Sidney and Beatrice Webb, have usually been depicted as completely indifferent to art and to the artistic ramifications of socialism. Most commentators have painted Fabian socialism as a narrowly utilitarian programme of social and administrative reform, preoccupied with the mechanisms of politics and largely obvious of wider, more 'human' issues. One of the basic aims of the book is to question this bleakly philistine image, by showing the basis of the Fabians' beliefs in romancism as well as utilitarianism.

Routledge Library Editions: Women and Politics (9 Volume set) presents titles, originally published between 1981 and 1993. The set draws attention to the importance of women and how their presence and active involvement, in politics and related fields, during the twentieth century has been crucial throughout the world.

This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life. Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

In this new and final collection, Richard Taruskin gathers a sweeping range of keynote speeches, reviews, and critical essays from the first twenty years of the twenty-first century. With twenty-three essays in total, this volume presents five lectures delivered in Budapest on Hungarian music and ten essays on Russian music. Reviews of contemporary work in musicology and reflections on the place of music in society showcase Taruskin’s trademark wit and breadth. Musical Lives and Times Examined is an essential collection, a comprehensive portrait of a distinguished figure in music studies, illuminating the ideas that have transformed the discipline and will continue to do so.

Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of this book is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women.

Having already published a bibliography on Annie Besant, Theodore Besterman in this book continued with the story of her life. She was a prominent British Theosophist, women's rights activist, writer and orator who lived between 1847 and 1933. Originally published in 1934, this work is fascinating for anyone with an interest in Annie Besant's life specifically or in any of the areas in which she became a household name.

A Sunday Times Best Book of the Year: The “informative and entertaining” first major biography of the trailblazing, controversial children’s author (The Washington Post). Born in 1858, Edith Nesbit is today considered the first modern writer for children and the inventor of the children’s adventure story. In The Life and Loves of E. Nesbit, award-winning biographer Eleanor Fitzsimons uncovers the little-known details of her life, introducing readers to the Fabian Society cofounder and fabulous socialite who hosted legendary parties and had admirers by the dozen, including George Bernard Shaw. Through Nesbit’s letters and archival research, Fitzsimons reveals “E.” to have been a prolific lecturer and writer on socialism and shows how Nesbit incorporated these ideas into her writing, thereby influencing a generation of children—an aspect of her literary legacy never before examined. Fitzsimons’s riveting biography brings new light to the life and works of this remarkable writer and woman. “Meticulous and invaluable...exceptionally illuminating and detailed.” —The Wall Street Journal “Fitzsimons handily reassembles the hundreds of intricate, idiosyncratic parts of the miraculous E. Nesbit machine.” —The New York Times Book Review “I’ve always loved the work of E. Nesbit—The Railway Children and Five Children and It are my favorites—but I knew nothing about the extraordinary, surprising life of this great figure in children’s literature . . . so gripping that I read [it] in two days.” —Gretchen Rubin, #1 New York Times-bestsellingauthor of The Happiness Project “A charming, lively, and old-fashioned biography . . . highly readable.” —Publishers Weekly “A terrific book.” —Neil Gaiman