The Oulipo was founded in 1960 by a group of leading French writers and mathematicians, it still meets regularly some thirty five years later, making it one of the longest lived and productive literary groupings ever. The Oulipo's original aim was to inquire into the possibilities of combining literature and mathematics, but this field of study was soon expanded to include all writing using self-imposed restrictive systems. Remarkable Oulipian works have been written by Queneau, Calvino, Perec, Roubaud, Mathews (to mention only those familiar to English-speaking readers). The group publishes a series of small booklets for circulation among its friends. This anthology reproduces six of them in English facsimile, from among the earliest (no. 3, 1976) to the most recent (no. 70, 1995); it provides the English reader with a taste at least of one of the most sustained and intriguing literary investigations of recent years.

Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh

Main description: What sort of society could bind together Jacques Roubaud, Italo Calvino, Marcel Duchamp, and Raymond Queneau-and Daniel Levin Becker, a young American obsessed with language play? Only the Oulipo, the Paris-based experimental collective founded in 1960 and fated to become one of literature's quirkiest movements. An international organization of writers, artists, and scientists who embrace formal and procedural constraints to achieve literature's possibilities, the Oulipo (the French acronym stands for 0workshop for potential literature0) is perhaps best known as the cradle of Georges Perec's novel A Void, which does not contain the letter e. Drawn to the Oulipo's mystique, Levin Becker secured a Fulbright grant to study the organization and traveled to Paris. He was eventually offered membership, becoming only the second American to be admitted to the group. From the perspective of a young initiate, the Oulipians and their projects are at once bizarre and utterly compelling. Levin Becker's love for games, puzzles, and language play is infectious, calling to mind Elif Batuman's delight in Russian literature in The Possessed. In recent years, the Oulipo has inspired the creation of numerous other collectives: the OuMuPo (a collective of DJs), the OuMaPo (marionette players), the OuBaPo (comic strip artists), the OuFlarfPo (poets who generate poetry with the aid of search engines), and a menagerie of other Ou-X-Pos (workshops for potential something). Levin Becker discusses these and other intriguing developments in this history and personal appreciation of an iconic-and iconoclastic-group.

The literary group known as Oulipo, was founded in Paris in 1960 to pursue writing in a way that contrasts strongly with the Anglo-American tradition. The examples included in this collection all display some form of literary constraint.

A late 20th-century kabala, a labyrinth of literary secrets that will lure the uninitiated into rethinking everything they know about books and writing. The definitive encyclopedia of contemporary word-magic.

Intimate, humorous, and insightful, Readings is a collection of classic essays and reviews by Michael Dirda, book critic of the Washington Post and winner of the 1993 Pulitzer Prize for criticism. From a first reading of Beckett and Faulkner at the feet of an inspirational high-school English teacher to a meeting of the P. G. Wodehouse Society, from an obsession with Nabokov's Lolita to the discovery of the Japanese epic The Tale of Genji, these essays chronicle a lifetime of literary enjoyment.

'Pataphysics, the pseudoscience imagined by Alfred Jarry, has so far, because of its academic frivolity and hermetic perversity, attracted very little scholarly or critical inquiry, and yet it has inspired a century of experimentation. Tracing the place of 'pataphysics in the relationship between science and poetry, Christian Bök shows it is fundamental to the nature of the postmodern, and considers the work of Alfred Jarry and its influence on others. A long overdue critical look at a significant strain of the twentieth-century avant-garde, 'Pataphysics: The Poetics of Imaginary Science raises important historical, cultural, and theoretical issues germane to the production and reception of poetry, the ways we think about, write, and read it, and the sorts of claims it makes upon our understanding.

In this wide-ranging and insightful analysis, the author proposes a poetics of narrative for postmodernism by placing new emphasis on the folktale. He beings by examining the key features of folktales: their emphasis on a chain of events rather than description or consciousness, their emphasis on a self-contained fictional environment rather than realism, the presence of a storyteller as a self-confessed fabricator, their oral and communal status, and their ever-changing state, which defies authoritative versions.

A TIMES LITERARY SUPPLEMENT BOOK OF THE YEAR 2020 'Lovers of word games and literary puzzles will relish this indispensable anthology' The Guardian 'At times, you simply have to stand back in amazement' Daily Telegraph 'An exhilarating feat, it takes its place as the definitive anthology in English for decades to come' Marina Warner Brought together for the first time, here are 100 pieces of 'Oulipo' writing, celebrating the literary group who revelled in maths problems, puzzles, trickery, wordplay and conundrums. Featuring writers including Georges Perec, Raymond Queneau and Italo Calvino, it includes poems, short stories, word games and even recipes. Alongside these famous Oulipians, are 'anticipatory' wordsmiths who crafted language with unusual constraints and literary tricks, from Jonathan Swift to Lewis Carroll. Philip Terry's playful selection will appeal to lovers of word games, puzzles and literary delights.

The $3x+1$ problem, or Collatz problem, concerns the following seemingly innocent arithmetic procedure applied to integers: If an integer $x$ is odd then “multiply by three and add one”, while if it is even then “divide by two”. The $3x+1$ problem asks whether, starting from any positive integer, repeating this procedure over and over will eventually reach the number 1. Despite its simple appearance, this problem is unsolved. Generalizations of the problem are known to be undecidable, and the problem itself is believed to be extraordinarily difficult. This book reports on what is known on this problem. It consists of a collection of papers, which can be read independently of each other. The book begins with two introductory papers, one giving an overview and current status, and the second giving history and basic results on the problem. These are followed by three survey papers on the problem, relating it to number theory and dynamical systems, to Markov chains and ergodic theory, and to logic and the theory of computation. The next paper presents results on probabilistic models for behavior of the iteration. This is followed by a paper giving the latest computational results on the problem, which verify its truth for $x < 5.4 cdot 10^{18}$. The book also reprints six early papers on the problem and related questions, by L. Collatz, J. H. Conway, H. S. M. Coxeter, C. J. Everett, and R. K. Guy, each with editorial commentary. The book concludes with an annotated bibliography of work on the problem up to the year 2000.