In this book, geologists Jan Zalasiewicz and Mark Williams consider the deep history of oceans, how and when they may have formed on the young Earth - topics of intense current research - how they became salty, and how they evolved through Earth history.

DigiCat Publishing presents to you this special edition of "Other Worlds" (Their Nature, Possibilities and Habitability in the Light of the Latest Discoveries) by Garrett Putman Serviss. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A definite look at the state of science fiction studies today that surveys the field from Hugo Gernsbach to the present.

Stories about the occult, folk religions, superstition, and spiritual customs in Russia by one of the most essential twentieth-century writers of short fiction and essays. Though best known for her comic and satirical sketches of pre-Revolutionary Russia, Teffi was a writer of great range and human sympathy. The stories on otherworldly themes in this collection are some of her finest and most profound, displaying the acute psychological sensitivity beneath her characteristic wit and surface brilliance. Other Worlds presents stories from across the whole of Teffi’s long career, from her early days as a literary celebrity in Moscow to her post-Revolutionary years as an émigré in Paris. In the early story “A Quiet Backwater,” a laundress gives a long disquisition on the name days of the flora and fauna and on the Feast of the Holy Ghost, a day on which “no one dairnst disturb the earth.” The story “Wild Evening” is about the fear of the unknown; “The Kind That Walk,” a penetrating study of antisemitism and of xenophobia; and “Baba Yaga,” about the archetypal Russian witch and her longing for wildness and freedom. Teffi traces the persistent influence of the ancient Slavic gods in superstitions and customs, and the deep connection of the supernatural to everyday life in the provinces. In “Volya,” the autobiographical final story, the power and pain of Baba Yaga is Teffi’s own.

A marvelous collection of wide-ranging essays from the bestselling author of The Handmaid's Tale and The Testaments, exploring her lifelong relationship to science fiction—as a reader and as a writer The ebook edition of this title contains over thirty additional, illuminating ebook-exclusive illustrations by the author At a time when the borders between genres are increasingly porous, she maps the fertile crosscurrents of speculative and science fiction, utopias, dystopias, slipstream, and fantasy, musing on the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with SF, from her childhood invention of a race of flying superhero rabbits to her graduate study of its Victorian antecedents to the creation of her own acclaimed novels. Studded with appreciations of such influential writers as Marge Piercy, Ursula K. LeGuin, Kazuo Ishiguro, H. Rider Haggard, Aldous Huxley, H. G. Wells, and Jonathan Swift, In Other Worlds is as humorous and charming as it is insightful and provocative.

Oceans were long thought to exist in all corners of the Solar System, from carbonated seas percolating beneath the clouds of Venus to features on the Moon's surface given names such as "the Bay of Rainbows” and the "Ocean of Storms." With the advent of modern telescopes and spacecraft exploration these ancient concepts of planetary seas have, for the most part, evaporated. But they have been replaced by the reality of something even more exotic. For example, although it is still uncertain whether Mars ever had actual oceans, it now seems that a web of waterways did indeed at one time spread across its surface. The "water" in many places in our Solar System is a poisoned brew mixed with ammonia or methane. Even that found on Jupiter's watery satellite Europa is believed similar to battery acid. Beyond the Galilean satellites may lie even more "alien oceans." Saturn's planet-sized moon Titan seems to be subject to methane or ethane rainfall. This creates methane pools that, in turn, become vast lakes and, perhaps, seasonal oceans. Titan has other seas in a sense, as large shifting areas of sand covering vast plains have been discovered. Mars also has these sand seas, and Venus may as well, along with oceans of frozen lava. Do super-chilled concoctions of ammonia, liquid nitrogen, and water percolate beneath the surfaces of Enceladus and Triton? For now we can only guess at the possibilities. 'Alien Seas' serves up part history, part current research, and part theory as it offers a rich buffet of "seas" on other worlds. It is organized by location and by the material of which various oceans consist, with guest authors penning specific chapters. Each chapter features new original art depicting alien seas, as well as the latest ground-based and spacecraft images. Original diagrams presents details of planetary oceans and related processes.

The papers collected in this volume deal with the explorations of Science Fiction, Fantasy and, more generally, the representation of otherness through the narrative construction of fantastic, imaginary, appalling or attractive places, stories and figures. Contributions are arranged in four main sections. The first section (Other spaces, new worlds) deals with Hindi and Arabic Science Fiction. The second section (Constructing forms of otherness) analyses the narrative and psychological mechanisms that give forms to a stereotype or archetypical image of the threatening Other. The third section ((Re)shaping style(s), language(s) and discourse(s) of otherness) is centred on the idea of language as a tool to build up styles, genres and texts, and literature as an escape from disappointing history and a cross-cultural wandering space of narrative ghosts. The fourth section (Circulating fearful otherness) tests the limits and heuristic potential of a philological approach in reconstructing the wide circulation of motifs and characters from antiquity to (post-)modernity.

From one of the most admired admirals of his generation—and the only admiral to serve as Supreme Allied Commander at NATO—comes a remarkable voyage through all of the world’s most important bodies of water, providing the story of naval power as a driver of human history and a crucial element in our current geopolitical path. From the time of the Greeks and the Persians clashing in the Mediterranean, sea power has determined world power. To an extent that is often underappreciated, it still does. No one understands this better than Admiral Jim Stavridis. In Sea Power, Admiral Stavridis takes us with him on a tour of the world’s oceans from the admiral’s chair, showing us how the geography of the oceans has shaped the destiny of nations, and how naval power has in a real sense made the world we live in today, and will shape the world we live in tomorrow. Not least, Sea Power is marvelous naval history, giving us fresh insight into great naval engagements from the battles of Salamis and Lepanto through to Trafalgar, the Battle of the Atlantic, and submarine conflicts of the Cold War. It is also a keen-eyed reckoning with the likely sites of our next major naval conflicts, particularly the Arctic Ocean, Eastern Mediterranean, and the South China Sea. Finally, Sea Power steps back to take a holistic view of the plagues to our oceans that are best seen that way, from piracy to pollution. When most of us look at a globe, we focus on the shape of the of the seven continents. Admiral Stavridis sees the shapes of the seven seas. After reading Sea Power, you will too. Not since Alfred Thayer Mahan’s legendary The Influence of Sea Power upon History have we had such a powerful reckoning with this vital subject.