Latina poets occupy an important place in today’s literary landscape. Coming from diverse backgrounds, they share an understanding of what it means to exist within the margins of society. As artists, they possess a dedication to their craft and a commitment to experimentation. Their voices—sometimes lyrical, sometimes autobiographical, sometimes politically charged—are distinctly female. Whereas previous anthologies have merged the works of Latino and Latina poets, this collection is the first to showcase Latina poetry on its own terms. For years readers have admired the poetry of prominent Latina authors Cherríe Moraga, Ana Castillo, and Sandra Cisneros. Building on their inspirational legacy, Other Musics heralds a new generation of Latina poets whose work blends traditional forms and styles with postmodern innovations. These poets do not fit neatly into one category. They come from all walks of life, from remarkably varied class, ethnic, occupational, and educational backgrounds. Their topics and concerns are wide-ranging. All of the poets, according to volume editor Cynthia Cruz, are creating “a new kind of music,” one that embraces the “in-between” and bicultural world that Latina women must constantly straddle. The fifteen poets featured in this anthology are Desirée Alvarez, Karen Bradway, Xochiquetzal Candelaria, Diana Maria Delgado, Natalie Diaz, Carolina Ebeid, Sandy Florian, Carrie Fountain, Leticia Hernández-Linares, Ada Limón, Sheryl Luna, Kristin Naca, Deborah Paredez, Emmy Pérez, and Carmen Giménez Smith. Along with an ample selection of each of their poetry, Other Musics features an artist statement by each poet, in which she discusses her work, her writing practice, how she became a writer, and her views on the purpose and mission of poetry in the contemporary world.

The Other Classical Musics will help both students and general readers to appreciate musical traditions mostly unfamiliar to them.

The drama of "Nashville" meets reality TV in this debut contemporary romance featuring two exes who reunite on a cross-country battle-of-the-bands tour.

"Roth Family Foundation music in America imprint"--Prelim. p.

A compendium of other musics, channelled from the spirit world, the fairy kingdom, outer space, secret societies and occult lodges. This unique collection of esoteric earworms gathers, and reproduces, music from other worlds. Here you'll find tunes hummed, strummed, and sung by spirits, sprites, and fairies, extraterrestrial elevator music, dreamed ditties, marches for occult ceremonies, secret musical codes and languages, music made by animals, and more. Each entry contains an explanatory text on its origins and purpose, and also reproduces the musical notation, in facsimile where possible, so that you can play along at home. An in-depth introductory essay by musician, historian and collector Doug Skinner rounds out this wondrous musical cabinet of curiosities.

The great flood of world musics into our immediate cultural environment is not a simple matter of expanding global musical exchange, but rather many complex processes such as the growth of intercontinental tourism and the development of technologies in communication. Elegantly tracing the dimensions of these new musical encounters, Laurent Aubert considers the impact of world musics on our values, our habits and our cultural practices. His discussions of key questions about our contemporary music culture widen conventional ethnomusicological perspectives to consider the nature of Western society as a 'global village' and the impact of current Western demands on the future of world musics and their practitioners.

Trumpets and Other High Brass is a series of books available in five volumes, illustrated with instruments from the Utley Collection at the National Music Museum and other major collections. Informed by the most current scholarship and new imaging technologies, it will comprise a comprehensive history of the trumpet and related instruments and a complete photographic catalog of the Utley Collection. Volume 1 traces the development of high brass instruments without valves or keys from antiquity through the 20th-century Baroque trumpet revival. It covers ethnic instruments from many cultures, the emergence of the trumpet in Europe and dominant designs of the 16th through 18th centuries. The inclusion of military and signal trumpets, bugles, and such oddities as bicycle bugles and walking-stick trumpets enhances an already rich survey. Available only in hardcover, Volume 1 includes 358 pages in an 8-1/2" x 11" format and features more than 800 illustrations in full color. The book is accompanied by a DVD with illustrative musical examples performed on instruments from the Utley Collection. - Publisher.

Here is a catalogue raisonee of Stockhausen's complete output, involving no technical analyses, but rather an examination of the music's aesthetic, practical, and intellectual assumptions. The book contains plentiful citations from the history of radio, film, and sound recording, and from contemporary science and technology. Laid out in strict chronological order, it contains unusually ample commentary on the composer's sources of inspiration, including discussions of the composers Hermann Schroeder, Olivier Messiaen, Pierre Schaeffer, Herbert Eimert, John Cage, the information scientist Werner Meyer-Eppler, and structural anthropologist Claude Levi-Strauss. Each of Stockhausen's compositions is treated on its own terms, and also as a piece in a larger puzzle, embracing surrealist art and literature as well as music. Every piece of music is fully documented within the text with full information of the publisher, catalogue number, instrumentation, duration, and composer-authorized compact disc.