Lily works as a cleaner. She moves through houses in inner-city Melbourne, unseen, scrubbing away the daily residue of other people's privilege. Her partner Janks works the line in a local food factory. With every pay check they inch further away from their former world of poverty and addiction. Lily and Janks are determined that their daughter Jewelee will have a different life. She'll have a career, not a dead-end job. She'll have savings, not debt. But precarious lives are easily upended. One wrong move throws the family into a situation in which the lines between right and wrong, hope and disappointment, are blurred. Other Houses is a masterful and tender story about people who live from payday to payday. Acutely observed and lyrical, Paddy O'Reilly's novel paints a haunting picture of class, aspiration and the boundaries we will cross for love.

'First published 54 years ago and yet feels as timely as any book I've read this year' Observer Nine months after the Nazi occupation of Austria, 600 Jewish Children assembled at Vienna station to board the first of the Kindertransports bound for Britain. Among them was 10 year old Lore Segal. For the next seven years, she lived as a refugee in other people's houses, moving from the Orthodox Levines in Liverpool, to the staunchly working class Hoopers in Kent, to the genteel Miss Douglas and her sister in Guildford. Few understood the terrors she had fled, or the crushing responsibility of trying to help her parents gain a visa. Amazingly she succeeds and two years later her parents arrive; their visa allows them to work as domestic servants - a humiliation for which they must be grateful. In Other People's Houses Segal evokes with deep compassion, clarity and calm the experience of a child uprooted from a loving home to become stranded among strangers.

“Bonnie-Sue Hitchcock’s Alaska is beautiful and wholly unfamiliar…. A thrilling, arresting debut.” —Gayle Forman, New York Times bestselling author of If I Stay and I Was Here “[A] singular debut. . . . [Hitchcock] weav[es] the alternating voices of four young people into a seamless and continually surprising story of risk, love, redemption, catastrophe, and sacrifice.” —The Wall Street Journal This deeply moving and authentic debut set in 1970s Alaska is for fans of Rainbow Rowell, Louise Erdrich, Sherman Alexie, and Benjamin Alire Saenz. Intertwining stories of love, tragedy, wild luck, and salvation on the edge of America’s Last Frontier introduce a writer of rare talent. Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled. This unforgettable William C. Morris Award finalist is about people who try to save each other—and how sometimes, when they least expect it, they succeed. Praise: William C. Morris Finalist Shortlisted for the Carnegie Medal Amelia Elizabeth Walden Book Award for Young Adult Fiction Tayshas Reading List—Top 10 List New York Public Library’s Best 50 Books for Teens Chicago Public Library, Best of the Best List Shelf Awareness, Best Children’s & Teen Books of the Year Nominated to the Oklahoma Sequoya Book Award Master List Nominated to the Colorado Blue Spruce Young Adult Book Award “Hitchcock’s debut resonates with the timeless quality of a classic. This is a fascinating character study—a poetic interweaving of rural isolation and coming-of-age.” —John Corey Whaley, award-winning author of Where Things Come Back and Highly Illogical Behavior “As an Alaskan herself, Bonnie Sue Hitchcock is able to bring alive this town, and this group of poor teens and their families that live there.” —Bustle

The clearest explanation yet of how the financial crisis of 2008 developed and why it could happen again In the wake of the financial meltdown in 2008, many claimed that it had been inevitable, that no one saw it coming, and that subprime borrowers were to blame. This accessible, thoroughly researched book is Jennifer Taub’s response to such unfounded claims. Drawing on wide-ranging experience as a corporate lawyer, investment firm counsel, and scholar of business law and financial market regulation, Taub chronicles how government officials helped bankers inflate the toxic-mortgage-backed housing bubble, then after the bubble burst ignored the plight of millions of homeowners suddenly facing foreclosure. Focusing new light on the similarities between the savings and loan debacle of the 1980s and the financial crisis in 2008, Taub reveals that in both cases the same reckless banks, operating under different names, received government bailouts, while the same lax regulators overlooked fraud and abuse. Furthermore, in 2013 the situation is essentially unchanged. The author asserts that the 2008 crisis was not just similar to the S&L scandal, it was a severe relapse of the same underlying disease. And despite modest regulatory reforms, the disease remains uncured: top banks remain too big to manage, too big to regulate, and too big to fail.

'A dark, twisting tale of guilt and obsession which will leave you gasping' Petronella McGovern, author of Six Minutes The stunningly tense, page-turning top 10 bestseller for all fans of The Woman in the Window and The Girl on the Train. The perfect house. The perfect family. Too good to be true. Kate Webb still grieves over the loss of her young son. Ten years on, she spends her weekends hungover, attending open houses on Sydney's wealthy north shore and imagining the lives of the people who live there. Then Kate visits the Harding house - the perfect house with, it seems, the perfect family. A photograph captures a kind-looking man, a beautiful woman she knew at university, and a boy - a boy that for one heartbreaking moment she believes is her own son. When her curiosity turns to obsession, she uncovers the cracks that lie beneath a glossy facade of perfection, sordid truths she could never have imagined. But is it her imagination? As events start to spiral dangerously out of control, could the real threat come from Kate herself? 'At times sad and moving [and] the twists come fast. This promising debut novel would be a good recommendation for fans of thrillers and is a confirmed quick and entertaining holiday read.' Books + Publishing 'A clever premise and a troubled narrator set this page-turner up beautifully. I really enjoyed the ride.' Sara Foster 'Taut, smart and immensely satisfying. I was addicted from the first page to the last.' Nicola Moriarty

Vernacular architecture, by its very nature, is built from local materials that are readily to hand and is thus defined by the geology and ecology of the region and by local climatic conditions. Constructed by the community using traditional tools, these structures are highly practical, energy-efficient, and blend with the landscape. They carry many of the attributes that we are now seeking in 'green architecture' as we struggle to adapt our built environment to the demands and concerns of the climate-change era. 'Handmade Houses and Other Buildings' looks at everyday structures all over the world, from whatever wood, grass, earth or stone that was to hand, in ways that offered practical solutions to the challenges of climate or terrain. Based on immemorial principles, but highly relevant to our newly found environmental concerns, these buildings show the simple and satisfying ways in which humans have worked out how to live - and live well, in harmony with their surroundings.

Buckminster Fuller's 1929-46 Dymaxion House initiated a series of dwelling prototypes that radically challenged housing norms, plunging the very nature of domestic space into crisis. Through a series of interwoven vignettes, Federico Neder unveils the conflicted spatiality of Fuller's houses. Neder tracks the transforming Dymaxion House as it moves through a universe where its materials and forms commingle with those of vehicles, clothing, and furniture. The journey invokes other landmark twentieth-century dwellings, tracing the ongoing influence of the Dymaxion prototypes. In the process, we discover how Fuller's visions of the dwelling environment transcend the boundaries of his house's gleaming shell, foreshadowing radical technological, social, and cultural changes in the art of living. 170 illustrations

100 of the World's Best Houses features exciting contemporary houses from some of the greatest architects, including Hugh Newell Jacobsen (Buckwalter House), Daryl Jackson Architects (Jackson House), Glenn Murcutt (Southern Highlights House), Kisho Kurok

Winner of the Dayton Literary Peace Prize and the Arab American Book Award A Best Book of the Year: NPR • NYLON • Kirkus • Bustle • BookPage "What does home mean when you no longer have a house—or a homeland? This beautiful novel traces one Palestinian family's struggle with that question and how it can haunt generations. . . . This is an example of how fiction is often the best filter for the real world around us." — NPR Lyrical and heartbreaking, Salt Houses follows three generations of a Palestinian family and asks us to confront that most devastating of all truths: you can’t go home again. On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia’s brother gets pulled into a politically militarized world he can’t escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home and their land, scattering to Beirut, Paris, Boston, and beyond. Soon Alia’s children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand.

In Other People’s Houses publishing legend Hilary McPhee exchanges one hemisphere for another. Fleeing the aftermath of a failed marriage, she embarks on a writing project in the Middle East, for a member of the Hashemite royal family, a man she greatly respects. Here she finds herself faced with different kinds of exile, new kinds of banishment. From apartments in Cortona and Amman and an attic in London, McPhee watches other women managing magnificently alone as she flounders through the mire of Extreme Loneliness. Other People’s Houses is a brutally honest memoir, funny, sad, full of insights into worlds to which she was given privileged access, and of the friendships which sustained her. And ultimately, of course, this is the story of returning home, of picking up the pieces, and facing the music as her house and her life takes on new shapes.