Ã’sun is a brilliant deity whose imagery and worldwide devotion demand broad and deep scholarly reflection. Contributors to the ground-breaking Africa's Ogun, edited by Sandra Barnes (Indiana University Press, 1997), explored the complex nature of Ogun, the orisa who transforms life through iron and technology. Ã’sun across the Waters continues this exploration of Yoruba religion by documenting Ã’sun religion. Ã’sun presents a dynamic example of the resilience and renewed importance of traditional Yoruba images in negotiating spiritual experience, social identity, and political power in contemporary Africa and the African diaspora. The 17 contributors to Ã’sun across the Waters delineate the special dimensions of Ã’sun religion as it appears through multiple disciplines in multiple cultural contexts. Tracing the extent of Ã’sun traditions takes us across the waters and back again. Ã’sun traditions continue to grow and change as they flow and return from their sources in Africa and the Americas.

What does our sophisticated, technically advanced society have to learn from a venerable African goddess? That is the question Dr. Diedre Badejo set out to answer a decade ago, armed only with a tape recorder, a working knowledge of Yoruba language, literature, and culture, and a mental "image" of the African Motherland molded as much by her great grandmother's character as by her own experience of the Black Power and Black Studies movements of the '60s and '70s. The answers Dr. Badejo found as she immersed herself in the ritual orature, sacred songs, and festival drama of the Yoruba goddess Osun Seegesi at the deity's principal shrine in the city of Osogbo, Nigeria, are shared with the world in this detailed documentary/analysis that presents a startling view of human relations and relationships that is powerful in its practicality and revolutionary in its civility. What Osun (pronounced "Oh-Shoon") offers to a civilization standing "at the crossroads" and poised on the "abyss of transition", says the author, is nothing less than "an African feminist theory that challenges the hegemony of the Western social order" with a holistic sociocultural vision that recognizes and affirms the reciprocal role of women and men in building and sustaining a truly civil society.

Honorable Mention, Latin American Studies Association Haiti-Dominican Republic Section Isis Duarte Book Prize Gathering oral stories and visual art from Haiti and two of its "motherlands" in Africa, Istwa across the Water recovers the submerged histories of the island through methods drawn from its deep spiritual and cultural traditions. Toni Pressley-Sanon employs three theoretical anchors to bring together parts of the African diaspora that are profoundly fractured because of the slave trade. The first is the Vodou concept of marasa, or twinned entities, which she uses to identify parts of Dahomey (the present-day Benin Republic) and the Kongo region as Haiti's twinned sites of cultural production. Second, she draws on poet Kamau Brathwaite's idea of tidalectics—the back-and-forth movement of ocean waves—as a way to look at the cultural exchange set in motion by the transatlantic movement of captives. Finally, Pressley-Sanon searches out the places where history and memory intersect in story, expressed by the Kreyòl term istwa. Challenging the tendency to read history linearly, this volume offers a bold new approach for understanding Haitian histories and imagining Haitian futures.

Finalist for the 2014 Albert J. Raboteau Prize for the Best Book in Africana Religions presented by the Journal of Africana Religions This is the first collection of essays to analyze intersectional religious and cultural practices surrounding the deity Yemoja. In Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts, and the family. This book reveals how Yemoja traditions are negotiating gender, sexuality, and cultural identities in bold ways that emphasize the shifting beliefs and cultural practices of contemporary times. Contributors come from a wide range of fields—religious studies, art history, literature, and anthropology—and focus on the central concern of how different religious communities explore issues of race, gender, and sexuality through religious practice and discourse. The volume adds the voices of religious practitioners and artists to those of scholars to engage in conversations about how Latino/a and African diaspora religions respond creatively to a history of colonization.

Join author and filmmaker James Weeks as he delves into the ancient Ifa spiritual tradition that led his family to healing. Absorb his stories as he travels abroad, tapping into the spirit realm and showing us ways to commune with our ancestors while discovering our purpose on Earth. His story has already touched tens of thousands of lives. Complete with updated chapters, this new edition of Meditations Across the King’s River reaches deep into the soul, urging us to open ourselves to our spirit guides and embrace their gifts.

Osun in colours is a compendium on one of the most significant traditional deity in Africa, the Caribbean Islands and the Americas. It is a searchlight to the diversified stories of the river goddess through its more than three hundred pictorial analysis and illustrations from Igede to Osogbo where the goddess groves. The book traces the biographical origin of the goddess from her humble beginning at Igede Ekiti and goes further to exhibit the exact source of her waters - the popular river Osun in Yorubaland till the point she crossed the Atlantic. Among other things, the book highlights Osun grove and its festival celebrations in selected Yoruba towns, discusses her relationship with other Yoruba pantheons and shows its readers the location where the two great rivers in Yorubaland, namely, river Oba and river Osun met. It goes further again, to discuss some ingredients peculiar to her worship, sacrifice and initiation. Two chapters are on her sojourn overseas and her beautiful songs across the waters. Osun in colours is extremely useful for Orisa worshippers in diaspora, valuable for tourists' and a reference point for researchers' and students' of religion worldwide. Intending readers and buyers should note that the book has scored so many 'FIRSTS'.The book is the first powerful book to trace the SOURCE of Osun waters.The first to highlight in pictorial form how it meanders through thick forests from Ekiti land through Ijesaland, Osogbo, Ibadan, Abeokuta and many other Yoruba communities until the point she crossed the Atlantic! The first to research into Osun's votary maids in Yoruba communities.The first to make a distinction between the Osun the divinity and the Osun the deity.....and lots more! Finally, the book is full of information and insight and it is a good source for continuous research, debate, seminars and discussion for any doubtful issue or issues that may be considered otherwise by any individual or group of person

In this book, Oyěwùmí extends her path-breaking thesis that in Yorùbá society, construction of gender is a colonial development since the culture exhibited no gender divisions in its original form. Taking seriously indigenous modes and categories of knowledge, she applies her finding of a non-gendered ontology to the social institutions of Ifá, motherhood, marriage, family and naming practices. Oyěwùmí insists that contemporary assertions of male dominance must be understood, in part, as the work of local intellectuals who took marching orders from Euro/American mentors and colleagues. In exposing the depth of the coloniality of power, Oyěwùmí challenges us to look at the worlds we inhabit, anew.

"The Oxford Handbook of Caribbean Religions offers a comprehensive overview of Caribbean religions. The Caribbean is a microcosm of the world's religions, but the small geographic space resulted in the encounter of global religions and indigenous religious practices. The racial, ethnic, and cultural diversity of this region makes brief introductions to Caribbean religions incapable of truly addressing its complex and diverse religious landscape. The Handbook also elaborates on the diversity of the religious traditions and the national particularity of the region while also considering multiple geographic settings. It mentions how often Caribbean religion is studied through the perspective of a discrete religious tradition or geographic setting"--

This volume honours one of the great scholars of our era, Professor Jacob Olupona. Although he has conducted significant portions of his career outside of Nigeria, he has not separated himself from his colleagues or from interests in religions in Nigeria and elsewhere in Africa. His publications and presentations offer the international scholarly community important critical insights into a range of religious activities, life ways and ideas originating in Africans and the African Diaspora. In spite of the diversity in the thoughts and opinions expressed, and equally of the range of disciplines and topics contained in the book, one can say that the contributors have developed a shared concern about the role of African Indigenous Religious Traditions in the processes of development and the context within which it (development) had or is taking place. The book guides us to a deep understanding and appreciation of how Africans in their varied situations grapple with existential problems through philosophical ruminations, complex ritual processes, cultivated memory and organized coping strategies.

Santería represents the first in-depth, scholarly account of a profound way of wisdom that is growing in importance in America today. A professional academic and himself a participant in the Santería community of the Bronx for several years, Joseph Murphy offers a powerful description and insightful analysis of this African/Cuban religion. He traces the survival of an ancient spiritual path from its West African Yoruba origins, through nearly two centuries of slavery in the New World, to its presence in the urban centers of the United States, where it continues to inspire seekers with its compelling vision.