'There is a salubrious élan about much of the book, and the fact that it is a book, not just a selection the significant poems, amplifies our sense of whatStonereally means to its contemporary readers' Seamus Heaney 'What makes Robert Tracy's book invaluable is his feeling for context...Another thing that comes across in these translations is the verve and immediacy of the poems' occasions, recalling the Acmeist programme of 'this-worldliness': there are poems about tennis and ice-cream and silent movies, poems that seem to jump into being on impulse' Seamus Heaney,London Review of Books 'A blend of classical serenity and brash iconoclasm. This is a splendid introduction to a poet who should be known thoroughly' G.E. Murray,Chicago Sun Times 'Professor Tracy has done a superb job. His introduction is excellent, his notes are very comprehensive...and his verse translations are remarkably good. All one can say is "Thank you"' Irish Times WhenStoneappeared in 1913, it marked the debut of one of Russia's greatest twentieth-century poets. Precision, clarity and concreteness, a concern with form and fascination with European culture, especially architecture, were touchstones for the young poet and remained so for the rest of his extraordinary writing life. This bilingual edition, based on the most complete edition of 1928, was published, alongsideThe Collected Critical Prose and Letters,to mark Mandelstam's centenary in 1991.

CONTENTS Acknowledgments. A Note on the Text. List of Abbreviations. Introduction. Mandelstam: The Poet as Builder. STONE. Notes. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Offers the complete body of work of one of the twentieth century's greatest Russian poets for the first time in English.

James Greene's acclaimed translations of the poetry of Osip Mandelshtam, now in an extensively revised and augmented edition.

The personal and political life of the iconic Russian poet Osip Mandelstam is graphically portrayed in this lavishly illustrated book This is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism. The myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation. His evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment. The biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina.

A new selection and translation of the work of Osip Mandelstam, perhaps the most important Russian poet of the twentieth century Political nonconformist Osip Mandelstam's opposition to Stalin's totalitarian government made him a target of the communist state. The public recitation of his 1933 poem known in English as "The Stalin Epigram" led to his arrest, exile, and eventual imprisonment in a Siberian transit camp, where he died, presumably in 1938. Mandelstam's work—much of it written under extreme duress—is an extraordinary testament to the enduring power of art in the face of oppression and terror. Stolen Air spans Mandelstam's entire poetic career, from his early highly formal poems in which he reacted against Russian Symbolism to the poems of anguish and defiant abundance written in exile, when Mandelstam became a truly great poet. Aside from the famous early poems, which have a sharp new vitality in Wiman's versions, Stolen Air includes large selections from The Moscow Notebooks and The Voronezh Notebooks. Going beyond previous translators who did not try to reproduce Mandelstam's music, Christian Wiman has captured in English—for the first time—something of Mandelstam's enticing, turbulent, and utterly heartbreaking sounds.

CONTENTS Acknowledgments. A Note on the Text. List of Abbreviations. Introduction. Mandelstam: The Poet as Builder. STONE. Notes. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An extensive sampling of the whole of Mandelstam's career from his first collection up to the late poems that were memorised by his wife, when it was too dangerous to have them written down. One of the great poets of the first half of the 20th century, Mandelstam is one of the figures who needs to be translated and re-translated, being too important to be taken for granted.

Tennessee Williams's first novel The Roman Spring of Mrs. Stone is vintage Tennessee Williams. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." The novel opens soon after her husband's death and her retirement from the theatre, as Mrs. Stone tries to adjust to her aimless new life in Rome. She is adjusting, too, to aging. ("The knowledge that her beauty was lost had come upon her recently and it was still occasionally forgotten.") With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo: "As compelling, as fascinating, and as technically skillful as his play" (Publishers Weekly).