Inspired by the book Stasiland, this work is an attempt to see if some of the state practices that flourished in Communist Eastern Europe might be replicated in modern Ireland. It goes into the question of intelligence agencies, what agencies are active in Ireland, how they harass dissidents, their use of modern technology and their role in secretly supporting paramilitary groups in Ireland and around the world. It includes a lot of first hand testimony of state harassment, and even torture, which is on a par with what happened in countries like East Germany. Finally it concludes with some searching questions about the real government policies being pursued in Ireland.

This original study focusing on four Irish writers – Leslie Daiken, Charles Donnelly, Ewart Milne and Michael Sayers – retrieves a hitherto neglected episode of Thirties literary history which highlights the local and global aspects of Popular Front cultural movements. From interwar London to the Spanish Civil War and the USSR, the book examines the lives and work of Irish writers through their writings, their witness texts and their political activism. The relationships of these writers to George Orwell, Samuel Beckett, T.S. Eliot, Nancy Cunard, William Carlos Williams and other figures of cultural significance within the interwar period sheds new light on the internationalist aspects of a Leftist cultural history. The book also explores how Irish literary women on the Left defied marginalization. The impetus of the book is not merely to perform an act of literary salvage but to find new ways of re-imagining what might be said to constitute Irish literature mid-twentieth century; and to illustrate how Irish writers played a role in a transforming political moment of the twentieth century. It will be of interest to scholars and students of cultural history and literature, Irish diaspora studies, Jewish studies, and the social and literary history of the Thirties.

NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

This book is an attempt to address the widespread criticism of 'conspiracy theories', raising issues like: the control and negligence of the main organs of the media and police which make it difficult for true information to reach the public (and hence the public remain in ignorance of - and dismiss as a 'conspiracy theory' - the true facts); and the public's habit of underestimating the complexity of modern day politics. A number of complex political plots and allegations are described in detail including: the 1641 Rebellion, British Intelligence manipulation of the 1919-21 Irish leaders, Secret Societies and the role of Occult organisations in Ireland and around the world, the allegations that Martin McGuinness is a British agent, and the motivation behind large scale immigration into Ireland. The author also addresses the question of value systems in modern Western societies and asks are even these being manipulated in order to assist the process of political control.

Winner of the Man Booker Prize “Everything about this novel rings true. . . . Original, funny, disarmingly oblique and unique.”—The Guardian In an unnamed city, middle sister stands out for the wrong reasons. She reads while walking, for one. And she has been taking French night classes downtown. So when a local paramilitary known as the milkman begins pursuing her, she suddenly becomes “interesting,” the last thing she ever wanted to be. Despite middle sister’s attempts to avoid him—and to keep her mother from finding out about her maybe-boyfriend—rumors spread and the threat of violence lingers. Milkman is a story of the way inaction can have enormous repercussions, in a time when the wrong flag, wrong religion, or even a sunset can be subversive. Told with ferocious energy and sly, wicked humor, Milkman establishes Anna Burns as one of the most consequential voices of our day.

This is a collection of original essays by international scholars which focuses on Irish writing in English from the eighteenth century to the present. The essays explore the recurrent motif of exile and the subversive potential of Irish writing in political, cultural and literary terms. Case-studies of major writers such as Swift, Joyce, and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution and the contribution of women writers to Nationalistic journalism.

Introduction: Orwell's formalism, or A theory of socialist writing -- "Quite bare" ("A Hanging") -- "Getting to work" (The Road to Wigan Pier) -- "Semi-sociological" (Inside the Whale) -- The column as form -- Writing's outside -- First-person socialism -- Conclusion: Happy Orwell

Revered across the globe as an author of compelling novels, journalism, and essays that came to define the twentieth century, George Orwell was an unmatched political visionary, shining a light on the insidious nature of propaganda. Yet this chronicler of war, social injustices and urban poverty spent his later years living in a rustic abandoned farmhouse that was miles from the nearest neighbor. His rural escape was on the remote Scottish island of Jura—another paradox, given that he had harbored an irrational prejudice against Scotland for much of his life. In 1946, Orwell arrived at his isolated home of Barnhill as a grieving widower living in the shadow of war and the nuclear threat. It was there he wrote his masterpiece, Nineteen Eighty-Four. Beyond the writing desk, he was transformed: his new life was one of natural beauty and tight-knit community—and he grew to love a corner of the world that he had once dismissed. Orwell’s Island casts important new light on a great modern thinker and author. No previous biography has revealed so much about Orwell’s later years or his time on Jura, despite this being where he created Big Brother, the Thought Police and Room 101—creations still in common currency today.

“Savage, wise, and witty . . . It is hard to think of a more timely, powerful, or necessary book.”--J. K. Rowling International Bestseller! For readers of Hillbilly Elegy and Evicted, the Orwell Prize–winner that helps us all understand Brexit, Donald Trump, and the connection between poverty and the rise of tribalism in the United Kingdom, in the US, and around the world. Darren McGarvey has experienced poverty and its devastations firsthand. He grew up in a community where violence was a form of currency and has lived through addiction, abuse, and homelessness. He knows why people from deprived communities feel angry and unheard. And he wants to explain . . . So he invites you to come along on a safari of sorts. But not the kind where the wildlife is surveyed from a safe distance. His vivid, visceral, and cogently argued book—part memoir and part polemic—takes us inside the experience of extreme poverty and its stresses to show how the pressures really feel and how hard their legacy is to overcome. Arguing that both the political left and right misunderstand poverty as it is actually lived, McGarvey sets forth what everybody—including himself—could do to change things. Razor-sharp, fearless, and brutally honest, Poverty Safari offers unforgettable insight into conditions in modern Britain, including what led to Brexit—and, beyond that, into issues of inequality, tribalism, cultural anxiety, identity politics, the poverty industry, and the resentment, anger, and feelings of exclusion and being left behind that have fueled right-wing populism and the rise of ethno-nationalism.

Exploring writing of working-class Dublin after Seán O'Casey, this book breaks new ground in Irish Studies, unearthing submerged narratives of class in Irish life. Examining how working-class identity is depicted by authors like Brendan Behan and Roddy Doyle, it discusses how this hidden, urban Ireland has appeared in the country's literature.