A poetic portrait of Paris that combines prose poetry, diary, and memoir by award-winning writer and poet Henri Cole. Henri Cole’s Orphic Paris combines autobiography, diary, essay, and poetry with photographs to create a new form of elegiac memoir. With Paris as a backdrop, Cole, an award-winning American poet, explores with fresh and penetrating insight the nature of friendship and family, poetry and solitude, the self and freedom. Cole writes of Paris, “For a time, I lived here, where the call of life is so strong. My soul was colored by it. Instead of worshiping a creator or man, I cared fully for myself, and felt no guilt and confessed nothing, and in this place I wrote, I was nourished, and I grew.” Written under the tutelary spirit of Orpheus—mystic, oracular, entrancing—Orphic Paris is an intimate Paris journal and a literary commonplace book that is a touching, original, brilliant account of the city and of the artists, writers, and luminaries, including Cole himself, who have been moved by it to create.

A poetic portrait of Paris that combines prose poetry, diary, and memoir by award-winning writer and poet Henri Cole. Henri Cole’s Orphic Paris combines autobiography, diary, essay, and poetry with photographs to create a new form of elegiac memoir. With Paris as a backdrop, Cole, an award-winning American poet, explores with fresh and penetrating insight the nature of friendship and family, poetry and solitude, the self and freedom. Cole writes of Paris, “For a time, I lived here, where the call of life is so strong. My soul was colored by it. Instead of worshiping a creator or man, I cared fully for myself, and felt no guilt and confessed nothing, and in this place I wrote, I was nourished, and I grew.” Written under the tutelary spirit of Orpheus—mystic, oracular, entrancing—Orphic Paris is an intimate Paris journal and a literary commonplace book that is a touching, original, brilliant account of the city and of the artists, writers, and luminaries, including Cole himself, who have been moved by it to create.

From the author of Hidden Gardens of Paris and The Streets of Paris comes a beautifully illustrated guide to the history of Paris through its renowned and beloved places of worship. When visiting the City of Light, the spirit of Paris can be felt everywhere. It holds a sacred history that goes beyond words, beyond religion, and its legendary places of worship are truly its crown jewels. Susan Cahill's Sacred Paris is a guide for seasoned Parisian visitors, novices, and armchair travelers to the historic religious sites of the city, from the well-known landmarks to the sacred spots off the beaten track, from the magnificent towers of Notre-Dame and the sweeping arches of the Grand Mosque to the serenity of Saint-Julien-le-Pauvre. This spiritual tour is interwoven with the artistic and cultural history of Paris, from the medieval Crusades through the Resistance of World War II. Stand in the basilica of Saint-Denis, where Joan of Arc prayed with her soldiers in the Hundred Years' War, and gaze at the murals of Saint-Sulpice painted by Eugene Delacroix, or visit the village of Auvers where Vincent van Gogh painted the lovely Gothic church of Notre Dame d’Auvers-sur-Oise. Organized by the major geographical sections of the city—Ile de la Cite; the Latin Quarter on the Left Bank; Montparnasse; Northern Paris on the Right Bank; the Marais—each chapter is accompanied by Marion Ranoux’s beautiful four-color photographs. Also included are lists of “Nearbys”: gardens, bistros, librairies, museums, and other points of interest to round out your visit.

Rainer Maria Rilke offers a compelling portrait of Parisian life, art, and culture at the beginning of the 20th century. In 1902, the young German writer Rainer Maria Rilke traveled to Paris to write a monograph on the sculptor Auguste Rodin. He returned many times over the course of his life, by turns inspired and appalled by the city's high culture and low society, and his writings give a fascinating insight into Parisian art and culture in the last century. Paris was a lifelong source of inspiration for Rilke. Perhaps most significantly, the letters he wrote about it formed the basis of his prose masterpiece, The Notebooks of Malte Laurids Brigge. Much of this work, despite its perennial popularity in French, German, and Italian, has never before been translated into English. This volume brings together a translation of Rilke's essay on poetry, 'Notes on the Melody of Things' and the first English translation of Rilke's experiences in Paris as observed by his French translator.

The legend of Orpheus has exerted a powerful influence on the work of poets and artists through the ages--from the poetry of Virgil and Ovid and the Ovidian romances of the Middle Ages to the new mythologies of Blake and Rilke. Orpheus was believed to have aroused responses from inanimate nature as well as from living creatures, bringing about a peaceful order and even--in some cases-- restoring the dead to life. This challenging new study analyses the changing images of Orpheus in the poetry, sculpture and vase-painting of the ancient world. The author shows how later versions diverge from the early story of the divinely inspired poet-musician and reflect conflicting ideas about the nature of poetic creativity, its sources and powers. Orpheus with His Lute is essential reading for all those interested in literature and the psychology of aesthetic experience. It will also be of value to students of philosophy and the history of religion.

The fullest culmination to date of an original voice and "a central poet of his generation" (Harold Bloom) Time was plunging forward, like dolphins scissoring open water or like me, following Jenny's flippers down to see the coral reef, where the color of sand, sea and sky merged, and it was as if that was all God wanted: not a wife, a house or a position, but a self, like a needle, pushing in a vein.—from "Olympia" In his fifth collection of verse, Henri Cole's melodious lines are written in an open style that is both erotic and visionary. Few poets so thrillingly portray the physical world, or man's creaturely self, or the cycling strain of desire and self-reproach. Few poets so movingly evoke the human quest of "a man alone," trying "to say something true that has body, / because it is proof of his existence." Middle Earth is a revelatory collection, the finest work yet from an author of poems that are "marvels—unbuttoned, riveting, dramatic—burned into being" (Tina Barr, Boston Review).

An examination of how Renaissance textual practices and new forms of knowledge transformed notions of sex and sexuality in France.

Postmodernism's dedication to the rehabilitation of "lesser" artists and its revision of modernist history have not affected Cocteau studies even in areas of self-evident relevance like sexuality, myth, and gender.

During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.