This Is A New Release Of The Original 1921 Edition.

“[A] startlingly original history that traces the obscure origins and tangled relationships of the Orpheus myth from ancient times through today” (Library Journal). For at least two and a half millennia, the figure of Orpheus has haunted humanity. Half-man, half-god, musician, magician, theologian, poet, and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men. In this extraordinary work, Ann Wroe goes in search of Orpheus, tracing the man and the power he represents through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and the journey to Hades, and his terrible death. We see him tantalizing Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalizing the fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death. “Did Orpheus exist? Wroe thinks he did, and still does, and dedicates this lyrical biography to doubters.” —The New Yorker “This insightful and visionary study, treading a perfect line between imagination and scholarship, is as readable and necessary as a fine novel. Ted Hughes, another mythographer, would have loved it.” —The Independent “A book to make readers laugh, sing and weep.” —Kirkus Reviews (starred review) “[Orpheus] will leave you dancing.” —New Statesman

Understanding Early Christian Art is designed for students of both religion and of art history. It makes the critical tools of art historians accessible to students of religion, to help them understand better the visual representations of Christianity. It will also aid art historians in comprehending the complex theology, history and context of Christian art. This interdisciplinary and boundary-breaking approach will enable students in several fields to further their understanding and knowledge of the art of the early Christian era. Understanding Early Christian Art contains over fifty images with parallel text.

Robert Eisler, the polymathic Jewish Austrian scholar and Holocaust survivor, faded into obscurity after his death in 1949. A contemporary and associate of Walter Benjamin, Aby Warburg, and Gershom Scholem, Eisler spent his early years in fin-de-siècle Vienna and trained as an art historian and economist. In this book, the first in English devoted to Eisler’s life and thought, Brian Collins takes us through the development of Eisler’s ideas about the philosophy of values, comparative mythology, Christianity, psychoanalysis, monetary policy, and anthropology. Collins also explores the bizarre and sometimes tragic events that defined Eisler’s life, including his arrest for art theft in 1907, his controversial reconstruction of a physical description of Jesus, and the fifteen months he spent in Dachau and Buchenwald, the inspiration for his final book, Man into Wolf: An Anthropological Interpretation of Sadism, Masochism, and Lycanthropy.