THE CONQUERING HEROES Musashi has brought the Awaji campaign to a close by tapping into the power of the Obsidian Goddess. As the victorious samurai celebrate, Michiru reunites with Musashi after finally emerging from her father's spell. However, with the remaining Obsidian Eight plotting in the shadows, Musashi and his companions may have little time to enjoy their hard-earned victory...

Geronimo's adventurous sister Thea narrates this fabulous adventure that's packed with action, mystery, and friendship!The Thea Sisters are boarding the famouse Orient Express for a journey from Paris to Istanbul! The train is on a special trip to return a precious wedding dress stolen years ago from an Istanbul museum. But there's a rumor that the mysterious Acrobat Thief will steal the dress from the moving train! The Thea Sisters are determined to foil this super-sneaky mouse's plans.

Stefan Tanaka examines how late nineteenth and early twentieth century Japanese historians created the equivalent of an "Orient" for their new nation state. He argues that the Japanese attempted to use a variety of pasts—Chinese, Indian, and proto-historic Japanese—to construct an identity that was both modern and Asian.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said’s concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author’s analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

-1898 include also the reports of the State Inspectors of Mines; 1899-1907, Report of the Illinois Free Employment Offices; 1917- , reports of the Miners' Examining Board and the Mine Rescue and First Aid Division (formerly Mine Rescue Station Commission).

In The Postcolonial Orient, Vasant Kaiwar presents a far-reaching analysis of the political, economic, and ideological cross-currents that have shaped and informed postcolonial studies preceding and following the 1989 moment of world history. The valences of the ‘post’ in postcolonialism are unfolded via some key historical-political postcolonial texts showing, inter alia, that they are replete with elements of Romantic Orientalism and the Oriental Renaissance. Kaiwar mobilises a critical body of classical and contemporary Marxism to demonstrate that far richer understandings of ‘Europe’ not to mention ‘colonialism’, ‘modernity’ and ‘difference’ are possible than with a postcolonialism captive to phenomenological-existentialism and post-structuralism, concluding that a narrative so enriched is indispensable for a transformative non-Eurocentric internationalism.

Best known as the story from the 1904 Puccini opera, the compelling modern myth of Madame Butterfly has been read, watched, and re-interpreted for many years. This volume examines the Madame Butterfly narrative in a variety of cultural contexts - literary, musical, theatrical, cinematic, historical, and political.