Franck's twelve major organ works enjoy a popularity which surpasses even that of his Symphony in D Minor. This volume provides a guide to the interpretation of Franck's organ works by examining the extant first-hand references to him as a student, performer, and teacher written by those who knew him, heard him, and studied with him.

One of Victorian America's most beloved and respected composers, Dudley Buck played a crucial role in the coming of age of American music following the Civil War. This volume of his most popular organ works is the first scholarly edition of these pieces. A conductor, organist, and teacher, Buck was the first American to write professional, accessible, and popular organ music, as well as a wealth of choral music, including anthems, cantatas, and partsongs. (See also MU 14 for a selection of these works.) N. Lee Orr's careful, authoritative edition presents Buck's two organ sonatas and four concert variations, introduced by an informative essay on Buck's life and the development of American organs and organ music.

This Kalmus Edition features 37 original organ compositions for organ. Some are for manuals only, and will work nicely on piano or harpsichord. Included are preludes and fugues, suites, and partitas on familiar hymn tunes. A most useful collection. Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.

A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: Adagio (for the Glass Harmonica or Musical Glasses) (W. A. Mozart) * All Glory Be to God on High (Festival Prelude for Organ) (J. S. Bach) * Andante (from Concerto No. 3 in B-flat) (W. Felton) * Prelude on Ave Verum Corpus (W. A. Mozart) * A Christmas Pastorale (from The Christmas Concerto) (G. Valentini) * The Cuckoo (L. C. d'Aquin) * The Emperor's Fanfare (from Sixth Double Concerto) (A. Soler) * The Faithful Shepherd (Pastorale) (G. F. Handel) * The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (G. F. Handel) * Fugue in C Major (The "Fanfare" Fugue) (J. S. Bach) * God's Time Is the Best (Sinfonia to Cantata No. 106) (J. S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J. S. Bach) * Jesu, Joy of Man's Desiring (from Cantata No. 147) (J. S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) (F. J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (from Cantata No. 208 -- The "Birthday Cantata") (J. S. Bach) * The Shepherds at the Manger (from the Piano Suite "The Christmas Tree") (F. Liszt) * Sinfonia, Chorale and Variation (from the Easter Cantata -- No. 4 -- "Christ Lay in Death's Dark Prison") (J. S. Bach) * Slow Movement (from Concerto in D Minor) (A. Vivaldi/J. S. Bach) * A Solemn Prelude (from Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need") (J. S. Bach) * The Trophy (F. Couperin). "Minuet Finale from Firework Music," "Overture from Firework Music," and "Rejoicing from Firework Music" are Federation Festivals 2016-2020 selections.

A companion to the author's Toward and Authentic Interpretation of the Organ Works of César Franck, this title applies the sources discussed in that volume in its practical approach to performance. Each of Franck's twelve major organ works is discussed in detail: the manuscript, the work's history and association with Franck and his circle, published editions, corrections to the 1959 Durand edition, and recorded performances. Technical problems are discussed and solutions provided. A glossary of terms found in Franck's organ works is provided with English translation; Franck's often confusing registration indications are translated and explained; performance of each work is discussed in light of the information provided by Franck's own pupils, their students and contemporaries. A bibliography of Franck literature published from 1983 to 1996 is also included.

Suitable for intermediate and experienced organists, this collection features 43 works by J. S. Bach, Guilmant, Vierne, and Widor, as well as pieces by Brahms, Mozart, Schumann, Saint-Saëns, and others.

Gillock supplies details about the organ at La Trinité in Paris, the instrument for which most of Messiaen's pieces were imagined.

This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.

This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.