Table of contents

This book provides a history of Prussian state patriotism from the Seven Years’ War (1756–1763) until the Battle of Jena (1806). It argues that Prussian patriotism was not merely a prelude to German nationalism or a personality cult of Frederick the Great; rather, it was an inclusive and non-ethnic movement promoting ideals of citizenship, merit, and empowerment. Appealing to patriotism became a central method of promoting reform in a state governed by an absolute monarchy. Covering a turning point in early modern European intellectual history, this book provides a historical perspective for modern discussions on the relationship between patriotism and nationalism.

Challenges the accepted view that an oppressive Prussian state cast a shadow on the development of civil society and sheds light on a little-known historical reality in which weak Hohenzollern monarchs - and a still weaker Prussian bureaucracy - were confronted with prosperous, fearless, and argumentative Prussian burghers.

An investigation into why the creation of nation-states coincided with bouts of civil war in the nineteenth-century Western world.

Karin Friedrich locates the composite state of Brandenburg-Prussia in its historical, political, religious and economic context, from the demise of the Teutonic Knights in the fifteenth century to the Napoleonic crisis. Synthesising debates in German, English and Polish historical writing, the study focuses on key themes and concepts such as: - Confessionalisation, state-building, absolutism, and the rural economy - The primacy of foreign politics - The impact of an enlightened public sphere on changing notions of citizenship Friedrich assesses the ability of the Prussian state to integrate its constituent parts, not least by creating a patriotic identity and notion of unity under the name of 'Prussia'. Challenging myths and older views, this fresh interpretation is ideal for anyone studying this complex political entity within early modern Europe.

The second volume shines a light on the cultural and social changes that took place during the epoch of European Restorations, when the death of the Napoleonic empire existed as a crucial moment for contemporaries. Expanding the transnational approach of Volume I, the chapters focus on the transmutation of ordinary experiences of war into folklore and popular culture, the emergence of grassroots radical politics and conspiracies on the Left and Right, and the relationship between literacy and religion, with new cases included from Spain, Norway and Russia. A wide-ranging and impressive work, this book completes a collection on the history of the European Restorations.

No example demonstrates the fluidity of the past within the German Democratic Republic more powerfully than the history of the Prussian state. Initially attacked in East German official histories as the historical engine of German militarism and reaction, Prussia underwent a remarkabletransformation in official and public memory from around the end of the 1970s. This was the so-called 'Prussia-Renaissance', in which, for the first time, the East German state began to recognise and even celebrate figures from Prussian history who had not served a 'progressive' agenda. But the'Prussia-Renaissance' was also a political and cultural phenomenon with a wide public resonance. The 'Prussia-Renaissance' may have been a relatively short-lived phenomenon, but it evidently opened a deep vein in the historical memory of the German Democratic Republic that defied reduction to 'highpolitics' alone. This book asks why.Using the case study of Prussia, Marcus Colla presents a multi-perspective approach to the way that a distinctive 'historical culture' was constructed in the German Democratic Republic. It not only evaluates the roles played by political figures, historians, and cultural elites, but also heritagepreservationists, exhibition curators, heimat museums, television producers, novelists and playwrights, and singers - the purveyors of what we might more generally term 'popular culture'. In essence, Colla poses four fundamental questions for our understanding of life, politics and culture incommunist East Germany: how was history there made? How was it understood? How was it contested? And how was it used?

This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume I examines 'Peoples and Place', assessing structural factors such as climate, printing and the revolution in information, social and economic developments, and religion, including chapters on Orthodoxy, Judaism and Islam.

Napoleon's 1807 campaign against the Russians came close to being his first defeat. At Eylau the Emperor was outnumbered by the army of the Russian commander Bennigsen, yet he accepted battle. His reputation was saved by the flamboyant Murat, who led one of the greatest cavalry charges in history. Christopher Summerville's gripping account of this bitterly fought clash and of Napoleon's subsequent triumph at Friedland is the first extensive study of the campaign to be published for a century. The story is told in the concise, clear Campaign Chronicles format which records the action in vivid detail, day by day, hour by hour. Included are full orders of battle showing the chain of command and the fighting capabilities of the opposing armies.

In the space of a single decade, three leaders liberated tens of millions of souls, remade their own vast countries, and altered forever the forms of national power: Abraham Lincoln freed a subjugated race and transformed the American Republic. Tsar Alexander II broke the chains of the serfs and brought the rule of law to Russia. Otto von Bismarck threw over the petty Teutonic princes, defeated the House of Austria and the last of the imperial Napoleons, and united the German nation. The three statesmen forged the empires that would dominate the twentieth century through two world wars, the Cold War, and beyond. Each of the three was a revolutionary, yet each consolidated a nation that differed profoundly from the others in its conceptions of liberty, power, and human destiny. Michael Knox Beran's Forge of Empires brilliantly entwines the stories of the three epochal transformations and their fateful legacies. Telling the stories from the point of view of those who participated in the momentous events -- among them Walt Whitman and Friedrich Nietzsche, Mary Chesnut and Leo Tolstoy, Napoleon III and the Empress Eugénie -- Beran weaves a rich tapestry of high drama and human pathos. Great events often turned on the decisions of a few lone souls, and each of the three statesmen faced moments of painful doubt or denial as well as significant decisions that would redefine their nations. With its vivid narrative and memorable portraiture, Forge of Empires sheds new light on a question of perennial importance: How are free states made, and how are they unmade? In the same decade that saw freedom's victories, one of the trinity of liberators revealed himself as an enemy to the free state, and another lost heart. What Lincoln called the "germ" of freedom, which was "to grow and expand into the universal liberty of mankind," came close to being annihilated in a world crisis that pitted the free state against new philosophies of terror and coercion. Forge of Empires is a masterly story of one of history's most significant decades.