"This much-anticipated publication of two major Lydian excavation sectors at Sardis is the first in-depth presentation of the pottery and other artifacts found in the houses of the inhabitants of this legendary city. It traces continuous occupation outside the city walls from the Late Bronze Age to the middle of the sixth century B.C., when the Persians under Cyrus the Great captured the capital city of King Croesus. This book presents a remarkable synthesis of a vast quantity of everyday material into a vivid picture of daily life in early Sardis in the period when the Lydians were conquering most of western Turkey. The authors describe many small structures and a wealth of artifacts that collectively document the lives of ordinary Lydians. Because Sardis maintained cultural and economic contacts throughout the eastern Mediterranean, scholars working in Greece, Anatolia, and the Near East will find this first presentation of Lydian pottery and other objects, as well as vernacular architecture, of great interest. The two-volume book discusses the chronology, history, and evidence of everyday life, and catalogues nearly 800 objects, illustrated by more than 300 color plates of photos and detailed drawings"--

This publication of two major Lydian excavation sectors at Sardis is the first in-depth presentation of the architecture, pottery, and other artifacts belonging to the inhabitants of this native Anatolian kingdom. The two-volume book catalogues nearly 800 objects, illustrated by more than 300 color plates of photos and detailed drawings.

A Home for Lydia, the second book in a new romantic series from popular author Vannetta Chapman, centers again on the Plain community of Pebble Creek and the kind, caring people there. As they face challenges to their community from the English world, they come together to reach out to their non-Amish neighbors while still preserving their cherished Plain ways. Aaron Troyer simply wants to farm like his father and grandfather before him. But instead he finds himself overseeing the family’s small group of guest cabins nestled along the banks of Pebble Creek. That also means he must work with the cabins’ housekeeper, Lydia Fisher. Lydia is the most outspoken Amish woman Aaron has ever met, and she has strong opinions about how the guest cabins are to be run. She also desperately needs this job. Though sparks fly between boss and employee at first, when the cabins are robbed, nothing is more important to Aaron than making sure Lydia is safe. Together they work to make the vacation property profitable, but can they find out the identity of the culprit before more damage is done? And is Lydia’s dream of a home of her own more than just a wish and a prayer?

Since the Common Worship Lectionary first came into use, many short preaching aids have been published. They have ranged from brief notes to almost complete sermons. This new companion offers an understanding of some points of significance in each lection for every Sunday and for other major days. It combines the latest scholarship with the conviction that the text should address today's world, squarely facing up to the difficulties that some passages may present to modern congregations. It does not aim to provide a substitute for sermon preparation, but to stimulate reflection among those engaged in this work. This is a serious academic commentary on the readings, by scholars who are also aware of the demands and purposes of preaching. The book - provides the academic background knowledge essential for interpreting the texts; does not shirk difficult questions; stimulates the prospective preacher to see new ways of reading the text; covers the Anglican variations not dealt with in American commentaries.

New title in the Arch Book Series. Lydia retells the story of Lydia from Acts 16:11-15.

NATIONAL BOOK FOUNDATION 5 UNDER 35 PICK. FINALIST FOR THE VCU CABELL FIRST NOVELIST AWARD. LONGLISTED FOR THE CENTER FOR FICTION'S FIRST NOVEL PRIZE. Named one of the Best Books of 2018 by NPR, Bookforum and Bustle. One of Entertainment Weekly's 10 Best Debut Novels of 2018. An Amazon Best Book of the Month and named a fall read by Buzzfeed, Nylon, Entertainment Weekly, Elle, Vanity Fair, Vulture, Refinery29 and Mind Body Green A gorgeous, raw debut novel about a young woman braving the ups and downs of motherhood in a fractured America In Lydia Kiesling’s razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler, Honey. Bucking under the weight of being a single parent—her Turkish husband is unable to return to the United States because of a “processing error”—Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity. But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world. Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.

“Here is a worthy successor to Ted Hughes’Poetry in the Making, the book that enabled me to gain the confidence to begin to find my own voice as a story teller.Children Writing Storiesconfirms that we all have a story to tell if we are enabled to develop enough self-belief. So much of our natural creativity is smothered during our school years. Teachers and children feel hemmed in by the strictures of a curriculum which simply does not allow room for creativity to breathe. Unlock the chains, let the light in, and this is the kind of writing that will flow, this is the kind of intellectual and emotional growing that can transform young lives.†Michael Morpurgo, Children’s Laureate 2003-2005 “What a splendid book! Michael Armstrong paysattention - thirty years of it - to the stories thatchildren write. We get two for one: the children’sown delightful and intriguing work - I want torush off and write some Wally (age 5) stories ofmy own - and Michael Armstrong’s intenseinterpretations. †Allan Ahlberg "This is real learning at its best, teaching byexample, through painstaking scrutiny of the artof young writers. Absorbing, moving,enlightening, inspiring." Morag Styles, University of Cambridge InChildren Writing Stories, Michael Armstrong reveals the creative force of children's narrative imagination and shows how this develops through childhood. He provides a new and powerful understanding of the significance of narrative for children’s intellectual growth and for learning and teaching. The book explores a series of real stories written by children between the ages of five and fifteen, and traces the growth of literary consciousness from the dawn of written narrative in the kindergarten, through the early years of schooling and on into adolescence. Each chapter opens with a story or stories, which the author then goes on to examine in detail, so that the book may be seen as both a select anthology of children’s stories and as a critical account of children’s narrative practice. This original and provocative book will appeal to teachers, parents, students of education and readers with an interest in literacy, children's writing or narrative theory.

A new collection of short stories from the woman Rick Moody has called "the best prose stylist in America" Her stories may be literal one-liners: the entirety of "Bloomington" reads, "Now that I have been here for a little while, I can say with confidence that I have never been here before." Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in "A Small Story About a Small Box of Chocolates," a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends. What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.