Tanure Ojaide is an award-winning writer, both creative and academic. This collection of his essays and lectures from over the past decade, addresses issues of culture and literature from a personal African perspective. The focus of this book is African culture and its imaginative productions in the arts, especially in literature. The author also examines the direction of African culture and its artistic creations in a global age. The titles of the essays and lectures are: the challenges of the African writer today; African culture and the New World Order; nativity and the creative process: the Niger Delta in my poetry; African culture today; divine mentoring in poetry and its performance; self, myth and historical consciousness: an African writer's reflection; Nigerian literature in the 21st century: what direction?; whose English?: the African writer and the language issue; countering terror in the literary world: the example of activism; and anxieties and hopes: recent African poetry. Tanure Ojaide's awards include the Commonwealth Poetry Prize for the Africa Region (1987), the All-Africa Okigbo Prize for Poetry (1988, 1997), the BBC Arts and Africa Poetry Award (1988), and the Association of Nigerian Authors Poetry Award (1988, 1994, and 2003). He is also the recipient of the 2006 UNC Charlotte's First Citizens Bank Scholar Medal Award for his writing and academic accomplishments, and is a Fellow in Writing of the University of Iowa. He taught for many years at the University of Maiduguri, and is currently Professor of African-American and African Studies at the University of North Carolina at Charlotte, where he teaches African/Pan-African literature and art.

Looks at the political and cultural issues involved in teaching postcolonial literatures and theories.

Proceeding from the bold and provocative claim that there never has been a comprehensive and systematic theory of race, Mustafa Emirbayer and Matthew Desmond set out to reformulate how we think about this most difficult of topics in American life. In The Racial Order, they draw on Bourdieu, Durkheim, and Dewey to present a new theoretical framework for race scholarship. Animated by a deep and reflexive intelligence, the book engages the large and important issues of social theory today and, along the way, offers piercing insights into how race actually works in America. Emirbayer and Desmond set out to examine how the racial order is structured, how it is reproduced and sometimes transformed, and how it penetrates into the innermost reaches of our racialized selves. They also consider how—and toward what end—the racial order might be reconstructed. In the end, this project is not merely about race; it is a theoretical reconsideration of the fundamental problems of order, agency, power, and social justice. The Racial Order is a challenging work of social theory, institutional and cultural analysis, and normative inquiry.

Water is a symbol of life, wisdom, fertility, purity, and death. Water also sustains and nourishes, irrigates our crops, keeps us clean and healthy, and contributes to our energy needs. But a strain has been put on our water resources as increased energy demands combine with the effects of climate change to create a treacherous environment. Individuals and communities around the globe increasingly face droughts, floods, water pollution, water scarcity, and even water wars. We tend to address and solve these concerns through scientific and technological innovations, but social and cultural analyses and solutions are needed as well. In this edited collection, contributors tackle current water issues in the era of climate change using a wide variety of recent literature and film. At its core, this collection demonstrates that water is an immense reservoir of artistic potential and an agent of historical and cultural exchange. Creating familiar and relatable contexts for water dilemmas, authors and directors of contemporary literary texts and films present compelling stories of our relationships to water, water health, ecosystems, and conservation. They also explore how global water problems affect local communities around the world and intersect with social and cultural aspects such as health, citizenship, class, gender, race, and ethnicity. This transformative work highlights the cultural significance of water—the source of life and a powerful symbol in numerous cultures. It also raises awareness about global water debates and crises.

Revision of author's thesis (Ph. D.)--Baylor University, 2007 under title: The material in salvific discourse: a study of two Christian perspectives.

This is a comprehensive study of Afrocentrist historical writing, which places the black race at the centre of human history, set against a broad background of creative histories from ancient times onward.

Much like theology itself, the experience of trauma has the potential to reach into almost any aspect of life, refusing to fit within the tramlines. A follow up to the 2020 volume "Feminist Trauma Theologies", "Bearing Witness" explores further into global, intersectional, and as yet relatively unexplored perspectives. With a particular focus on poverty, gender and sexualities, race and ethnicity, and health in dialogue with trauma theology the book seeks to demonstrate both the far reaching and intersectional nature of trauma, encouraging creative and ground-breaking theological reflections on trauma and constructions of theology in the light of the trauma experience. A unique set of insights into the real-life experience of trauma, the book includes chapters authored by a diverse group of academic theologians, practitioners and activists. The result is a theology which extend far into the public square

Fictional writing has an important mnemonic function for the Afro-Carib-bean community. It facilitates an encounter between contemporary societies and their historical origins. The representation of diasporic trauma in the novels of Fred D’Aguiar, John Hearne, and Caryl Phillips challenges territorial under¬standings of nationality and raises awareness of the eurocentric basis of Western historiography. Slavery is a recurring motif of the nine novels analysed in this study. They narrate the fates of silenced victims who all share the traumatic experience of racial violence even if otherwise separated through time, space, gender and age. These charismatic fictional characters facilitate an empathic access to the history of slavery that goes beyond the anonymity of traditional historical sources. Their most private and intimate sorrows make the traumatic conditions of slavery appear much less remote and reveal their suffering. The euphemistic and distorting selection of the events that has been passed down by the dominant culture is thus countered by a relentless display of historical violence. These literary images establish an important symbolic repertoire and introduce powerful founding myths of the diaspora. In spite of the traumatic foundations of the community, the nine novels display considerable optimism about the possibility of a convivial future that transcends racial boundaries.The capacity and willingness to improvise and adapt to new environments and to do so even in face of a traumatic heritage can be regarded as the most important precondition for positive future developments within the matrix of a rapidly transforming global environment.