Art Nouveau, it was claimed, was decorative and superficial, while Expressionism, conversely, revealed the "truth" of human emotional states. Klimt's work was decried as deceptive and decadent, while Kokoschka's was touted as perceptive and profound.".

Catalogo della Mostra tenuta a Londra nel 1992.

This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.

Offers a comprehensive index of prints during this prolific and experimental period in printmaking, providing complete information on published visual images of American prints during the period as well as biocritical information on printmakers. Useful for artists, students, teachers, and researchers of art history and American intellectual history. Bryce is a reference librarian/associate professor and fine arts selector at the University of Alabama Libraries. Annotation copyrighted by Book News, Inc., Portland, OR

Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.