The war in Northern Ireland through the eyes of a Protestant terrorist. It follows him on the run in Ireland and later in America, describing one of his knee-cappings. All the time he dreams of being reunited with his daughter.

All the fruits gather together and enjoy a rhyming party, but poor Orange feels left out because he does not rhyme with anything--until Apple invents a new word.

The irresistible rhymes you need, in a book that?s fun to read. An entertaining and browsable reference, Nothing Rhymes with Orange is to rhyme what Every Good Boy Deserves Fudge is to mnemonic devices. Revised and updated from the perennial seller Capricorn Rhyming Dictionary, this edition includes an introduction by children?s author Hope Vestergaard, as well as a phonetic spelling guide, a key to rhyming sounds that are spelled differently, fun sidebars, and a list of poetic terms. Now anyone can quickly and easily find rhyming words that end in: -act (abstract, attract, bract, cataract, compact, contract, counteract, detract) -ipsy (gipsy, tipsy) -isp (crisp, lisp, will-o?-the-wisp) and countless others!

We all know nothing rhymes with orange. But how does that make Orange feel? Well, left out! When a parade of fruit gets together to sing a song about how wonderful they are—and the song happens to rhyme—Orange can't help but feel like it's impossible for him to ever fit in. But when one particularly intuitive Apple notices how Orange is feeling, the entire English language begins to become a bit more inclusive. Beloved author-illustrator Adam Rex has created a hilarious yet poignant parable about feeling left out, celebrating difference, and the irrefutable fact that nothing rhymes with orange. Plus, this is the fixed format version, which looks almost identical to the print edition.

This propulsive thriller is a “gruesomely accurate portrayal of ‘80s life in Ireland” (Kirkus) from The New York Times bestselling and Edgar Award-winning author Adrian McKinty. “Adrian McKinty just leapt to the top of my list of must-read suspense novelists. He’s the real deal.” —Dennis Lehane A torso in a suitcase looks like an impossible case, but Sean Duffy isn't easily deterred, especially when his floundering love life leaves him in need of a distraction. So with Detective Constables McCrabban and McBride, he goes to work identifying the victim. The torso turns out to be all that's left of an American tourist who once served in the US military. What was he doing in Northern Ireland in the midst of the 1982 Troubles? The trail leads to the doorstep of a beautiful, flame-haired, twentysomething widow, whose husband died at the hands of an IRA assassination team just a few months before. Suddenly Duffy is caught between his romantic instincts, gross professional misconduct, and powerful men he should know better than to mess with. These include British intelligence, the FBI, and local paramilitary death squads—enough to keep even the savviest detective busy. Duffy's growing sense of self-doubt isn't helping. But as a legendarily stubborn man, he doesn't let that stop him from pursuing the case to its explosive conclusion.

This knockout thriller from a critically acclaimed author follows a young Cuban detective's quest for vengeance against her father's killer in a Colorado mountain town.

A thriller that takes you to the heart of New York City's most bloody era. A writer whose dialogue is as hard and true as the streets.

I don't know how else to tell you this...everything you know about English is wrong. "If you love language and the unvarnished truth, you'll love Everything You Know About English Is Wrong. You'll have fun because his lively, comedic, skeptical voice will speak to you from the pages of his word-bethumped book." -Richard Lederer, author of Anguished English, Get Thee to a Punnery, and Word Wizard Now that you know, it's time to, well, bite the mother tongue. William Brohaugh, former editor of Writer's Digest, will be your tour guide on this delightful journey through the English language, pointing out all the misconceptions about our wonderful-and wonderfully confusing-native tongue. Tackling words, letters, grammar and rules, no sacred cow remains untipped as Brohaugh reveals such fascinating and irreverent shockers as: - If you figuratively climb the walls, you are agitated/frustrated/crazy. If you literally climb the walls, you are Spiderman. - "Biting the Mother Tongue": English does not come from England. - The word "queue" is the poster child of an English spelling rule so dominant we'll call it a dominatrix rule: "U must follow Q! Slave!" - So much of our vocabulary comes from the classical languages-clearly, Greece, and not Grease, is the word, is the word, is the word. -Emoticons: Unpleasant punctuational predictions "Better plotted than a glossary, more riveting than a thesaurus, more filmable than a Harry Potter index-and that's just Brohaugh's footsnorts... Imean, feetsnotes...umfeetsneets?...good gravy I'mglad I'mjust a cartoonist." -John Caldwell, one of Mad magazine's Usual Gang of Idiots This book guarantees you'll never look at the English language the same way again-if you write, read or speak it, it just ain't possible to live without this tell-all guide. ("Ain't," incidentally, is not a bad word.)

A Catholic cop tracks an IRA master bomber amidst the sectarian violence of the conflict in Northern Ireland in this pulse-pounding thriller from The New York Times bestselling and Edgar Award-winning author Adrian McKinty. “McKinty’s writing is dark and witty with gritty realism, spot-on dialogue, and fascinating characters.” —The Chicago Sun-Times It's the early 1980s in Belfast. Sean Duffy, a conflicted Catholic cop in the Protestant RUC (Royal Ulster Constabulary), is recruited by MI5 to hunt down Dermot McCann, an IRA master bomber who has made a daring escape from the notorious Maze prison. In the course of his investigations Sean discovers a woman who may hold the key to Dermot's whereabouts; she herself wants justice for her daughter who died in mysterious circumstances in a pub locked from the inside. Sean knows that if he can crack the "locked-room mystery," the bigger mystery of Dermot's whereabouts might be revealed to him as a reward. Meanwhile the clock is ticking down to the Conservative Party conference in Brighton in 1984, where Mrs. Thatcher is due to give a keynote speech...

The acclaimed debut from the New York Times bestselling author of The Chain, this Irish bad-boy thriller—set in the hardest streets of New York City—brims with violence, greed, and sexual betrayal. "I didn't want to go to America, I didn't want to work for Darkey White. I had my reasons. But I went." So admits Michael Forsythe, an illegal immigrant escaping the Troubles in Belfast. But young Michael is strong and fearless and clever—just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month. Michael and his lads tumble through the streets, shaking down victims, drinking hard, and fighting for turf, block by bloody block. Dodgy and observant, not to mention handy with a pistol, Michael is soon anointed by Darkey as his rising star. Meanwhile Michael has very inadvisably seduced Darkey's girl, Bridget—saucy, fickle, and irresistible. Michael worries that he's being followed, that his affair with Bridget will be revealed. He's right to be anxious; when Darkey discovers the affair, he plans a very hard fall for young Michael, a gambit devilish in its guile, murderous in its intent. But Darkey fails to account for Michael's toughness and ingenuity or the possibility that he might wreak terrible vengeance upon those who would betray him. A natural storyteller with a gift for dialogue, McKinty introduces to readers a stunning new noir voice, dark and stylish, mythic and violent—complete with an Irish lilt.