Challenges, opportunities, and methodological issues in the creation of oral history archives in the Arab world Oral history archives have always been at the forefront of liberatory social movements in general, and of feminist movement in particular. Until the end of the twentieth century in the Arab world, archives of women’s oral narratives were almost non-existent with the exception of small documentation efforts tied to individual research. However, since 2011, there has been a marked increase in the documentation of projects. In this context, the Women and Memory Forum organized a conference in 2015 about the challenges of creating gender sensitive oral history archives in times of change. The papers in this collection shed light on documentation initiatives in Arab countries in transitional and conflict situations, in addition to international experiences. They engage with questions around archives and power, the challenges and opportunities presented by new technologies to the making and preserving of archives, ethical concerns in the construction of archives, women’s archives and the production of alternative knowledge, as well as conceptual and methodological issues in oral history. CONTRIBUTORS: Faiha Abdulhadi, Sondra Hale, Manal Hamzeh, Maissan Hassan, Nahawand El Kaderi Issa, Diana Magdy, Jean Said Makdisi, Noor Nieftagodien, Rafif Saidawy, Lucine Taminian, Stephen Urgola

Challenges, opportunities, and methodological issues in the creation of oral history archives in the Arab world Oral history archives have always been at the forefront of liberatory social movements in general, and of feminist movement in particular. Until the end of the twentieth century in the Arab world, archives of women's oral narratives were almost non-existent with the exception of small documentation efforts tied to individual research. However, since 2011, there has been a marked increase in the documentation of projects. In this context, the Women and Memory Forum organized a conference in 2015 about the challenges of creating gender sensitive oral history archives in times of change. The papers in this collection shed light on documentation initiatives in Arab countries in transitional and conflict situations, in addition to international experiences. They engage with questions around archives and power, the challenges and opportunities presented by new technologies to the making and preserving of archives, ethical concerns in the construction of archives, women's archives and the production of alternative knowledge, as well as conceptual and methodological issues in oral history.

This issue of the journal and its sister (14.04) brings together sixteen contributions from scholars from a variety of perspectives around the topic of Women & Collections. The articles present the work of independent scholars, researchers, and practitioners as well as those situated in academy and collecting institutions.

This volume brings together a series of discussions by scholars from a range of disciplinary, (trans)regional and epistemic perspectives that came out of the Berlin-based "co2libri" networking initiative, with longstanding collaborative partners based in the global South. "Co2libri" stands for "conceptual collaboration: living borderless research interaction". As an interdisciplinary and transregional oriented initiative, co2libri envisages a multicentric perspective that integrates neglected positions of Southern theory and praxis into the heart of academic conversations. Co2libri's collaborative endeavor builds on long-standing active connections with partners in Africa, South and Southeast Asia, and the Middle East. Instead of setting an agenda from the North, it proposes to figure out ways forward through collaborative engagement, building on relationships of mutual trust. Using formats that facilitate substantial and open-ended discussion, we are re-thinking theory and method, academic practices, and research ethics, while keeping material inequalities in view. Contributors to this edited volume are working toward the implementation of various innovative activities, research perspectives and collaboration formats which all subscribe to the principle of dialogue on equal footing with scholars and activists based in divergent positionalities along and beyond the Global North-South divide. In different ways, the authors work toward the goal of producing more adequate, and more sensitive, critical knowledge, and applying a fresh view to approach, methods, and ethical standards. Overall, the volume works, sometimes in exploratory ways, with alternative frames of reference while it presents diverse theorizations of lived experiences.

A New Critical Approach to the History of Palestine discusses prospects and methods for a comprehensive, evidence-based history of Palestine with a critical use of recent historical, archaeological and anthropological methods. This history is not an exclusive history but one that is ethnically and culturally inclusive, a history of and for all peoples who have lived in Palestine. After an introductory essay offering a strategy for creating coherence and continuity from the earliest beginnings to the present, the volume presents twenty articles from twenty-two contributors, fifteen of whom are of Middle Eastern origin or relation. Split thematically into four parts, the volume discusses ideology, national identity and chronology in various historiographies of Palestine, and the legacy of memory and oral history; the transient character of ethnicity in Palestine and questions regarding the ethical responsibilities of archaeologists and historians to protect the multi-ethnic cultural heritage of Palestine; landscape and memory, and the values of community archaeology and bio-archaeology; and an exploration of the “ideology of the land” and its influence on Palestine’s history and heritage. The first in a series of books under the auspices of the Palestine History and Heritage Project (PaHH), the volume offers a challenging new departure for writing the history of Palestine and Israel throughout the ages. A New Critical Approach to the History of Palestine explores the diverse history of the region against the backdrop of twentieth-century scholarly construction of the history of Palestine as a history of a Jewish homeland with roots in an ancient, biblical Israel and examines the implications of this ancient and recent history for archaeology and cultural heritage. The book offers a fascinating new perspective for students and academics in the fields of anthropological, political, cultural and biblical history.

There is a great deal to be said about ideas and imaginations of the “future” when one does not have the luxury of maintaining a slot in the present. In the midst of acute conditions of precarity and structural violences and vulnerabilities of different forms (political, economic, social, infrastructural) and magnitudes, Egyptians find ways to adapt and adjust, even experiment, with different arrangements and forms of connectedness. By following, tracing, and accompanying friends and networks of friendship in and across Egypt’s two biggest cities, Cairo and Alexandria, this ethnographic account aims to highlight some of the contemporary meanings, forms, and purposes of friendship among young Egyptians with the aim of renewing and reviving the question, “What can friendships do?” Against a backdrop of conditions of precarity and the ruins of finance capitalism, this study examines the manifestations of how the relationship of friendship manages to re-invent and re-define itself. Moreover, it asks whether new modes of relationality, companionship, and intimacy can be cultivated and practiced given the current neoliberal conditions of living. The questions that this study attempts to open up are focused on the re-workings, reconfigurations, and re-makings of practices of sociality and intimacy between friends.

A study of how the city of Port Said was created, and its spaces mutually produced and transformed through the practices of both dwellers and the state Founded in 1859, as part of the Suez Canal project and named after Khedive Said, the city of Port Said has always stood at the juncture of global, national, and local networks of forces, the city itself a reflection of many layers of Egypt’s modern history, from its colonial past through to the eras of national liberation and neoliberalism. Drawing on Bruno Latour’s and Henri Lefebvre’s conceptual works, this study examines how the ‘social’ (encompassing all aspects of human life—the political, the economic, and the social) of the city of Port Said was created, and how its spaces were mutually produced and transformed through the practices of both dwellers and the state. Looking also at the temporality of these processes, Mostafa Mohie examines three key moments: al-tahgir (the forced migration that followed the outbreak of the 1967 war and remained until 1974, when Port Saidians were permitted to return to their homes following the 1973 October War); the declaration of the free trade zone in the mid-1970s; and the Port Said Stadium massacre in 2012.

In 1957 the public sector in Egyptian cinema was established, followed shortly by the emergence of public-sector film production in 1960, only to end eleven years later, in 1971. Assailed with negativity since its demise, if not earlier, this state adventure in film production was dismissed as a complete failure, financially, administratively and, most importantly, artistically. Although some scholars have sporadically commented on the role played by this sector, it has not been the object of serious academic research aimed at providing a balanced, nuanced general assessment of its overall impact. This issue of Cairo Papers hopes to address this gap in the literature on Egyptian cinema. After discussion of the role played by the public sector in trying to alleviate the financial crisis that threatened the film industry, this study investigates whether there was a real change in the general perception of the cinema, and the government’s attitude toward it, following the June 1967 Arab–Israeli war.

In the past sixty years, oral history has moved from the periphery to the mainstream of academic studies and is now employed as a research tool by historians, anthropologists, sociologists, medical therapists, documentary film makers, and educators at all levels. The Oxford Handbook of Oral History brings together forty authors on five continents to address the evolution of oral history, the impact of digital technology, the most recent methodological and archival issues, and the application of oral history to both scholarly research and public presentations. The volume is addressed to seasoned practitioners as well as to newcomers, offering diverse perspectives on the current state of the field and its likely future developments. Some of its chapters survey large areas of oral history research and examine how they developed; others offer case studies that deal with specific projects, issues, and applications of oral history. From the Holocaust, the South African Truth and Reconciliation Commissions, the Falklands War in Argentina, the Velvet Revolution in Eastern Europe, to memories of September 11, 2001 and of Hurricane Katrina, the creative and essential efforts of oral historians worldwide are examined and explained in this multipurpose handbook.