Oracular Transmissions weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: Back, Back Again to Paris (2013), The Alhambra (2016), and Transmissions (2017). Etel Adnan is a Lebanese, Paris-based artist, essayist, and poet who was a longtime resident of Marin County and is known for her works inspired by her relationship to Mount Tamalpais. Lynn Kirby is a San Francisco-based artist who makes films, videos, and site responsive installations, often with text based components. The book also includes poems by Denise Newman, a friend to both Adnan and Kirby, and an introduction by Kadist Foundation curator Jordan Stein presenting their works and performances. Design and typography by Brian Roettinger bring these numerous transmissions - video, performance, photography, email and other texts - together in one volume.

Annotation A study of the phenomenon of prophecy as documented in ancient Near Eastern texts and the Hebrew Bible as well as Greek sources, from the twenty-first century BCE to the second century CE.

Oracular Transmissions' weaves together three of the most recent collaborative projects Etel Adnan and Lynn Marie Kirby have completed through processes of exchange and translation: 'Back, Back Again to Paris' (2013), 'The Alhambra' (2016), and 'Transmissions' (2017). 00Etel Adnan is a Lebanese, Paris-based artist, essayist, and poet who was a longtime resident of Marin County and is known for her works inspired by her relationship to Mount Tamalpais. 00Lynn Marie Kirby is a San Francisco-based artist who makes films, videos, and site-responsive installations, often with text-based components. 00The book also includes poems by Denise Newman, a friend to both Adnan and Kirby, and an introduction by KADIST curator Jordan Stein presenting their works and performances. 00Design and typography by Brian Roettinger bring these numerous transmissions ? video, performance, photography, email and other texts ? together in one volume.

Arguing for a paleocybernetic approach to current media studies debates, Nicolas Salazar Sutil develops an original framework for a new media ecology that embraces the primitive, the prehistoric, and the brute. Paying serious attention to materials used for cultural mediation that are unprocessed, unexplained, and raw such as bones and limestones, Salazar Sutil posits that advanced industrialisation of new media technology has prompted countercultural movements that call for radical new ways of transmitting culture, for instance through an experiential and high-tech appreciation of prehistoric landscape heritage. The future calls for a Palaeolithic awareness of living landscape as medium for the embodied transmission of cultural imaginaries and memories. The more media technology spurs mass forms of instantaneous media communication, the greater the need for primitive knowledge of earthling body and earthly landscape, our prime media for sustainable cultural transmission.

This book thoroughly revisits divination as a central phenomenon in the lives of ancient Greeks, Romans, and Egyptians. It collects studies from many periods in Graeco-Roman history, from the Archaic period to the late Roman, and touches on many different areas of this rich topic, including treatments of dice oracles, sortition in both pagan and Christian contexts, the overlap between divination and other interpretive practices in antiquity, the fortunes of independent diviners, the activity of Delphi in ordering relations with the dead, the role of Egyptian cult centers in divinatory practices, and the surreptitious survival of recipes for divination by corpses. It also reflects a ranges of methodologies, drawn from anthropology, history of religions, intellectual history, literary studies, and archaeology, epigraphy, and paleography. It will be of particular interest to scholars and student of ancient Mediterranean religions.

This book provides a holistic description of Hinduism, showing how different types of Hinduism form a "total" or systematic cosmology and repeat crucial values through different symbols. Looking at Tamil religious practices, Isabelle Nabokov reveals that Tamil religion is primarily concerned with transformations of identity and subjectivity, both in this world and in the hereafter.

This work is a study of the transmission of the variant readings of the Qurʾān, the canonization of the system Readings, and the emergence of the non-canonical shawādhdh readings. Nasser argues that Ibn Mujāhid and the early Muslim scholars viewed the variant readings as legal rulings aḥkām and that the later generation of Qurrāʾ were responsible for moving the discipline of Qirāʾāt from the domain of fiqh to the domain of Ḥadīth. After studying the theories of tawātur in detail, Nasser shows that the transmission of the system Readings of the Qurʾān failed to meet the conditions of tawātur set by the Uṣūlīs, thus creating a paradox between the transmission of the physical text, the muṣḥaf, and the transmission of its oral recitation, the “Qurʾān”.

This collection comprises eighteen papers by friends, colleagues and students of Michal A. Knibb on the theme of the transmission of biblical traditions in a variety of contexts. In the main the articles deal with the transmission of biblical traditions in the versions, the pseudepigrapha, at Qumran, and in early Christian writings. The collection as a whole clearly demonstrates the way in which biblical traditions were shaped and re-shaped creatively in the biblical, early Jewish and Christian literature.

In this comprehensive analysis of South Indian village Hinduism, Isabelle Nabokov shows that a wide spectrum of Tamil rituals effects transformations of identity through similar processual and symbolic operations. She reveals that such operations may lead participants to adopt personalities which are at odds with themselves.

Is it possible to trace the footprints of the historical Sokrates in Athens? Was there really an individual named Romulus, and if so, when did he found Rome? Is the tomb beneath the high altar of St. Peter’s Basilica home to the apostle Peter? To answer these questions, we need both dirt and words—that is, archaeology and history. Bringing the two fields into conversation, Artifact and Artifice offers an exciting excursion into the relationship between ancient history and archaeology and reveals the possibilities and limitations of using archaeological evidence in writing about the past. Jonathan M. Hall employs a series of well-known cases to investigate how historians may ignore or minimize material evidence that contributes to our knowledge of antiquity unless it correlates with information gleaned from texts. Dismantling the myth that archaeological evidence cannot impart information on its own, he illuminates the methodological and political principles at stake in using such evidence and describes how the disciplines of history and classical archaeology may be enlisted to work together. He also provides a brief sketch of how the discipline of classical archaeology evolved and considers its present and future role in historical approaches to antiquity. Written in clear prose and packed with maps, photos, and drawings, Artifact and Artifice will be an essential book for undergraduates in the humanities.