Music scores, orchestral parts, libretti, scripts, correspondence, office notes and photographs.

One of the best-selling comics of the 1940s, Crime Does Not Pay focused on violent mobsters and murderous lowlifes who machine-gunned their way through the urban underworld . . . until justice landed them in the chair! In 1954, the Senate Subcommittee on Juvenile Delinquency targeted this comic series for its graphic violence, eventually leading to the creation of the repressive Comics Code Authority. Issues #30 to #33 of Crime Does Not Pay are finally collected in this deluxe hardcover, which includes "Million Dollar Robbery, drawn by Alvin Hollingsworth" — perhaps the first story in US comics history drawn by an African-American artist — and featuring a new introduction by comic-book giant Howard Chaykin (Marked Man, American Flagg!).

The first in-depth look at how women have shaped the history and legacy of Indiana University. Women first enrolled at Indiana University in 1867. In the following years they would leave an indelible mark on this Hoosier institution. However, until now their stories have been underappreciated, both on the IU campus and by historians, who have paid them little attention. Women at Indiana University draws together 15 snapshots of IU women's experiences and contributions to explore essential questions about their lives and impact. What did it mean to write the petition for women's admission or to become the first woman student at an all-male university? To be a woman of color on a predominantly white campus? To balance work, studies, and commuting, entering college as a non-traditional student? How did women contribute to their academic fields and departments? How did they tap opportunities, confront barriers, and forge networks of support to achieve their goals? Women at Indiana University not only opens the door to a more inclusive and accurate understanding of IU's past and future, but also offers greater visibility for Hoosier women in our larger understanding of women in American higher education.

This is a comprehensive directory and bibliographic guide to Russian archives and manuscript repositories in the capital cities of Moscow and St. Petersburg. It is an essential resource for any researcher interested in Russian sources for topics in diplomatic, military, and church history; art; dance; film; literature; science; ethnolography; and geography. The first part lists general bibliographies of relevant reference literature, directories, bibliographic works, and specialized subject-related sources. In the following sections of the directory, archival listings are grouped in institutional categories. Coverage includes federal, ministerial, agency, presidential, local, university, Academy of Sciences, organizational, library, and museum holdings. Individual entries include the name of the repository (in Russian and English), basic information on location, staffing, institutional history, holdings, access, and finding aids. More comprehensive and up-to-date than the 1997 Russian Version, this edition includes Web-site information, dozens of additional repositories, several hundred more bibliographical entries, coverage of reorganization issues, four indexes, and a glossary.