In Only in St. Louis!, Charlie Brennan shares the most incredible, strange and inspiring stories he has come across in his three decades talking about the Gateway City. Readers will learn: Wilt Chamberlain was traded in a St. Louis restaurant. Jesus Christ Superstar was first staged in St. Louis, not New York. A St. Louis Cardinal pitcher beat Randy Johnson while drinking vodka. A St. Louis mayor was buried three times. Supreme Court Justices laughed aloud while hearing a St. Louis case. A St. Louis woman woke up when she heard an intruder...who turned out to be a national celebrity. Kenny Wayne Shepherd's worst moment on stage was in St. Louis. A St. Louis man found $1,200 in his ceiling. J.S. Bach's personal bibles are in St. Louis. A St. Louis high school name is actually misspelled. Why Kurt Warner listed his name and address in the phone book. The Air Force's biggest weapon is made in St. louis. John Lennon's song "Imagine" has a St. Louis connection. The NFL's "lowest blow" has ties to St. Louis. Twinkies were named in St. Louis. A lost wallet led to one of the best-selling songs of the 1960s. The woman who injected John Belushi with a fatal dose hid in St. Louis. A St. Louis man swam 292 miles of the Mississippi River without stopping. Why General William Tecumseh Sharman could defeat the south but not City Hall. The only company to prepare cocaine for medicinal use is in St. Louis. A St. Louis barista became a billionaire. A man was attacked by a shark in downtown St. Louis. A St. Louis man played basketball for St. Louis Community College, football for Yale and is now a top national journalist. Brennan, host of "The Charlie Brennan Show" on KMOX and provocateur of "Donnybrook" on KETC-TV, curates these and other stories for the first time in one volume.

The St. Louis bucket list has an official handbook! In this second edition of the best-selling guide, you’ll find one hundred purely local ways to connect to the city, from holding your breath during the high-wire act at Circus Flora to finding the story of our town’s earliest days among the headstones at local cemeteries. Check out Frank Lloyd Wright’s contribution to Kirkwood, bike the Riverfront Trail from the graffiti wall to the Chain of Rocks bridge, or catch the thrill of the “clang, clang, clan g” on The Loop’s new trolley. Authentic experiences from the iconic to the little-known await in this candid insider’s guide to St. Louis. Make planning even easier with seasonal and themed itinerary suggestions for many interests: you’ll be turning your “must dos” into “dones” in no time! Perfect for residents and out-of-towners alike, 100 Things to Do in St. Louis Before You Die is the original volume that launched a nationwide series...check out your other favorite cities after you’ve explored STL!

A searing portrait of the racial dynamics that lie inescapably at the heart of our nation, told through the turbulent history of the city of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor black residents, from slavery through redlining and urban renewal. But it was once also America's most radical city, home to anti-capitalist immigrants, the Civil War's first general emancipation, and the nation's first general strike—a legacy of resistance that endures. A blistering history of a city's rise and decline, The Broken Heart of America will forever change how we think about the United States.

With a historical narrative and comprehensive index of street names as well as a thorough appendix of state governors, city mayors and city schools, the Magnans show how the famous, infamous and unknown have left their marks on the city with a street sign.

Comedian and star of The Office and Unbreakable Kimmy Schmidt and host of The Great American Baking Show Ellie Kemper delivers a hilarious, refreshing, and inspiring collection of essays “teeming with energy and full of laugh-out-loud moments” (Associated Press). “A pleasure. Ellie Kemper is the kind of stable, intelligent, funny, healthy woman that usually only exists in yogurt commercials. But she’s real and she’s all ours!” —Tina Fey “Ellie is a hilarious and talented writer, although we’ll never know how much of this book the squirrel wrote.”—Mindy Kaling Meet Ellie, the best-intentioned redhead next door. You’ll laugh right alongside her as she shares tales of her childhood in St. Louis, whether directing and also starring in her family holiday pageant, washing her dad’s car with a Brillo pad, failing to become friends with a plump squirrel in her backyard, eating her feelings while watching PG-13 movies, or becoming a “sports monster” who ends up warming the bench of her Division 1 field hockey team in college. You’ll learn how she found her comedic calling in the world of improv, became a wife, mother and New Yorker, and landed the role of a bridesmaid (while simultaneously being a bridesmaid) in Bridesmaids. You’ll get to know and love the comic, upbeat, perpetually polite actress playing Erin Hannon on The Office, and the exuberant, pink-pants-wearing star of Unbreakable Kimmy Schmidt. If you’ve ever been curious about what happens behind the scenes of your favorite shows, what it really takes to be a soul cycle “warrior,” how to recover if you accidentally fall on Doris Kearns Goodwin or tell Tina Fey on meeting her for the first time that she has “great hair—really strong and thick,” this is your chance to find out. But it’s also a laugh-out-loud primer on how to keep a positive outlook in a world gone mad and how not to give up on your dreams. Ellie “dives fully into each role—as actor, comedian, writer, and also wife and new mom—with an electric dedication, by which one learns to reframe the picture, and if not exactly become a glass-half-full sort of person, at least become able to appreciate them” (Vogue.com).

This book explores the intertwined histories of Saint-Louis, Senegal, and New Orleans, Louisiana. Although separated by an ocean, both cities were founded during the early French imperial expansion of the Atlantic world. Both became important port cities of their own continents, the Atlantic world as a whole, and the African diaspora. The slave trade not only played a crucial role in the demographic and economic growth of Saint-Louis and New Orleans, but also directly connected the two cities. The Company of the Indies ran the Senegambia slave-trading posts and the Mississippi colony simultaneously from 1719 to 1731. By examining the linked histories of these cities over the longue durée, this edited collection shows the crucial role they played in integrating the peoples of the Atlantic world. The essays also illustrate how the interplay of imperialism, colonialism, and slaving that defined the early Atlantic world operated and evolved differently on both sides of the ocean. The chapters in part one, “Negotiating Slavery and Freedom,” highlight the centrality of the institution of slavery in the urban societies of Saint-Louis and New Orleans from their foundation to the second half of the nineteenth century. Part two, “Elusive Citizenship,” explores how the notions of nationality, citizenship, and subjecthood—as well as the rights or lack of rights associated with them—were mobilized, manipulated, or negotiated at key moments in the history of each city. Part three, “Mythic Persistence,” examines the construction, reproduction, and transformation of myths and popular imagination in the colonial and postcolonial cities. It is here, in the imagined past, that New Orleans and Saint-Louis most clearly mirror one another. The essays in this section offer two examples of how historical realities are simplified, distorted, or obliterated to minimize the violence of the cities’ common slave and colonial past in order to promote a romanticized present. With editors from three continents and contributors from around the world, this work is truly an international collaboration.

From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, and Emilio Cruz, to name but a few--created a moment of intense and vibrant cultural life in an abandoned industrial building on Washington Avenue, surrounded by the evisceration that typified that decade's "urban crisis." The 1960s upsurge in political art blurred the lines between political involvement and artistic production, and debates over civil rights, black nationalism, and the role of the arts in political and cultural struggles all found form in BAG. This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines the work of its major artists, and follows its musicians to Paris and on to New York, where they played a dominant role in Lower Manhattan's 1970s "loft jazz" scene. By fusing social concern and artistic innovation, the group significantly reshaped the St. Louis and, by extension, the American arts landscape.

St. Louis was a city under siege during Prohibition. Seven different criminal gangs violently vied for control of the town's illegal enterprises. Although their names (the Green Ones, the Pillow Gang, the Russo Gang, Egan's Rats, the Hogan Gang, the Cuckoo Gang and the Shelton Gang) are familiar to many, their exploits have remained largely undocumented until now. Learn how an awkward gunshot wound gave the Pillow Gang its name, and read why Willie Russo's bizarre midnight interview with a reporter from the St. Louis Star involved an automatic pistol and a floating hunk of cheese. From daring bank robberies to cold-blooded betrayals, The Gangs of St. Louis chronicles a fierce yet juicy slice of the Gateway City's history that rivaled anything seen in New York or Chicago.

As we all know, St. Louis is the best baseball town in America, but the city's major league history is not confined to the Cardinals. For several decades, until the middle of the twentieth century, St. Louis fielded a second professional team. True, it was mostly a losing team, but it once featured a first baseman who hit .400, a legendary Negro League star, and a pitcher who would go on to throw a perfect game in the World Series. They were the St. Louis Browns--the forerunners of the current Baltimore Orioles and a part of St. Louis's rich baseball history.