Finalist for the 2020 Pulitzer Prize in Poetry “Clear, compelling and insightful.” —Washington Post Earthy and lyrical, Only as the Day Is Long draws from Dorianne Laux’s five expansive, award-winning volumes and includes twenty new odes that pay homage to the poet’s mother. Exploring experiences of survival and healing, of sexual love and celebration, Only as the Day Is Long represents a bold and brilliant body of work from a “poet of immense insight and masterful craft” (Kwame Dawes).

A collection of new and selected works from a prize-winning poet known to bear compassionate and ruthless witness to the quotidian. Only as the Day Is Long represents a brilliant, daring body of work from one of our boldest contemporary poets, known to bear compassionate and ruthless witness to the quotidian. Drawn from Dorianne Laux’s five expansive volumes, including her confident debut Awake, National Book Critics Circle Finalist What We Carry, and Paterson Prize–winning The Book of Men, the poems in this collection have been "brought to the hard edge of meaning" (B. H. Fairchild) and praised for their "enormous precision and beauty" (Philip Levine). Twenty new odes pay homage to Laux’s mother, an ordinary and extraordinary woman of the Depression era. The wealth of her life experience finds expression in Laux’s earthy and lyrical depictions of working-class America, full of the dirt and mess of real life. From the opening poem, "Two Pictures of My Sister," to the last, "Letter to My Dead Mother," she writes, in her words, of "living gristle" with a perceptive frankness that is luminous in its specificity and universal in its appeal. Exploring experiences of survival and healing, of sexual love and celebration, Only as the Day Is Long shows Laux at the height of her powers.

Finalist, 1994 National Book Critics Circle Award for Poetry. Dorianne Laux's poetry is a poetry of risk; it goes to the very edge of extinction to find the hard facts that need to be sung. What We Carry includes poems of survival, poems of healing, poems of affirmation and poems of celebration.

"Laux writes gritty, tough, lyrical poems that depict the actual nature of life in the West today."—Philip Levine The narrative poems in Dorianne Laux's fifth collection charge through the summer of love, where Vietnam casts a long shadow, and into the present day, where she compassionately paints the smoky bars, graffiti, and addiction of urban life. Laux is "continually engaging and, at her best, luminous" (San Diego Union-Tribune). from "To Kiss Frank," make out with him a bit, this is what my friend would like to do oh these too many dead summers later, and as much as I want to stroll with her into the poet's hazy fancy all I can see is O'Hara's long gone lips fallen free of the bone, slumbering beneath the grainy soil.

Dorianne Laux’s long-awaited third book of poetry follows her collection, What We Carry, a finalist for the 1994 National Book Critics Circle Award for Poetry. In Smoke, Laux revisits familiar themes of family, working class lives and the pleasures of the body in poetry that is vital and artfully crafted—poetry that "gets hard in the face of aloofness," in the words of one reviewer. In Smoke, as in her previous work, Laux weaves the warp and woof of ordinary lives into extraordinary and complex tapestries. In "The Shipfitter’s Wife," a woman recalls her husband’s homecoming at the end of his work day: Then I’d open his clothes and take the whole day inside me—the ship’s gray sides, the miles of copper pipe, the voice of the foreman clanging off the hull’s silver ribs. Spark of lead kissing metal. The clamp, the winch, the white fire of the torch, the whistle, and the long drive home. And in the title poem, Laux muses on her own guilty pleasures: Who would want to give it up, the coal a cat’s eye in the dark room, no one there but you and your smoke, the window cracked to street sounds, the distant cries of living things. Alone, you are almost safe . . . With her keen ear and attentive eye, Dorianne Laux offers us a universe with which we are familiar, but gives it to us fresh. Dorianne Laux is the author of two previous collections of poetry from BOA Editions, Ltd., and is co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Joys of Writing Poetry (W.W. Norton, 1997), chosen as an alternate selection by several bookclubs. Laux was the judge for the 2012 A. Poulin, Jr. Poetry Contest, and is a tenured professor in the creative writing program at the University of Oregon. Laux lives in Eugene, Oregon.

Nearly all of us have to work, but how much do we really know about what other people do all day? What is it like to be a fishmonger, a sex worker or an Orthodox rabbi? Or a banker, a research scientist or a carer? How do our jobs affect our lives, beliefs and happiness? And what happens when we don't work? Joanna Biggs has travelled the country to find the answers, talking to interns and bosses, professionals and entrepreneurs, thinkers and doers. She takes us from Westminster to the Outer Hebrides, from a hospital in Wales to the industrial Midlands, introducing us to different worlds of work and the people who inhabit them. Rich with the voices of the wealthy and poor, native and immigrant, women and men of the UK in the twenty-first century, All Day Long shows us who we are through what we do.

The compelling autobiography of a remarkable Catholic woman, sainted by many, who championed the rights of the poor in America’s inner cities. When Dorothy Day died in 1980, the New York Times eulogized her as “a nonviolent social radical of luminous personality . . . founder of the Catholic Worker Movement and leader for more than fifty years in numerous battles of social justice.” Here, in her own words, this remarkable woman tells of her early life as a young journalist in the crucible of Greenwich Village political and literary thought in the 1920s, and of her momentous conversion to Catholicism that meant the end of a Bohemian lifestyle and common-law marriage. The Long Loneliness chronilces Dorothy Day’s lifelong association with Peter Maurin and the genesis of the Catholic Worker Movement. Unstinting in her commitment to peace, nonviolence, racial justice, and the cuase of the poor and the outcast, she became an inspiration to such activists as Thomas Merton, Michael Harrinton, Daniel Berrigan, Ceasr Chavez, and countless others. This edition of The Long Loneliness begins with an eloquent introduction by Robert Coles, the Pulitzer Prize-winning author and longtime friend, admirer, and biographer of Dorothy Day.

This riveting tale of heroism and patriotism tells the full story of a covert military operation in Laos that resulted in the largest ground combat loss of U.S. Air Force personnel during the Vietnam War.

"Laux writes gritty, tough, lyrical poems that depict the actual nature of life in the West today."—Philip Levine In her powerful fourth collection, Dorianne Laux once again strikes fire from neighborhood moments: a quiet street at dusk, a pool hall, a bare tree. Focusing on the grace of working people, she captures the pain and beauty of women in all their variety, caught in the "lunar pull" of our time.

In Your Brain at Work, David Rock takes readers inside the heads—literally—of a modern two-career couple as they mentally process their workday to reveal how we can better organize, prioritize, remember, and process our daily lives. Rock, the author of Quiet Leadership and Personal Best, shows how it’s possible for this couple, and thus the reader, not only to survive in today’s overwhelming work environment but succeed in it—and still feel energized and accomplished at the end of the day.