"'One Woman's War (Da)' is many things. Part autobiography, part oral history of the Iran-Iraq War (1980-88), the work is the story of Zahra Hoseyni, a female descendant of the Prophet Mohammad (thereby termed a seyyedeh), whose Kurdish family found refuge in Iran after being expelled from their native Iraq. There are three parts to the book. The first speaks of the author's early life--her childhood in Iraq, her family's emigration to Iran, and their struggles adapting to life in Khorramshahr, a port city on the Persian Gulf. The second and largest part deals with Zahra Hoseyni's experiences during the first three weeks of the Iran-Iraq War (September 22-October 13, 1980), including her activities as a collector of body parts and washer of corpses, her role as a nurse to wounded civilians and soldiers, and her activities as a combatant in the defense of Khorramshahr. The final part of the book is devoted to Zahra Hoseyni's recovery from shrapnel wounds received on the battlefield and to her married life, spent in two homes: one in a suburban area of southwestern Iran within commuting distance of the front and the second in an urban apartment house in central Tehran"--Provided by publisher.

This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to Mecca clash with Saudi Wahhabi appreciations. A distinguishing quality of the book is its examination of how martyrdom was instilled in the minds of Iranians through poetry, employing Sufi themes, motifs and doctrines to justify death. Such inculcation proved effective in mobilising people to the front, ready to sacrifice their lives. As such, the book is a must for readers interested in Iranian culture and history, in Sufi poetry, in martyrdom and war poetry. Those involved with Middle Eastern Studies, Iranian Studies, Literary Studies, Political Philosophy and Religious Studies will benefit from this book. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." (Alan Williams, Research Professor of Iranian Studies, University of Manchester) "When Asghar Seyed Gohrab, a highly prolific academician, publishes a new book, you can be certain he has paid attention to an exciting and largely unexplored subject. Martyrdom, Mysticism and Dissent: The Poetry of the 1979 Iranian Revolution and the Iran-Iraq War (1980-1988) is no exception in the sense that he combines a few different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. This time, he has even enriched his narrative by inserting his voice into his analysis. It is a thoughtful book and a fantastic read." (Professor Kamran Talattof, University of Arizona)

The New York Times bestseller with more than 1 million copies sold worldwide | Now a Hulu limited series starring Joey King and Logan Lerman Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive—and to reunite—We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds. “Love in the face of global adversity? It couldn't be more timely.” —Glamour It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety. As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere. An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.

In The Rest Write Back: Discourse and Decolonization, Esmaeil Zeiny brings together a collection of essays that interrogate the colonial legacies, the contemporary power structure and the geopolitics of knowledge production. The scholars in this collection illustrate how the writing-back paradigm engages in a conversation and paves the way for a “dialogical and pluri-versal” world where the Rest is no longer excluded. Among the important features of this book is that it presents ways for “decoloniality” and “epistemic disobedience.” This book will be of interest to scholars and students of all Social Science and Humanities disciplines but it is particularly important for those in the disciplines of sociology, postcolonial studies, cultural studies, literature, and theory and philosophy of Social Sciences and Humanities. Contributors include: Dustin J. Byrd, Ciarunji Chesaina, Hiba Ghanem, Mladjo Ivanovic, Masumi Hashimoto Odari, Arjuna Parakrama, JM. Persánch, Andrew Ridgeway, Rudolf J. Siebert, and Esmaeil Zeiny.

Also has published earlier works under Black, Jenna.

The revelatory, inspirational mom book needed for every mom to crush that "never enough" mentality and slay every day! Katherine Wintsch knows firsthand the self-doubt that rages inside modern moms. As founder and CEO of The Mom Complex, she has studied the passions and pain points of moms worldwide to help some of the largest brands develop innovative new products and services. As a working mom of two, she was running in an exhausting cycle of "never enough"—not strong enough, not thin enough, not patient enough, not "mom" enough. In Slay Like a Mother, you'll laugh, you'll cry, and you'll discover eye-opening lessons about: THE MASK YOU'RE WEARING. The one you hide behind when you say everything is "just fine" when it's not. YOUR UNREALISTIC EXPECTATIONS. The goal-setting tactics you're deploying to get ahead could be what's holding you back. THE DIFFERENCE BETWEEN STRUGGLING AND SUFFERING. Being a mother is a struggle — it always has been — but your suffering is optional. Brave, supportive, and insightful, the stories and advice in this book will encourage you to live more confidently, enjoy the present, and become your best self — as a woman, a mother, and beyond. This is the necessary self-esteem and self-care book for new moms, mom experts, and any mom in between. Perfect for fans of Girl Wash Your Face and #IMomSoHard! "Slay Like a Mother is a feisty, clever, and fun blueprint for modern motherhood that belongs on every book shelf and in every diaper bag...As a woman and mother, you'll gain a newfound power, happiness, and ability to leap tall Lego buildings in a single bound."—Erin Falconer, author of How To Get Sh*t Done: Why Women Need to Stop Doing Everything So They Can Achieve Anything ***As featured in The Wall Street Journal and Parade.com***

What is War Novel A novel that is about war is referred to as a war novel or military fiction. It is a novel in which the principal action takes place on a battlefield or in a civilian environment, and the characters are consumed with the preparations for war, enduring the impacts of war, or recuperating from war throughout the course of the story. There are a lot of historical novels regarding battle. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War novel Chapter 2: Spy fiction Chapter 3: Historical fiction Chapter 4: Evelyn Waugh Chapter 5: Henri Barbusse Chapter 6: English novel Chapter 7: Slaughterhouse-Five Chapter 8: John Cowper Powys Chapter 9: World War I in literature Chapter 10: House of Dolls (II) Answering the public top questions about war novel. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Novel.

In Feminine Visibility in Contemporary Iran: Women, Religion, Culture and the State, Esmaeil Zeiny and Seyed Javad Miri bring together a collection of essays which offer a number of new perspectives on the role and power of Iranian women in refashioning the country’s politics, culture, and religion. This collection threatens the stereotypical representations of Iranian women, and illustrates how high women leapt over the hurdles obstructing their progress and how much they have achieved to renegotiate the roles demanded by Iranian society.

Korangy and Sharifian’s groundbreaking book offers the first in-depth study into cultural linguistics for the Persian language. The book highlights a multitude of angles through which the intricacies of Persian and its many dialects and accents, wherever spoken, can be examined. Linguistics with cultural studies as its backdrop is not a new phenomenon; however, with this text we are afforded an insight into the complex relationship that exists between human cognizance and human expression in this ancient civilization. This study helps develop an innovative understanding of history, intent, and meaning as understood by a culture and by a people, in this case the Persian-speaking folk of Iran. The chapters are insightful resources for analyzing and augmenting our knowledge of linguistics under the rubric of Persian culture but also for proposing and foregrounding new ideas in this field of study.

A groundbreaking history of the American Revolution that “vividly recounts Colonial women’s struggles for independence—for their nation and, sometimes, for themselves.... [Her] lively book reclaims a vital part of our political legacy" (Los Angeles Times Book Review). The American Revolution was a home-front war that brought scarcity, bloodshed, and danger into the life of every American. In this book, Carol Berkin shows us how women played a vital role throughout the conflict. The women of the Revolution were most active at home, organizing boycotts of British goods, raising funds for the fledgling nation, and managing the family business while struggling to maintain a modicum of normalcy as husbands, brothers and fathers died. Yet Berkin also reveals that it was not just the men who fought on the front lines, as in the story of Margaret Corbin, who was crippled for life when she took her husband’s place beside a cannon at Fort Monmouth. This incisive and comprehensive history illuminates a fascinating and unknown side of the struggle for American independence.