This is the story of Audrey Conarroe, a biracial woman, who had never planned to move back to her small, predominantly white, hometown in Western New York. But when she was named guardian to her young nephew, Julian, she had no choice but to do just that. Eight months later, Audrey prepares to sell her sister's old farmhouse in hopes of moving on to a better life for herself and Julian-when a series of discoveries about her nephew's father, her own parents, a high-school sweetheart, and her sister's beloved home force Audrey to rethink everything she's ever assumed about love, race, and respect.

As children, Ida loves looking after her younger sister, Nora, but when their beloved father dies in 1926, everything changes. The two young girls move in with their grandmother who is particularly encouraging of Nora's musical talent. Nora eventually follows her dream of a brilliant musical career, while Ida takes a job as a nanny and their lives become quite separate. The two sisters are reunited when Nora's life takes an unwelcome direction and she finds herself, embittered and resentful, isolated in the Tasmanian bush with a husband and children. Ida longs passionately for a family and when she marries Len, a reliable and good man, she hopes to soon become a mother. Over time, it becomes clear that this is never likely to happen. In Ida's eyes, it seems that Nora possesses everything in life that could possibly matter yet she values none of it. Set in rural Tasmania over a span of seventy years, the strengths and flaws of motherhood are revealed through the mercurial relationship of these two very different sisters. The Sisters' Song speaks of dreams, children and family, all entwined with a musical thread that binds them together.

Rebecca Ross, #1 New York Times bestselling author of Divine Rivals, delivers a thrilling new romantasy about a girl who partners with an unlikely ally to save her sister’s life. Perfect for fans of Heartless Hunter, Dance of Thieves, and Warrior of the Wild. After eight years apart, Evadne can’t wait to see her older sister, Halcyon. But, when Halcyon returns from the queen’s army a day early, Eva knows something is terribly wrong. Halcyon is on the run and being chased by her commander after being charged with murder. Though Halcyon’s life is spared, her punishment is heavy— five years hard labor, five years imprisonment, and five years serving the house she has wronged. Suspicious of the circumstances, Eva volunteers to take part of Halcyon’s sentence. She’s sent to serve in the commander’s house, where she meets Damon, a handsome and intriguing mage. Eva must work with Damon on a potentially deadly mission to retrieve a powerful relic that could save the kingdom—and clear her sister’s name. But as the sisters continue to serve each of their sentences, they quickly learn that there are fates worse than death.

WAAAAA! When Mira's wish for a sister at long last comes true, she's thrilled—but the new baby isn't exactly what she expected. Who knew someone so little could make so much noise! No matter what Mira or her parents do to soothe or amuse her, the baby's reaction is . . . WAAAAA! On the day of her simchat bat, her Jewish naming ceremony, the baby cries--as usual! That is, until Mira steps close to offer her own special gift and the inspiration for her parents' choice of the perfect name. Lesley Simpson's tale of a family adjusting to a welcome change is sweet and sassy and very funny. It's a universal story about families and siblings, as well as a glimpse into a lovely Jewish ritual for welcoming baby girls to the family and the community.

Raina Telgemeier’s #1 New York Times bestselling, Eisner Award-winning companion to Smile! Raina can't wait to be a big sister. But once Amara is born, things aren't quite how she expected them to be. Amara is cute, but she's also a cranky, grouchy baby, and mostly prefers to play by herself. Their relationship doesn't improve much over the years, but when a baby brother enters the picture and later, something doesn't seem right between their parents, they realize they must figure out how to get along. They are sisters, after all.Raina uses her signature humor and charm in both present-day narrative and perfectly placed flashbacks to tell the story of her relationship with her sister, which unfolds during the course of a road trip from their home in San Francisco to a family reunion in Colorado.

"Abandoned by their parents as toddlers, Willie and Bobbie Nelson found their love of music almost immediately through their grandparents, who raised them in a dusty small town in east Texas. Their close relationship ... is the longest-lasting bond in either of their lives. In alternating chapters, this ... dual memoir weaves together their lives as they experienced them both side-by-side and apart with powerful, emotional stories from growing up, playing music in public for the first time, and the trials they each faced in adulthood as Willie pursued a songwriting career and Bobbie faced a series of challenging relationships and a musical career that only took off when attitudes about women began to change in Texas"--

A girl disguises herself as a boy to train as a knight in this first book in Tamora Pierce’s Margaret A. Edwards Award–winning young adult series—now with a new look! From now on, I’m Alan of Trebond, the younger twin. I’ll be a knight. In a time when girls are forbidden to be warriors, Alanna of Trebond wants nothing more than to be a knight of the realm of Tortall. So she finds a way to switch places with her twin brother, Thom, and, disguised as a boy, begins her training as a page at the palace of King Roald. But the road to knighthood, as she discovers, is not an easy one. Alanna must master weapons, combat, and magic, as well as polite behavior, her temper, and even her own heart. So begin Alanna’s adventures—filled with swords and sorcery, adventure and intrigue, good and evil—that will lead to the fulfillment of her dreams and make her a legend in the land.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

“More completely than any author before him, Richard Amory explores the tormented world of love for man by man . . . a happy amalgam of James Fenimore Cooper, Jean Genet and Hudson’s Green Mansions.”—from the cover copy of the 1969 edition Published well ahead of its time, in 1966 by Greenleaf Classics, Song of the Loon is a romantic novel that tells the story of Ephraim MacIver and his travels through the wilderness. Along his journey, he meets a number of characters who share with him stories, wisdom and homosexual encounters. The most popular erotic gay book of the 1960s and 1970s, Song of the Loon was the inspiration for two sequels, a 1970 film of the same name, at least one porn movie and a parody novel called Fruit of the Loon. Unique among pulp novels of the time, the gay characters in Song of the Loon are strong and romantically drawn, which has earned the book a place in the canon of gay American literature. With an introduction by Michael Bronski, editor of Pulp Friction and author of The Pleasure Principle. Little Sister’s Classics is a new series of books from Arsenal Pulp Press, reviving lost and out-of-print gay and lesbian classic books, both fiction and nonfiction. The books in the series are produced in conjunction with Little Sister’s Book and Art Emporium, the heroic Vancouver bookstore well-known for its anti-censorship efforts.

Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.