Before they were icons they were friends The world would come to know him as Muhammad Ali, but on 25 February 1964, a twenty-two-year-old Cassius Clay celebrated his world heavyweight title not by hitting the town, but in a hotel room with his three closest friends: activist Malcolm X, singer Sam Cooke and American football star Jim Brown. To the outside world, they were American icons. But in that hotel room, here were four men who understood each other and their moment in history in a way that no one else could. With the Civil Rights movement stirring outside, and the melody of A Change is Gonna Come hanging in the air, these men would emerge from that room ready to define a new world. Kemp Powers's tough talking, in-your-face debut play premiered in LA in 2013 where it won the Ted Schmitt Award for outstanding world premiere of a new play along with three LA Drama Critics Circle Awards, four NAACP Theatre Awards and LA Weekly Theater Awards for playwriting. This edition was originally published to coincide with the European premiere at London's Donmar Warehouse in 2016 where it received critical acclaim. It was later adapted into a feature film, released in January 2021.

The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."

The great city of Miami is artfully celebrated in this board book, designed to soothe children before bedtime while instilling an appreciation for Miami's natural and cultural wonders. These colorful pages feature a multicultural group of people visiting Miami's attractions as rhythmic language guides readers through the passage of both a single day and the four seasons. Celebrating the people and places that make Miami unique, this book features iconic aspects of the city from art deco architecture and its Latin community to its sparkling beaches and the nearby Everglades.

Considered by many as the country’s most dynamic, fastest growing and sexiest city, Miami is more popular than ever before. Yet, it is a city that doesn’t merely change but evolves, never rewriting the past, just adding to its illustrious heritage. And this is the real beauty of Miami. The chic Surf Club and the vibrant Faena Hotel did not replace the emblematic Raleigh of the 1940s nor the Ritz Carlton of the 50s, rather they complement them. Classics like Joe’s Stone Crab continue to serve their signature fare to sell-out crowds each night, as new establishments attract with name chefs. The iconic art deco architecture remains on full display as the modern Herzog & de Meuron-designed Perez Art Museum stands in stark contrast. Replete with arts and culture year round from the international art at The Bass to the street art of Wynwood Walls, each December, the city is taken over by the global cultural elite for Art Basel Miami Beach, a fair that attracts over 80,000 visitors who turn out for the momentous art, such as Maurizio Cattelan’s show stopping “Comedian”, and the exuberant festivities hosted each evening.

The wild, true story of the Mutiny, the hotel and club that embodied the decadence of Miami’s cocaine cowboys heyday—and an inspiration for the blockbuster film, Scarface... In the seventies, coke hit Miami with the full force of a hurricane, and no place attracted dealers and dopers like Coconut Grove’s Mutiny at Sailboat Bay. Hollywood royalty, rock stars, and models flocked to the hotel’s club to order bottle after bottle of Dom and to snort lines alongside narcos, hit men, and gunrunners, all while marathon orgies burned upstairs in elaborate fantasy suites. Amid the boatloads of powder and cash reigned the new kings of Miami: three waves of Cuban immigrants vying to dominate the trafficking of one of the most lucrative commodities ever known to man. But as the kilos—and bodies—began to pile up, the Mutiny became target number one for law enforcement. Based on exclusive interviews and never-before-seen documents, Hotel Scarface is a portrait of a city high on excess and greed, an extraordinary work of investigative journalism offering an unprecedented view of the rise and fall of cocaine—and the Mutiny—in Miami.

From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.

Wyatt My name is Wyatt Blake. I'm a cardiothoracic surgeon in Phoenix. When I was 17, I had a heart transplant that saved my life. That's not something I tell just anyone, because I hate being defined by the illness that ruled the first half of my life. The average life expectancy for a transplant patient is 11 years. I'm 34, and in case math isn't your thing, that puts me about six years past my expiration date when I spend a weekend at my buddy Jason's wedding in Miami and meet the sexiest bridesmaid in the history of sexy bridesmaids. Dee Giordino. She's sweet, kind, loving and drop-dead gorgeous. I love every minute I spend with her. We had so much fun together at the wedding, and when I invited her back to my room after, we had the best night I've ever had with anyone. And now I can't stop thinking about her or texting her or wishing our one-night stand could somehow be more, even though "more" isn't in my vocabulary. When Jason tells me there's an opening in my specialty at his hospital, I come running back to Miami to interview for the job. And to see Dee again, even though I know that's completely unfair to her. In light of my situation, I've become the king of the one-night stand. It wouldn't be fair to drag someone else into my reality when my future is so uncertain. But Dee, she's different from the beginning, and maybe, just maybe, I might have to break all my rules for her... Fair or not.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

25 February 1964: 22-year-old Cassius Clay, soon to be Muhammad Ali, has just won the world heavyweight boxing title. Instead of hitting the town, he chooses to celebrate in a Miami hotel room with three close friends - activist Malcolm X, singer Sam Cooke and American football star Jim Brown. This fictional account of a real night imagines what might have happened in that tiny hotel room. As the Civil Rights movement stirs outside, and the melody of 'A Change is Gonna Come' hangs in the air, four men will emerge from that one night ready to define a new world. Kemp Powers' award-winning debut play One Night in Miami... deftly combines the personal and the political at a pivotal moment in history; it received the Ted Schmitt Award 2013 for its world premiere, and went on to be adapted into a critically acclaimed film directed by Regina King in 2020. It is published here in Methuen Drama's Modern Classics series with a brand new introduction.

In the tradition of The Wire, the harrowing story of the cinematic transformation of Miami, one of America’s most bustling cities—rife with a drug epidemic, a burgeoning refugee crisis, and police brutality—from journalist and award-winning author Nicholas Griffin Miami, Florida, famed for its blue skies and sandy beaches, is one of the world’s most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be. The Year of Dangerous Days is a fascinating chronicle of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through intertwining personal stories. At the core, there’s Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferré, the charismatic politician who watches the case, and the city, fall apart. On a roller coaster of national politics and international diplomacy, these three figures cross paths as their city explodes in one of the worst race riots in American history as more than 120,000 Cuban refugees land south of Miami, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement. In a battle of wills, Buchanan has to keep up with the 150 percent murder rate increase; Captain Frank has to scrub and rebuild his homicide bureau; and Mayor Ferré must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami begins to emerge. But the foundation of this new Miami—partially built on corruption and drug money—will have severe ramifications for the rest of the country. Deeply researched and covering many timely issues including police brutality, immigration, and the drug crisis, The Year of Dangerous Days is both a clarion call and a re-creation story of one of America’s most iconic cities.