From Ray Bradbury, the recipient of the National Book Foundation's 2000 Medal comes a magical collection of short fiction. Ray Bradbury is one of the most celebrated fiction writers of the 20th century. He is the author of such classics as Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. Bradbury has once again pulled together a stellar group of stories sure to delight readers young and old, old and new. In One More For The Road we are treated to the best this talented writer has to offer : the eerie and strange, nostalgic and bittersweet, searching and speculative. Here are a father's regrets, a lover's last embrace, a child's dreams of the future 栬l delivered with the trademark Bradbury wit and style.

Recounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms tied to anecdotes spanning Grlić’s life. “I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can’t put it down and then I got to the last 20 pages slowing down to a snail’s pace and reading so slowly so that it wouldn’t be over so quickly.”—Mike Downey, European Film Academy From his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry. From the introduction by Aida Vidan: The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlić’s stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader’s own “montage” of the book’s universe.... Grlić adroitly captures the absurdities and paradoxes in one’s life resulting from the sort of tectonic shifts with which East European history abounds.

Angela's world is automated -- the cars drive themselves. Houses and tablets and phones are always listening to tell you how to do things and warn you against things you're not supposed to do. When she and her boyfriend inherit an old-style manual-drive car, it inspires her to try to master it -- and to realize how little a person actually controls in a technological,automated world. A novelette of about 9000 words. Self-driving car, autonomous car, assisted driving, learning to drive, science fiction, scifi, specfic, speculative fiction, short story, emerging technology, woman, women, driving, driver, student driver, defamiliarization, making the familiar unfamiliar, Dodge Charger, 1969, Mojave Desert, southwest, AI, psuedo-AI, Siri, Cortana, digital assistant, decentralized grid, smart grid, relationship, boyfriend, girlfriend, retreat, finding yourself, automation, smart cart

On both sides of the turn of the twentieth century, there emerged a style of writing that was a distant kin to the modern historical novel. It was known as Les Guerres Imaginaires, which can basically be translated into “The Imaginary War.” It was a literary device used to tell how future wars might occur and be fought. This type of novel was written by military authors who sought to mold and enhance their foresight with intricate historical and political analyses. Examples of this genre include “The Battle of Dorking,” a 1871 short story in Blackwood’s Magazine by Sir George Tomkyns Chesney; The Great Naval War of 1887, written in 1886 by Sir William Laird Clowes and Commander Charles N. Robinson; The Great War of 189-, A Forecast, by Rear Admiral Philip Colomb, written in 1893; The War Inevitable (1908), by Alan H. Burgoyne; The Valor of Ignorance (1909), by Homer Lea; and two great novels of the 1920s, Sea Power in the Pacific (1920) and The Great Pacific War (1925), by Hector Bywater. John Eric Vining resurrects a mirror image of this genre to look back into history and explore what might have happened if Mexico had taken Germany’s 1917 Zimmermann Telegram seriously and attempted to recapture the American Southwest at the height of World War I. While this is fantastically unbelievable at first glance, a further analysis is warranted. What you might find is that not only was a Mexican invasion of the American Southwest quite possible in 1917, the real surprise is that it did not happen in the actual history of World War I! Take the plunge and see for yourself if it might have been possible for the United States and Mexico to have fought the Great Southwestern War of 1917.

‘Joyful, life-affirming, greedy. I loved it’ – DIANA HENRY ‘Whether you are an avid cyclist, a Francophile, a greedy gut, or simply an appreciator of impeccable writing – this book will get you hooked’ – YOTAM OTTOLENGHI

WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

CAUGHT - One More for the Good Guys tells the enduring, true story of a female undercover officer who faced and overcame great odds in the line of duty. It provides an insight into what it was like for a woman to be on the street with real life druggies,thieves and murderers lurking around. Through the author's view, readers will experience every emotion that a soul could experience: the excitement, fun, fear, danger, disappointment and the sense of accomplishment in doing something worthwile. Along the way, this book also reveals the politics of law enforcement, the impact crime has on the local community and much more.

Set in a modern-day Britain where water is running out everywhere except at the farm of one seemingly ordinary family whose mysterious good fortune leads to a shocking act of violence, The Well is “extraordinary...a mesmerizing read…combining a gripping mystery, nuanced psychological drama, and striking prose” (Publishers Weekly, starred review). When Ruth Ardingly and her family make that first long drive up from the city in their grime-encrusted car and view The Well, they are enchanted by a jewel of a farm that appears to offer everything they need: an opportunity for Ruth, an escape for her husband, and a home for their grandson. But when the drought begins, everything changes. Surrounded by thirty acres of lush greenery, the farm mysteriously thrives while the world outside crumbles under the longest dry spell in recorded history. No one, including the owners, understands why. But The Well’s unique glory comes at a terrible price. From the envy of their neighbors to the mandates of the government, from the fanaticism of a religious order called the Sisters of the Rose to the everyday difficulties of staying close as husband and wife, grandmother and child—all these forces lead to a shocking crime. Accusations of witchcraft, wrongdoing, and murder envelop the family until their paradise becomes a prison. A beautifully written debut novel that “channels Margaret Atwood and Gillian Flynn, creating a story that’s speculative and suspenseful” (Minneapolis Star Tribune), The Well is an utterly haunting meditation on the fragile nature of our relationships with each other and the places we call home.

Frustrated with the climate of fear in a media- saturated world, Glen Heggstad decided to look for truth on his own terms. Winding his way through Siberia, Mongolia, Europe, the Middle East, South East Asia and Africa, Heggstad battled extreme temperatures, knee-deep mud, bureaucratic roadblocks and health problems. Filled with unique stories, cultural insight and gritty adventure, his story allows readers to share his vision of a world ungoverned by fear and, like him, embrace each experience.

Don’t drink and drive. It's a deceptively simple rule, but one that is all too often ignored. And while efforts to eliminate drunk driving have been around as long as automobiles, every movement to keep drunks from driving has hit some alarming bumps in the road. Barron H. Lerner narrates the two strong—and vocal—sides to this debate in the United States: those who argue vehemently against drunk driving, and those who believe the problem is exaggerated and overregulated. A public health professor and historian of medicine, Lerner asks why these opposing views exist, examining drunk driving in the context of American beliefs about alcoholism, driving, individualism, and civil liberties. Angry and bereaved activist leaders and advocacy groups like Mothers Against Drunk Driving campaign passionately for education and legislation, but even as people continue to be killed, many Americans remain unwilling to take stronger steps to address the problem. Lerner attributes this attitude to Americans’ love of drinking and love of driving, an inadequate public transportation system, the strength of the alcohol lobby, and the enduring backlash against Prohibition. The stories of people killed and maimed by drunk drivers are heartrending, and the country’s routine rejection of reasonable strategies for ending drunk driving is frustratingly inexplicable. This book is a fascinating study of the culture of drunk driving, grassroots and professional efforts to stop it, and a public that has consistently challenged and tested the limits of individual freedom. Why, despite decades and decades of warnings, do people still choose to drive while intoxicated? One for the Road provides crucial historical lessons for understanding the old epidemic of drunk driving and the new epidemic of distracted driving.