An invaluable reference for anyone who is a working actor, or wants to be. Learn how to make it in the day-to-day business of acting and stay sane and focused while attempting to merge art and commerce. This book covers everything the author wishes someone had told him about how casting decisions are made, what rejection really means, how to behave on a set, the two factors the business is built on, and much more. Markus Flanagan offers encouraging, highly useful pointers on such vital matters as: How do you combat getting typed?, Understanding the people you are auditioning for, Bad habits to avoid in the audition waiting room, The two deadliest questions you may be asked before starting your reading, What are they looking for in the call back?. One Less Bitter Actor offers sage, pragmatic, anxiety-calming advice on how to succeed in acting from one who has.

Theater Careers is designed to empower aspiring theater professionals to make savvy, informed decisions through a concise overview of how to prepare for and find work in the theater business. Tim Donahue and Jim Patterson offer well-researched information on various professions, salary ranges, educational and experience requirements, and other facets certain to enlighten students contemplating a theater career, as well as inform counselors, teachers, and parents of available opportunities and the demands of each path. Theater Careers offers valuable details not readily available elsewhere, including • Dozens of informative job descriptions surveying the impressive variety of theater careers, both on and off the stage • Statistics on the working and earning prospects of various careers as drawn from the best sources in the business • Thoughtful assessments of the value of education and training choices, including the most meaningful way to look at the costs of college—estimating net costs, which is seldom described elsewhere—and how to choose a school Straightforward and objective, Theater Careers is an ideal reference for those seeking careers in the theater. Armed with this information, readers will be better equipped to pursue choices that best lead to satisfying and secure employment in the rewarding field of the dramatic arts.

In the long-awaited follow-up to the bestselling "In Pursuit of Elegance," May outlines seven simple principles for designing more engaging strategies, products, and services in any industry.

"Self-Management for Actors will guide you through the process of taking control of your career from the business side of things. There is no secret method, there is no password entry system to the Working Actor Club. What does exist is a simple, self-management concept that allows you to handle the business of your acting career without losing the ability to be a creative artist."--BOOK JACKET.

"a work on the art and craft of comedy as important in its own way as works by Stanislavski and Chekhov" – Oxford Theatre Companion In 1939, a young, inexperienced actor wrote to a famous actress of his acquaintance, asking for advice on playing comedy. She responded enthusiastically, and they corresponded variously over the next year. The Craft of Comedy, a record of these exchanges, soon emerged as one of the few classic texts in the field of comedy acting. This major new edition takes a brilliant book and makes it better. Editor Robert Barton has devised extensive supplementary material, including: An introduction to the correspondents, the culture of the time, and the evolution of their book; Summaries, definitions, and exercises and practice scenes for readers wishing to explore Athene Seyler’s invaluable advice; Photographs, additional essays by Seyler, and a guide to easily accessed video clips of her performing. Seyler’s lucid guidance, and Barton’s scrupulous editorship, ensure this legendary work’s rightful status is restored: as one of the great practical guides to the craft of comedy, and an essential resource for actors and students of acting.

Finalist for the 2020 Kobo Emerging Writer Prize in Nonfiction Joanne Vannicola grew up in a violent home with a physically abusive father and a mother who had no sexual boundaries. After being pressured to leave home at fourteen, and after fifteen years of estrangement, Joanne learns that her mother is dying. Compelled to reconnect, she visits with her, unearthing a trove of devastating secrets. Joanne relates her journey from child performer to Emmy Award–winning actor, from hiding in the closet to embracing her own sexuality, from conflicted daughter and sibling to independent woman. All We Knew But Couldn’t Say is a testament to survival, love, and the belief that it is possible to love the broken, and to love fully, even with a broken heart.

“Basil Rathbone's book about himself...is better written than most books by or about actors and is more intellectually vigorous...Sherlock Holmes fans will be much interested in his remarks on the character with whom he has been so closely identified.” – Library Journal; “Quite naturally full of memories, full of names, full of glimpses of stars of stage and screen of yesterday and today.” –New York Times Book Review

Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.

(Book). An Actor Succeeds is a very special collection containing all the best trade secrets of the biggest and most successful film and theater professionals. Presented in an informative format, An Actor Succeeds is a useful yet entertaining how-to, tips-and-advice book comprising nearly 900 quotes mostly from actors but also directors, writers, casting directors, and more. The book is conveniently divided into five chapters: Acting, Auditioning, Connecting, Working, and Coping. Here's a sampling of quotes from each section: (Acting) "Of course we all learn that acting is basically reacting. The least acting you ever have to do is in a close-up. The close-up may require an actor's reaction, but a small, subtle one. Generally speaking, the less you 'act' in a close-up, the better." Sir John Gielgud. (Connecting) "Acting, especially in motion pictures, is very hierarchical, like a caste system. The stars are royalty, the other actors are serfs-okay, commoners... If you're not a big shot, you gotta be careful not to push or intrude. You gotta watch what you say, how you say it, and, especially, when you say it." Bruce Dern. (Working) "Acting in front of a camera or a live audience requires intense concentration, to shut out the real world and create the character's reality. Focus is just as important for an actor as for a cinematographer." Keira Knightley. (Coping) "Partly I got into show business to become rich and famous and thus show up anyone who'd treated me badly growing up. But doesn't one evolve with maturity? My focus ultimately changed from negative to positive, as I found that I enjoyed the work, even the struggle, for its own sake." Michael Landon