A stand-alone contemporary novel by author Thea Atkinson with literary fiction leanings and dark themes of reincarnation and past lives. One Insular Tahiti is a BRAGG Medallion Honoree His secret will save her life…Will hers threaten to end it? Astrid has never been good at people. Her father assures her that a move to Nova Scotia will change everything. The sea has a way of washing away the past and painful memories, he says. She doubts it. Her memories are far too painful even for the Atlantic. Luke lived a horrible life. Now he's dead. But death isn't enough to shake the memories of his violent past and let him rest. He needs an escape. And an escape can only come from one thing. He decides to be reborn, and when he does, his past, his memories, and his new life will collide with Astrid's in a way that will change them both forever. One Insular Tahiti is an emotional coming of age novel. If you enjoy reads that are sad, hopeful, painful, forgiving, and thought-provoking, all at once, you will love One Insular Tahiti. Pick it up today and see why sometimes one liftetime isn't enough.

Sometimes to save your life… …You must take it. One brutal lover’s spat too many makes Olivia decide her only way out of a violent same-sex relationship is on a stretcher. But life has other plans. When her father suffers a stroke and needs 24 hour care, she realizes this is a chance to start fresh and heal her fragile spirit. Not to mention, escape the brutal hands that bruise her body. But it requires the one thing she swore she would never do: Go home. Can Olivia find a way to resolve the ghosts of her troubled past or will it leave her trapped in her the darkest parts of her psyche? If you enjoy deeply introspective fiction with dark themes you will want to give Secret Language of Crows a try. This stand alone novel is a cross between womens' literary fiction and psychological thriller that explores the strength of family ties and the secret lives within them. In the tradition of Canadian women writers, the author delivers a story both dark and brutal that somehow finds a way to the light.

J is about to relapse. So is his neighbor. And that might save them both. J doesn't need rehab. They're well clean of the hard stuff, the soft stuff, and the things in between that helped them bury their fear that they aren't entirely comfortable in their own skin. A group of thugs think otherwise, deciding to beat the freak out. J is left to brood at home while the newborn next door wails through the walls at regular, insomnia-producing intervals. They aren't sure how much sobriety a person can take. Until the wailing stops and the silence grows even more deafening than the whispers of craving. That's when J steps outside their comfort zone, and begins to realize just how bad an idea it was. Because now there's more at stake than sobriety; the fragile sense of self they've cultivated is at risk... (Originally Titled Anomaly)

The Contracts of Fiction reconnects our fictional worlds to the rest of our lives. Countering the contemporary tendency to dismiss works of imagination as enjoyable but epistemologically inert, the book considers how various kinds of fictions construct, guide, and challenge institutional relationships within social groups. The contracts of fiction, like the contracts of language, law, kinship, and money, describe the rules by which members of a group toggle between tokens and types, between their material surroundings - the stuff of daily life - and the abstractions that give it value. Rethinking some familiar literary concepts such as genre and style from the perspective of recent work in the biological, cognitive, and brain sciences, the book displays how fictions engage bodies and minds in ways that help societies balance continuity and adaptability. Being part of a community means sharing the ways its members use stories, pictures, plays and movies, poems and songs, icons and relics, to generate usable knowledge about the people, objects, beliefs and values in their environment. Exposing the underlying structural and processing homologies among works of imagination and life processes such as metabolism and memory, Ellen Spolsky demonstrates the seamless connection of life to art by revealing the surprising dependence of both on disorder, imbalance, and uncertainty. In early modern London, for example, reformed religion, expanding trade, and changed demographics made the obsolescent courts a source of serious inequities. Just at that time, however, a flood of wildly popular revenge tragedies, such as Hamlet, by their very form, by their outrageous theatrical grotesques, were shouting the need for change in the justice system. A sustained discussion of the genre illustrates how biological homeostasis underpins the social balance that we maintain with difficulty, and how disorder itself incubates new understanding.

Drawing on modern studies of rhetoric and the concept of the Trickster, the author examines Herman Melville, Mark Twain, and Nathanael West as creators of a fictive experience centered in deceptive or problematic transactions of confidence. The model of a confidence game, suggested by the writers' own thematic preoccupations, permits an analysis of the social motivations inherent in the fiction. The author concentrates on the process by which confidence is established and the ways in which deception leads to regeneration and an altered perception of authority. His approach increases our understanding of the interrelation between the writer, his reader, and the world each envisions. Warwick Wadlington examines individual texts, as well as the pattern of each writer's total work. His book distinctively combines an enlarging archetypal frame with rhetorical analysis of the writer-reader imaginative act. Treated as different forms of a coherent mode of fictive experience, the works of these important authors illuminate each other. Professor Wadlington's method results in decisively new readings of each text and contributes to a phenomenology of reading three writers whose works represent crucial "moments" in the artist-audience negotiation of mutual faith. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

90 Masterpieces of World Literature (Vol.I) is an expansive anthology that traverses the landscape of global literary achievement, offering readers a comprehensive survey of seminal works that have shaped the ethos of world literature. This collection is marked by an incredible diversity of genres, styles, and themes, reflecting the wide-ranging experiences and historical contexts of its authors. From the existential questions pursued by Dostoevsky and the introspective journey of Proust, to the pioneering adventures penned by Verne and the critical social commentary of Dickens, this anthology showcases the multifaceted nature of human thought and expression. Standout pieces within the volume capture the essence of their time while also speaking to universal themes of love, struggle, freedom, and morality, making the anthology a vibrant tapestry of human experience. The contributors to this volume represent a whos who of historical literary giants, each bringing their unique voice to the collective table. Authors such as Jane Austen and Charlotte Brontë offer keen insights into the gender dynamics of their time, while the visionary science fiction of H.G. Wells and the dark romanticism of Edgar Allan Poe present radical departures from the realist tradition, challenging readers to explore new psychological and societal frontiers. The anthology, thereby, not only aligns with various historical, cultural, and literary movements but also weaves a dialogue between these movements, highlighting the evolution of narrative and thought across ages and geographies. These varied voices together enrich the readers understanding of the broad spectrum of human expression and the complexity of the human condition. 90 Masterpieces of World Literature (Vol.I) is an essential volume for anyone seeking to explore the depth and breadth of literary genius across the ages. It offers a unique opportunity to delve into the works that have not only defined but also continuously reshaped the landscape of world literature. Readers are encouraged to immerse themselves in the richness of this collection, discovering within its pages a world of ideas, stories, and perspectives that are at once enlightening, provocative, and boundlessly imaginative. This anthology serves as both a gateway and a guide for those eager to embark on a comprehensive literary journey, making it an invaluable addition to any personal library.

The Battle for the American Mind brings together religion, politics, economics, science, and literature to present a compelling history of the American people. In this brief and entertaining book, noted historian Carl J. Richard argues that there have been three worldviews that have dominated American thought--theism, humanism, and skepticism. Theists put their faith in God, humanists in man, and skeptics have faith in neither god nor man. Each worldview has had an epoch of domination, leading to the present "Age of Confusion" where theists, humanists, and skeptics battle one another for control of American hearts and minds. By clearly explaining what Americans believed, exploring why they did so, and showing how that impacted the nation's development, Carl J. Richard presents a unique portrait of the United States--past and present.

The motifs of island and shipwreck have been present in literature and the arts from ancient times. Whether they occur as plot elements, as part of literary or film imagery, as symbols in paintings, as leitmotifs in songs, or as concepts in philosophical theories, both have always been a source of fascination to authors, artists and scholars. In Shipwreck and Island Motifs in Literature and the Arts, Brigitte Le Juez and Olga Springer have gathered essays that explore shipwreck and island figures in texts as historically, culturally and artistically diverse as Walter Scott’s The Lord of the Isles, Cristina Fernández Cubas’ “The Lighthouse”, reality TV series Treasure Island, pop songs of the BBC Radio programme Desert Island Discs, or The Otolith Group’s essay-film Hydra Decapita.

The Corporeal Self argues that questions about identity, conceived in bodily terms, are not only relevant for Melville and Hawthorne, the two nineteenth-century authors whose works are positioned at opposite extremes of the consideration of human identity, but lie at the heart of the American literary tradition, and have, in that tradition, their own revisionary status.