The first catalogue to document and showcase Bruce Nauman's impressive installation, One Hundred Fish Fountain - 97 fish attached to a steel frame and connected to hoses and pumps to create the effect of the fish spewing out and sucking in water. Bruce Nauman has long been celebrated in the art world for his conceptual work in neon, film, performance and print-making and was selected as the American entry for the 2009 Venice Biennale.

" The first authorized monograph on the world–famous sculptor, photographer, and video artist. In Bruce Nauman: The True Artist, Peter Plagens – a renowned writer, critic, and author who has known Nauman for more than forty years – delivers a personal and authoritative account tracing Nauman’s entire career, from his youth in Fort Wayne, Indiana, to his graduate work at the University of California, and through to the present day. Plagens first met Nauman in Pasadena, California, in 1970, where their studios were a block apart and they played basketball together every Sunday. Since then, Plagens has pursued a real understanding of his friend’s art. The book chronicles Nauman’s process, from the creation of works in his New Mexico studio to the organization, installation, and reception of his exhibitions. Throughout, Plagens is a savvy and engaging guide to the work, using his own attempts to puzzle out the meaning of the pieces, as well as the artist’s conversations about them, to offer readers a vivid and enlightening take on one of the key figures in contemporary art. "

Restless, protean, fluid, evanescent—despite being a challenge to represent visually, water has gained a striking significance in the art of the twentieth century. This may be due to the fact that it allows for a range of metaphorical meanings, many of which are particularly appropriate to the modern age. Water is not merely a subject of contemporary art, but also a material increasingly used in art-making, giving it a distinct dual presence. Water and Art probes the ways in which water has gained an unprecedented prominence in modern Western art and seeks to draw connections to its depiction in earlier art forms. David Clarke looks across cultures, finding parallels within contemporary Chinese art, which draws on a cultural tradition in which water has an essential presence and is used as both a subject and a medium. The book features a wealth of images by artists from East and West, including Fu Baoshi, Shi Tao, Wei Zixi, Fang Rending, Leonardo da Vinci, Bernini, Turner, Gericault, Klee, Matisse, Monet, Picasso, Mondrian, and Kandinsky. Fast-paced, accessible, and comprehensive, Water and Art will appeal to the specialist and the general reader alike, offering fresh perspectives on familiar artists as well as an introduction to others who are less well-known.

The most comprehensive collection to date of the artist Bruce Nauman's writings plus all of his major interviews from 1965 to 2001. Since the 1960s, the artist Bruce Nauman has developed a highly complex and pluralistic oeuvre ranging from discrete sculpture, performance, film, video, and text-based works to elaborate multipart installations incorporating sound, video recording and monitors, and architectural structures. Nauman's work is often interpreted in terms of movements and mediums, including performance, postminimalism, process, and conceptual art, thereby emphasizing its apparent eclecticism. But what is often overlooked is that underlying these seemingly disparate artistic tendencies are conceptual continuities, one of which is an investigation of the nature of language. Unlike many of his contemporaries, Nauman has refrained from participating in the critical discourse surrounding his own work. He has given relatively few interviews over the course of his career and has little to do with the art press or critical establishment. Indeed, he granted Janet Kraynak and The MIT Press almost complete autonomy in the preparation of this volume. In contrast to Nauman's reputation for silence, however, from the beginning of his career, the incorporation of language has been a central feature of his art. This collection takes as its starting point the seeming paradox of an artist of so few words who produces an art of so many words. Please Pay Attention Please contains all of Nauman's major interviews from 1965 to 2001, as well as a comprehensive body of his writings, including instructions and proposal texts, dialogues transcribed from audio-video works, and prose texts written specifically for installation sculptures. Where relevant, the texts are accompanied by illustrations of the artworks for which they were composed. In the critical essay that serves as the book's introduction, the editor investigates Nauman's art in relation to the linguistic turn in art practices of the 1960s—understanding language through the speech act—and its legacy in contemporary art.

Studies major works by important sculptors since Rodin in the light of different approaches to general sculptural issues to reveal the logical progressions from nineteenth-century figurative works to the conceptual work of the present.

One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California. This text explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s.

A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.

Textes, films, photographies et installations de Mircea Cantor, né en 1977 à Oradea (Roumanie). Lauréat du prix Ricard 2004, il est considéré comme l'une des figures marquantes de l'art contemporain de ces dernières années et appartient à une génération d'artistes d'Europe de l'Est révélés récemment.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.