Fourteen-year-old Gracie Taylor lives in a messy house, but it’s not her mess. Her mother has been a compulsive hoarder for the last six years, and it’s only getting worse. Their kitchen is covered with towers of Tupperware. The dining room table is buried under clutter. And in the living room, clothing fills every available space. Her back-at-home sister promises to help, but all she seems to do is argue with their mother. Her best friend Jilly is no help either. She’s too concerned about her new boyfriend at her new school to listen to Gracie’s problems. Meanwhile, her mother continues to fill the house with junk. If Gracie can’t get her mother’s hoarding under control, she can kiss her dreams of film school goodbye. Gracie is the one who takes out the trash. Gracie is the one who keeps the toilets functional. Gracie is the one who clears the clutter blocking the exits. If left to her own devices, her mother would become a level five hoarder in no time. Her only hope is to get her mother on Clean It Up!, a show that helps compulsive hoarders. But getting her on the show won’t be easy. Fortunately, with the help and support of her film club friends, Gracie forms a plan. It might just take filming the biggest documentary of her life to make it happen.

Loonette gets so involved with all things she finds while searching for her beach ball that she doesn't realize what a mess she is making.

American accounting theory -- British accounting and Marx's theory of capitalism -- Irving Fisher's theory of accounting -- Accounting theory and the profession -- Charles Ezra Sprague -- Henry Rand Hatfield -- William Andrew Paton Jr. -- John Bennet Canning -- The "big mess."

Colour illus lift the flap book. Find the culprit who made the mess behind the flap.

Christianity is messy. Unanswered prayers. Painful choices. Unresolved regrets. We’re called to have faith, and yet we doubt. We try to be perfect, but we fall short. This is the chaos. It’s all around us. There’s no limit to it. And there’s no quick fix for it.Both annoyingly honest and refreshingly humorous, Messy reassures Christians that God can reveal Himself in their clutter. Author and pastor A.J. Swoboda offers biblical insight and vivid, personal stories to redefine faith from something that must be perfect to something that is imperfect, but can still give beauty, meaning, and purpose to a messy life. As entertaining as it is challenging, this book teaches Christians what it means to trust in each other, in grace, in hope, and in a Savior who defied the rules of death. Here’s to finding joy in your chaos!

""The Big House" is America's idea of the prison - a huge, tough, ostentatiously oppressive pile of rock, bristling with rules and punishments, overwhelming in size and the intent to intimidate. Stephen Cox tells the story of the American prison - its politics, its sex, its violence, its inability to control itself - and its idealization in American popular culture. This book investigates both the popular images of prison and the realities behind them : problems of control and discipline, mainenance and reform, power and sexuality. It conveys an awareness of the limits of human and institutional power, and of the symbolic and iconic qualities the "Big House" has attained in America's understanding of itself"--Jacket.

Associated with key 1960s avant garde figures such as Ginsberg, Burroughs, Rauschenberg, and Johns, John Giorno was an early pioneer of multimedia poetry through Giorno Poetry Systems, which also distributed a who’s who of the American underground from Patti Smith to Sonic Youth. Giorno’s use of transgressive material and in-your-face, amplified delivery was also a key influence on punk/new wave pioneers such as Suicide, Throbbing Gristle, and Black Flag. Not just a poet but a sexual, spiritual, and political radical, Giorno helped pioneer the open celebration of queer sexuality in poetry in the 1960s. Subduing Demons in America offers the best of Giorno’s revolutionary poetry, from his striking Pop Art–influenced poems of the 1960s to the psychedelic, echo-laden, multitracked cut-ups of the 1970s with their explosive configurations of queer sex, spiritual practice, and the bohemian Good Life. Also here are the pared-down punk/hip-hop performance poems that Giorno performed in the 1980s.

This book is the second of the two-volume collection of papers on formulaic language. The collection is among the first in the field. The authors of the papers in this volume represent a diverse group of international scholars in linguistics and psychology. The language data analyzed come from a variety of languages, including Arabic, Japanese, Polish, and Spanish, and include analyses of styles and genres within these languages. While the first volume focuses on the very definition of linguistic formulae and on their grammatical, semantic, stylistic, and historical aspects, the second volume explores how formulae are acquired and lost by speakers of a language, in what way they are psychologically real, and what their functions in discourse are. Since most of the papers are readily accessible to readers with only basic familiarity with linguistics, the book may be used in courses on discourse structure, pragmatics, semantics, language acquisition, and syntax, as well as being a resource in linguistic research.