In 2000, Douglas A. Martin burst onto the American literary scene with his sexy debut novel, Outline of My Lover. Following up with three more books, including Branwell, a novel of the Brontë brother, Martin has established himself as an acclaimed and distinctive American writer of the new century. His semi-autobiographical novel Once You Go Back is about growing up in a strained working-class household transplanted to the South. In his inimitably elliptical and evocative style, Martin carefully brings out the curiosity of children on the verge of becoming sexual, and their confusion in the midst of family violence.

Once You Go Black is first and foremost a study of a group of black American intellectuals, primarily male, who came to prominence after World War II. At the same time, it is an endeavor to reconsider black Americans as agents, and not simply products, of history. Following the existentialist maxim that experience precedes essence, Robert Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they been forced on the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural or "God-given" today. In Once You Go Black, Reid-Pharr turns first to the late and relatively unknown novels of the three most prominent Black American writers of the mid-twentieth century-Richard Wright, Ralph Ellison, and James Baldwin. He suggests that each of these authors rejects the idea of the black as innocent, insisting instead upon responsibility within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song.Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is a bold, eloquent, and impassioned call to bring the language of choice into the study of black American literature and culture.

Carly Gelsinger is an awkward and lonely thirteen-year-old when she stumbles into Pine Canyon Assemblies of God, the cracked stucco church on the outskirts of her remote small town. She assimilates, despite her apprehensions, because she is desperate to belong. Soon, she is on fire for God. She speaks in tongues, slays demons, and follows her abusive pastor’s every word―and it’s not until her life is burnt to the ground that she finds the courage to leave. Raw and illuminating,Once You Go In is a coming-of-age tale about the beauty and danger of absolute faith, and the stories people tell themselves to avoid their deepest fears.

Once You Go Black is first and foremost a study of a group of black American intellectuals, primarily male, who came to prominence after World War II. At the same time, it is an endeavor to reconsider black Americans as agents, and not simply products, of history. Following the existentialist maxim that experience precedes essence, Robert Reid-Pharr contends that our current notions of black American identity are not inevitable, nor have they been forced on the black community. Instead, he argues, black American intellectuals have actively chosen the identity schemes that seem to us so natural or "God-given" today. In Once You Go Black, Reid-Pharr turns first to the late and relatively unknown novels of the three most prominent Black American writers of the mid-twentieth century-Richard Wright, Ralph Ellison, and James Baldwin. He suggests that each of these authors rejects the idea of the black as innocent, insisting instead upon responsibility within modern society. Reid-Pharr then examines a number of responses to this presumed erosion of black innocence, paying particular attention to articulations of black masculinity by Huey Newton, one of the two founders of the Black Panther Party, and Melvin Van Peebles, director of the classic film Sweet Sweetback's Baadasssss Song.Shuttling between queer theory, intellectual history, literary close readings, and autobiography, Once You Go Black is a bold, eloquent, and impassioned call to bring the language of choice into the study of black American literature and culture.

This book examines the issue of irregular transit migration to the EU by presenting the case of the Afghans. Focusing on the Afghans that arrive in and seek to move through Greece, it highlights the unique problems facing this distinctive migratory movement. Recognising that the migratory journey is a continuous interplay of policies and individuals, how each responds and adapts, the book itself moves between countries, policies, stories of migrants and the author’s own experiences in the field. Drawing on extensive empirical research conducted in both Greece and Turkey, it explores why such transits occur and the decision-making process of the migrants in transit. Through the example of Afghan migration this book contributes to broader debates concerning transit migration, hospitality and asylum (how it is perceived, access to it). This book presents a timely study of the rise of ‘fortress Europe’ and the current discourse around refugees and migrants, amidst the largest refugee flow since WWII in Europe. This book’s interdisciplinary approach will make it a valuable resource for policy makers as well as Sociology and Politics scholars.

A guide to mastering microeconomic theory Microeconomic Foundations I develops the choice, price, and general equilibrium theory topics typically found in first-year theory sequences, but in deeper and more complete mathematical form than most standard texts provide. The objective is to take the reader from acquaintance with these foundational topics to something closer to mastery of the models and results connected to them. Provides a rigorous treatment of some of the basic tools of economic modeling and reasoning, along with an assessment of the strengths and weaknesses of these tools Complements standard texts Covers choice, preference, and utility; structural properties of preferences and utility functions; basics of consumer demand; revealed preference and Afriat's Theorem; choice under uncertainty; dynamic choice; social choice and efficiency; competitive and profit-maximizing firms; expenditure minimization; demand theory (duality methods); producer and consumer surplus; aggregation; general equilibrium; efficiency and the core; GET, time, and uncertainty; and other topics Features a free web-based student's guide, which gives solutions to approximately half the problems, and a limited-access instructor's manual, which provides solutions to the rest of the problems Contains appendixes that review most of the specific mathematics employed in the book, including a from-first-principles treatment of dynamic programming

After serving for more than thirty years as a parish minister, the author was hospitalized with major depression. This is the story of his depression and recovery--a recovery of health, vocation, and faith. First, Griggs regained the experience of small pleasures. Eventually, he recovered the ability to choose, to set limits, and to accept reality. He then turned to the biblical Psalms--indeed his own writing echoes their candor. But he also found hope in films, including Breakfast at Tiffany's and Blazing Saddles. To the mental health issues facing clergy and others in the helping professions Griggs brings to bear insights from research and from his own experience as a pastor and a person recovering from depression. He tells his story with spirit and humor.