It is 1968. Across America, citizens march for social reform and an end to the Vietnam War. Amid all this, Surya Green--a New York-born, self-absorbed, modern young woman--is a student at Stanford University, blithely pursuing a graduate degree in communication. Her view of life's purpose unexpectedly starts to expand when she says "Yes" when her Stanford film mentor selects her for a writing job at Zagreb Film in Yugoslavia. Family and friends marvel at her courage, or foolishness. The Zagreb studio may be the renowned producer of the first non-American animated film to win an Oscar, but it is in a country most Americans fear and reject as "communist." Green has no idea that her stay in Yugoslavia will ultimately take her beyond national borders to the outermost limits of her mind. Although penned in the first person against the backdrop of Tito's Yugoslavia in historic 1968, Once Upon a Yugoslavia is, paradoxically, most timely. The global economic crisis has compelled people to question excessive consumption and redefine success and the good life while embracing new lifestyle priorities--just as Yugoslavia required of Surya Green decades ago. Once Upon a Yugoslavia addresses this present-day longing while also offering a lively history lesson. History books have objectively described the former Yugoslavia, but Once Upon a Yugoslavia gives personalized look at the everyday lives of people in pre-1989 Eastern Europe that shows how the experience transformed one young woman's American Dream. Chronicling the sights, sounds, and ups and downs of the everyday Yugoslav existence, Green speaks to both the positive and negative aspects of the contemporary phenomenon known as "Yugo-nostalgia." The pros and cons of the American and Yugoslav societies fly to and fro during Surya's conversations with a host of colorful characters--some of whom she lodges with and travels the countryside with, others of whom she dates. In this strange Big Brotherish country of perplexing language, culture, and customs--which gives Surya an early experience of living a monitored life without privacy in a land where paranoia is contagious--more than once readers will hear her sobbing at night. Ultimately, the Yugoslav social experiment--its plus points, at least--were to give Surya Green a considerably altered view of the American values with which she was raised. And it is what led to that perspective--a personal transformation that started for her in explosive, memorable, life-changing 1968 in Tito's Yugoslavia, and continues to this day--which makes Once Upon a Yugoslavia such a unique and remarkable book. From the Trade Paperback edition.

Adam Yamey visited Yugoslavia frequently over a period of more than 20 years. He criss-crossed the country from north to south and east to west. During his travels, he stood in the footsteps of Archduke Ferdinand's assassin in Sarajevo and those of Emperor Diocletian in Split, ate Chinese food in Novi Sad and offal at Rtanj, and also played Scrabble with Yugoslavs all over Serbia. In this profusely illustrated, trail of memories, the author describes the friendships that he made with Yugoslavs all over the country, and how these led to his deeper understanding of, and love for their country. As the years passed, the author began noticing small things, which made little sense at the time, but later turned out to be portentous. These were early signs of the troubles that were to lead to the disintegration of Yugoslavia soon after the author's last visit to the country in 1990. Join the author in the exploration of a country that no longer exists.

The book brings together many of the best known commentators and scholars who write about former Yugoslavia. The essays focus on the post-Yugoslav cultural transition and try to answer questions about what has been gained and what has been lost since the dissolution of the common country. Most of the contributions can be seen as current attempts to make sense of the past and help cultures in transition, as well as to report on them. The volume is a mixture of personal essays and scholarly articles and that combination of genres makes the book both moving and informative. Its importance is unique. While many studies dwell on the causes of the demise of Yugoslavia, this collection touches upon these causes but goes beyond them to identify Yugoslavia's legacy in a comprehensive way. It brings topics and writers, usually treated separately, into fruitful dialog with one another.

A remarkable history of jewelry told through the beguiling stories of the royal families of Italy, Greece, Belgium, Russia, and Yugoslavia. Renowned jewelry designer Prince Dimitri of Yugoslavia recounts the enthralling exploits of his beloved family members and describes their extraordinary jewelry collections. Among the many royals whose stories are richly illustrated in this volume are his paternal grandparents Prince Regent Paul and Princess Olga of Yugoslavia; Grand Duke Vladimir and Grand Duchess Maria Pavlovna of Russia; his great-grandparents Prince Nicolas and Princess Helen of Greece as well as his maternal grandparents King Umberto II and Queen Marie-José of Italy. The exquisite photography and family albums of Grand Duchess Elena of Russia (later Princess of Greece and Prince Dimitri's great-grandmother) present remarkable never-before-seen images of prerevolutionary life of the Russian imperial family, their court, and their many European royal family members and friends. This luxurious tome also includes exclusive and previously unpublished designs by Prince Dimitri, which juxtapose uncommon materials and color in imaginative yet timeless forms.

A love story set in two countries in two radically different moments in time, bringing together a young man, his mother, a boa constrictor, and one capricious cat. In 1980s Yugoslavia, a young Muslim girl is married off to a man she hardly knows, but what was meant to be a happy match goes quickly wrong. Soon thereafter her country is torn apart by war and she and her family flee. Years later, her son, Bekim, grows up a social outcast in present-day Finland, not just an immigrant in a country suspicious of foreigners, but a gay man in an unaccepting society. Aside from casual hookups, his only friend is a boa constrictor whom, improbably—he is terrified of snakes—he lets roam his apartment. Then, during a visit to a gay bar, Bekim meets a talking cat who moves in with him and his snake. It is this witty, charming, manipulative creature who starts Bekim on a journey back to Kosovo to confront his demons and make sense of the magical, cruel, incredible history of his family. And it is this that, in turn, enables him finally, to open himself to true love—which he will find in the most unexpected place

Don’t Mourn, Balkanize! is the first book written from the radical left perspective on the topic of Yugoslav space after the dismantling of the country. In this collection of essays, commentaries, and interviews, written between 2002 and 2010, Andrej Grubačić speaks about the politics of balkanization—about the trial of Slobodan Milosevic, the assassination of Prime Minister Zoran Djindjic, neoliberal structural adjustment, humanitarian intervention, supervised independence of Kosovo, occupation of Bosnia, and other episodes of Power which he situates in the long historical context of colonialism, conquest, and intervention. But he also tells the story of the balkanization of politics, of the Balkans seen from below. A space of bogumils—those medieval heretics who fought against Crusades and churches—and a place of anti-Ottoman resistance; a home to hajduks and klefti, pirates and rebels; a refuge of feminists and socialists, of antifascists and partisans; of new social movements of occupied and recovered factories; a place of dreamers of all sorts struggling both against provincial “peninsularity” as well as against occupations, foreign interventions and that process which is now, in a strange inversion of history, often described by that fashionable term, “balkanization.” For Grubačić, political activist and radical sociologist, Yugoslavia was never just a country—it was an idea. Like the Balkans itself, it was a project of inter-ethnic co-existence, a trans-ethnic and pluricultural space of many diverse worlds. Political ideas of inter-ethnic cooperation and mutual aid as we had known them in Yugoslavia were destroyed by the beginning of the 1990s—disappeared in the combined madness of ethno-nationalist hysteria and humanitarian imperialism. This remarkable collection chronicles political experiences of the author who is himself a Yugoslav, a man without a country; but also, as an anarchist, a man without a state. This book is an important reading for those on the Left who are struggling to understand the intertwined legacy of inter-ethnic conflict and inter-ethnic solidarity in contemporary, post-Yugoslav history.

A “funny and tragic and beautiful in all the right places” (Jenny Lawson, #1 New York Times bestseller author of Furiously Happy) memoir about the immigrant experience and life as a perpetual fish-out-of-water, from the acclaimed Serbian-Australian storyteller. Sofija Stefanovic makes the first of many awkward entrances in 1982, when she is born in socialist Yugoslavia. The circumstances of her birth (a blackout, gasoline shortages, bickering parents) don’t exactly get her off to a running start. While around her, ethnic tensions are stoked by totalitarian leaders with violent agendas, Stefanovic’s early life is filled with Yugo rock, inadvisable crushes, and the quirky ups and downs of life in a socialist state. As the political situation grows more dire, the Stefanovics travel back and forth between faraway, peaceful Australia, where they can’t seem to fit in, and their turbulent homeland, which they can’t seem to shake. Meanwhile, Yugoslavia collapses into the bloodiest European conflict in recent history. Featuring warlords and beauty queens, tiger cubs and Baby-Sitters Clubs, Sofija Stefanovic’s memoir is a window to a complicated culture that she both cherishes and resents. Revealing war and immigration from the crucial viewpoint of women and children, Stefanovic chronicles her own coming-of-age, both as a woman and as an artist. Refreshingly candid, poignant, and illuminating, “Stefanovic’s story is as unique and wacky as it is important” (Esquire).

When President Clinton sent Richard Holbrooke to Bosnia as America's chief negotiator in late 1995, he took a gamble that would eventually redefine his presidency. But there was no saying then, at the height of the war, that Holbrooke's mission would succeed. The odds were strongly against it. As passionate as he was controversial, Holbrooke believed that the only way to bring peace to the Balkans was through a complex blend of American leadership, aggressive and creative diplomacy, and a willingness to use force, if necessary, in the cause for peace. This was not a universally popular view. Resistance was fierce within the United Nations and the chronically divided Contact Group, and in Washington, where many argued that the United States should not get more deeply involved. This book is Holbrooke's gripping inside account of his mission, of the decisive months when, belatedly and reluctantly but ultimately decisively, the United States reasserted its moral authority and leadership and ended Europe's worst war in over half a century. To End a War reveals many important new details of how America made this historic decision. What George F. Kennan has called Holbrooke's "heroic efforts" were shaped by the enormous tragedy with which the mission began, when three of his four team members were killed during their first attempt to reach Sarajevo. In Belgrade, Sarajevo, Zagreb, Paris, Athens, and Ankara, and throughout the dramatic roller-coaster ride at Dayton, he tirelessly imposed, cajoled, and threatened in the quest to stop the killing and forge a peace agreement. Holbrooke's portraits of the key actors, from officials in the White House and the Élysée Palace to the leaders in the Balkans, are sharp and unforgiving. His explanation of how the United States was finally forced to intervene breaks important new ground, as does his discussion of the near disaster in the early period of the implementation of the Dayton agreement. To End a War is a brilliant portrayal of high-wire, high-stakes diplomacy in one of the toughest negotiations of modern times. A classic account of the uses and misuses of American power, its lessons go far beyond the boundaries of the Balkans and provide a powerful argument for continued American leadership in the modern world.

A memorable and fully illustrated book on extraordinary days of childhood during the Cold War times when Yugoslavia was led by Marshall Tito. It is an amazing account on how children lived in this country during the Cold War era. On one interesting way, this 240 pages book follows author's life and explains the ways of how this socialist system treated children and their families, and it describes all of the adventures kids had in this urban setting of newly built New Belgrade. It is an amazing experience of witnessing and understanding this different and unique country and its times and learning about things we only heard about in news reports... This is an opportunity to compare our own childhood experiences with those in a different political and economic system¿And¿ there is something for everyone to find, discover, read, enjoy, and learn in¿Once Upon a Childhood in Yugoslavia