Carrie Halligan never regretted the choice she made sixteen years ago to raise her son Jack by herself in Willow Bay, Michigan. A successful photographer by day, at night Carrie satisfies her musical passions by playing piano at a hotel bar, maintaining a balance that works for her and Jack. Walking away from Maestro Liam Reilly without telling him she was pregnant with his child may have been the hardest thing she'd ever done, but it was definitely the right thing.When Liam shows up in town to perform a benefit concert with the local symphony, however, Carrie's carefully crafted life spins out of control. After sending Jack to summer camp, she realizes she can't keep Liam in the dark forever. Telling the truth to the man she once loved more than life itself isn't near as hard as spending time in his presence and realizing that the years haven't diminished his power over her heart. Will her lie be too much to get past, or will the spark of passion between them overcome everything?

“A gripping and beautiful book about the power of love in the face of unimaginable loss.” --Cheryl Strayed For readers of The Bright Hour and When Breath Becomes Air, a moving, transcendent memoir of loss and a stunning exploration of marriage in the wake of unimaginable grief. As the book opens: two-year-old Greta Greene is sitting with her grandmother on a park bench on the Upper West Side of Manhattan. A brick crumbles from a windowsill overhead, striking her unconscious, and she is immediately rushed to the hospital. But although it begins with this event and with the anguish Jayson and his wife, Stacy, confront in the wake of their daughter's trauma and the hours leading up to her death, Once More We Saw Stars quickly becomes a narrative that is as much about hope and healing as it is about grief and loss. Jayson recognizes, even in the midst of his ordeal, that there will be a life for him beyond it--that if only he can continue moving forward, from one moment to the next, he will survive what seems unsurvivable. With raw honesty, deep emotion, and exquisite tenderness, he captures both the fragility of life and absoluteness of death, and most important of all, the unconquerable power of love. This is an unforgettable memoir of courage and transformation--and a book that will change the way you look at the world.

Felix, a Jewish boy in Poland in 1942, is hiding from the Nazis in a Catholic orphanage. The only problem is that he doesn't know anything about the war, and thinks he's only in the orphanage while his parents travel and try to salvage their bookselling business. And when he thinks his parents are in danger, Felix sets off to warn them--straight into the heart of Nazi-occupied Poland. To Felix, everything is a story: Why did he get a whole carrot in his soup? It must be sign that his parents are coming to get him. Why are the Nazis burning books? They must be foreign librarians sent to clean out the orphanage's outdated library. But as Felix's journey gets increasingly dangerous, he begins to see horrors that not even stories can explain. Despite his grim suroundings, Felix never loses hope. Morris Gleitzman takes a painful subject and expertly turns it into a story filled with love, friendship, and even humor.

Calling to mind smart, deadpan and unrepentant novels such as The New Me and My Year of Rest and Relaxation, Sophie McCreesh's distinctive and arresting debut novel is about a young woman veering towards self-destruction. Once More, With Feeling follows Jane, an artist navigating her closest relationships while fixating on her own perceived failures and self-imposed isolation. When Jane receives a student grant to attend a workshop in London, England, she sees the opportunity to leave her tedious life behind and start anew, bringing along her new friend Kitty, who Jane will not admit she has little in common with other than a shared appreciation for boxed wine and various other drugs. In London, Jane struggles to improve both her craft and her mindset while Kitty thrives, and a once exciting trip abroad transforms the already uneven dynamic of their friendship, leaving Jane feeling more withdrawn than ever. As her increasingly destructive behaviour gets in the way of her artistic ambitions, her most important relationships--those with Kitty, her absent lover Richard and a discredited therapist named Anna--begin to deteriorate as Jane starts to examine her growing dependence on substances. Darkly funny, piercing and tender, Once More, With Feeling is a portrait of a detached young woman trapped in the perils of self-loathing and addiction, who is searching for originality in an age of profound social disconnection and anxiety.

Immerse yourself a highly unusual fairy tale by New York Times bestselling author Roshani Chokshi. Once upon a dream, there was a prince named Ambrose and a princess named Imelda who loved each other... But alas, no more. "What a witch takes, a witch does not give back!" their friends and family warn. They resign themselves to this loveless fate... A year and a day pass. And then their story truly begins... Embark on a perilous journey with Imelda and Ambrose as they brave magical landscapes and enchanted creatures on their quest to reclaim their heart's desire...But first they must remember what that is... Perfect for readers looking for: A fresh, magical fairy tale Love so strong, it breaks a witch's curse An enchanting world to escape to A delightful cast of magical characters Compelling storytelling from a beloved, bestselling fantasy author Praise for Roshani Chokshi: "Reading Chokshi's prose is like sinking deeply into a plush, purple velvet sofa...lavish descriptions wrap you in sumptuous sensory detail."—New York Times "Vivid and lovely writing."—Entertainment Weekly

When this work – one that contributes to both the history and anthropology fields – first appeared in 1982, it was hailed as a landmark study of the role of folklore in nation-building. It has since been highly influential in reshaping the analysis of Greek and European cultural dynamics. In this expanded edition, a new introduction by the author and an epilogue by Sharon Macdonald document its importance for the emergence of serious anthropological interest in European culture and society and for current debates about Greece’s often contested place in the complex politics of the European Union.

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

A memoir about fatherhood, family, and what it means to be a man in America. Winner of Pushcart’s 2019 Editor’s Book Award Five years into fatherhood, Calvin Hennick is plagued by self-doubt and full of questions. How can he teach his son to be a man, when his own father figures abandoned him? As a white man, what can he possibly teach his biracial son about how to live as a black man in America? And what does it even mean to be a man today, when society’s expectations of men seem to change from moment to moment? In search of answers, Calvin takes his young son on the road, traveling across the country to the annual rodeo in his small Iowa hometown. Along the way, a stop at the Baseball Hall of Fame turns into an impromptu lesson about racism and segregation. In Niagara Falls, a day of arcade games and go-karts unexpectedly morphs into a titanic struggle between father and son. A stop in Chicago rips the scars off of old wounds. And back in Iowa, Calvin is forced to confront the most difficult question of all: What if his flaws and family history doom him to repeat the mistakes of the past? In this unforgettable debut memoir, Calvin Hennick holds a mirror up to both himself and modern America, in an urgent and timely story that all parents, and indeed all Americans, need to read.

Last in the RAF trilogy, this story charts the exploits of world-class fighter pilot Dicken Quinney. It is the summer of 1939 and when war breaks out, Quinney finds himself flying through the skies of France, shot down over a cemetery and forced to make a breath-taking escape across Nazi Europe, into the hands of his nemesis, General Lee Tse Liu.

This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.