On the Pleasure of Hating, William Hazlitt's classic contemplation of human hatred, is in this edition accompanied by several of his finest essays. As one of England's most distinguished wits of the early 19th century, William Hazlitt was an accomplished author, painter and critic whose barbed prose was notorious in literary circles at the time. Hazlitt wrote the titular essay of this collection in 1826, when his personal circumstances were strained; we thus find his tone both markedly resentful and embittered. On the Pleasure of Hating is, however, among the finest and most consistently insightful and lucid works Hazlitt ever wrote. Perhaps Hazlitt's greatest claim to prowess was his ability to produce succinct and quotable passages. Each of the six essays in this compendium contain prime examples of the perceptive phrases and summations which Hazlitt regularly produced in his prime.

William Hazlitt's tough, combative writings on subjects ranging from slavery to the imagination, boxing matches to the monarchy, established him as one of the greatest radicals of his age and have inspired journalists and political satirists ever since.

Reflecting on Montaigne, Virginia Woolf remarked, "The most common actions-a walk, a talk, solitude in one's own orchard-can be enhanced and lit up by the association of the mind." In Quotidiana, Patrick Madden illuminates these common actions and seemingly commonplace moments, making connections that revise and reconfigure the overlooked and underappreciated.

This volume gathers together some of the most brilliant and influential essays ever written in English.The Spirit of Controversy uses versions of the essays as they first appeared in the magazines of his day.

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

Since its original publication in 1989, Refusing to be a Man has been acclaimed as a classic, and is widely cited in gender studies literature. The publication consists of thirteen eloquent essays on liberation theory.

?Over the years I have developed a distaste for the spectacle of joie de vivre, the knack of knowing how to live,? begins the title essay by Phillip Lopate. This rejoinder to the cult of hedonism and forced conviviality moves from a critique of the false sentimentalization of children and the elderly to a sardonic look at the social rite of the dinner party, on to a moving personal testament to the ?hungry soul.? ø Lopate?s special gift is his ability to give us not only sophisticated cultural commentary in a dazzling collection of essays but also to bring to his subjects an engaging honesty and openness that invite us to experience the world along with him. Also included here are Lopate?s inspiring account of his production of Chekhov?s Uncle Vanya with a group of preadolescents, a look at the tradition of the personal essay, and a soul-searching piece on the suicide of a schoolteacher and its effect on his students and fellow teachers. ø By turns humorous, learned, celebratory, and elegiac, Lopate displays a keen intelligence and a flair for language that turn bits of common, everyday life into resonant narrative. This collection maintains a conversational charm while taking the contemporary personal essay to a new level of complexity and candor.