Journalist Julie Satow's thrilling, unforgettable history of how one illustrious hotel has defined our understanding of money and glamour, from the Gilded Age to the Go-Go Eighties to today's Billionaire Row. From the moment in 1907 when New York millionaire Alfred Gwynne Vanderbilt strode through the Plaza Hotel's revolving doors to become its first guest, to the afternoon in 2007 when a mysterious Russian oligarch paid a record price for the hotel's largest penthouse, the eighteen-story white marble edifice at the corner of Fifth Avenue and 59th Street has radiated wealth and luxury. For some, the hotel evokes images of F. Scott Fitzgerald frolicking in the Pulitzer Fountain, or Eloise, the impish young guest who pours water down the mail chute. But the true stories captured in THE PLAZA also include dark, hidden secrets: the cold-blooded murder perpetrated by the construction workers in charge of building the hotel, how Donald J. Trump came to be the only owner to ever bankrupt the Plaza, and the tale of the disgraced Indian tycoon who ran the hotel from a maximum-security prison cell, 7,000 miles away in Delhi. In this definitive history, award-winning journalist Julie Satow not only pulls back the curtain on Truman Capote's Black and White Ball and The Beatles' first stateside visit-she also follows the money trail. THE PLAZA reveals how a handful of rich, dowager widows were the financial lifeline that saved the hotel during the Great Depression, and how, today, foreign money and anonymous shell companies have transformed iconic guest rooms into condominiums that shield ill-gotten gains-hollowing out parts of the hotel as well as the city around it. THE PLAZA is the account of one vaunted New York City address that has become synonymous with wealth and scandal, opportunity and tragedy. With glamour on the surface and strife behind the scenes, it is the story of how one hotel became a mirror reflecting New York's place at the center of the country's cultural narrative for over a century.

At The Plaza is a pictorial record and an anecdotal history of the world's most famous hotel: New York's Plaza. As a story, it traverses the breadth and scope of Gotham's high society during the American Century. As a photo collection, it's like no other, capturing the hotel's remarkable presence on the ever-changing New York scene. For almost one hundred years, The Plaza has mirrored the social history of Manhattan: its tastes in design, entertainment, restaurants and accommodations, as well as its adjustment to Prohibition, the Great Depression, two World Wars, the Cold War, women's rights, smokers' rights, animals' rights and British rock-and-roll. The first guests to sign the register-Mr. and Mrs. Alfred Gwynne Vanderbilt-set the standard for the long procession of luminaries that followed: Mark Twain, Diamond Jim Brady, Scott and Zelda Fitzgerald, Marlene Dietrich, Frank Lloyd Wright, Marilyn Monroe, Jacqueline Kennedy Onassis and the Beatles, among many others. In At The Plaza, the hotel's official historian, Curtis Gathje, has compiled a tremendous collection of photographs and vignettes chronicling the colorful history of a building, an institution, and a city.

Wonder meets Three Times Lucky in a story of empowerment as a young woman decides to help solve the mystery of multiple suspicious deaths in her group home. Sally Miyake can't read, but she learns lots of things. Like bricks are made of clay and Vitamin D comes from the sun. Sally is happy working in the kitchen at Sunnyside Plaza, the community center she lives in with other adults with developmental disabilities. For Sally and her friends, Sunnyside is the only home they've ever known. Everything changes the day a resident unexpectedly dies. After a series of tragic events, detectives Esther Rivas and Lon Bridges begin asking questions. Are the incidents accidents? Or is something more disturbing happening? The suspicious deaths spur the residents into taking the investigation into their own hands. But are people willing to listen? Sunnyside Plaza is a human story of empowerment, empathy, hope, and generosity that shines a light on this very special world.

In September 1985, emissaries of the world's five leading industrial nations—the United States, Britain, France, Germany, and Japan—secretly gathered at the Plaza Hotel in New York City and unveiled an unprecedented effort to correct the largest set of current account and exchange rate imbalances that had ever threatened the world economy. The Plaza Accord is credited with sharply realigning exchange rates, significantly reducing current account imbalances, and countering protectionist pressures in the United States. But did the Accord provide a foundation for ongoing international financial stability and policy coordination? Or was it simply a unique one-time coincidence of national interests? The Plaza experience continues to inform today's debates about the limits and possibilities of international monetary cooperation. In late 2015, leading policymakers and economists—including those who were involved in the Accord's design, negotiation, and implementation—held a Plaza Retrospective conference at the Baker Institute for Public Policy to evaluate the Accord's legacy and how its collaborative spirit can be applied today. This volume presents their views and analyses to provide guidance for a time when the world again faces the prospect of currency disequilibria, growing imbalances, trade policy reactions, and thus uncertainty for both the global economy and world politics.

From June 12, 2020, until the passage of the state law making the occupation a felony two months later, peaceful protesters set up camp at Nashville's Legislative Plaza and renamed it for Ida B. Wells. Central to the occupation was Justin Jones, a student of Fisk University and Vanderbilt Divinity School whose place at the forefront of the protests brought him and the occupation to the attention of the Tennessee state troopers, state and US senators, and Governor Bill Lee. The result was two months of solidarity in the face of rampant abuse, community in the face of state-sponsored terror, and standoff after standoff at the doorsteps of the people's house with those who claimed to represent them. In this, his first book, Jones describes those two revolutionary months of nonviolent resistance against a police state that sought to dehumanize its citizens. The People's Plaza is a rumination on the abuse of power, and a vision of a more just, equitable, anti-racist Nashville—a vision that kept Jones and those with him posted on the plaza through intense heat, unprovoked arrests, vandalism, theft, and violent suppression. It is a first-person account of hope, a statement of intent, and a blueprint for nonviolent resistance in the American South and elsewhere.

Robert B. Textor Prize for Excellence in Anticipatory Anthropology, American Anthropological Association, 2000 Honorable Mention, Victor Turner Award, Society for Humanistic Anthropology, 2001 Leeds Prize, Society of Urban, National, and Transnational/Global Anthropology, 2001 Friendly gossip, political rallies, outdoor concerts, drugs, shoeshines, and sex-for-sale—almost every aspect of Latin American life has its place and time in the public plaza. In this wide-ranging, multi-disciplinary study, Setha M. Low explores the interplay of space and culture in the plaza, showing how culture acts to shape public spaces and how the physical form of the plaza encodes the social and economic relations within its city. Low centers her study on two plazas in San José, Costa Rica, with comparisons to public plazas in the United States, Europe, and elsewhere. She interweaves ethnography, history, literature, and personal narrative to capture the ambiance and meaning of the plaza. She also uncovers the contradictory ethnohistories of the European and indigenous origins of the Latin American plaza and explains why the plaza is often a politically contested space.

From Parks and Recreation star Aubrey Plaza and creative partner Dan Murphy comes the long lost tale of the Christmas Witch, Santa Claus's much misunderstood twin sister. The perfect gift for the holiday season and beyond! Gather ‘round the fire to hear a Christmas legend that has never been told before...until now. Each year a mysterious figure sweeps into town, leaving behind strange gifts in the night. No, not Santa Claus, but his sister… The Christmas Witch. Her story begins many, many years ago when her brother was torn away from her as a child. Raised alone by a witch of the woods, Kristtörn's powers of magic grew, as did her temper. Determined to find her long lost twin, she set out on a perilous journey across oceans to find him. But what she found instead was a deep-seated fear of her powers and a confrontation that would leave the fate of Christmas hanging in the balance. From award-winning producer and actress Aubrey Plaza and her creative partner Dan Murphy comes a holiday story unlike any told before. With all the richness of classic folklore, they’ve woven a tale of bravery, love and magic. Whatever you thought you knew about Christmas…think again.

In Bab Al-Saha, a quarter of Nablus, Palestine, sits a house of ill repute. In it lives Nuzha, a young woman ostracized from and shamed by her community. When the Intifada breaks out, Nuzha's abode unexpectedly becomes a sanctuary for those in the quarter: Hussam, an injured resistance fighter; Samar, a university researcher exploring the impact of the Intifada on women's lives; and Sitt Zakia, the pious midwife. In the furnace of conflict at the heart of the 1987 Intifada, notions of freedom, love, respectability, nationhood, the rights of women, and Palestinian identity--both among the reluctant residents of the house and the inhabitants of the quarter at large--will be melted and re-forged. Vividly recounted through the eyes of its female protagonists, Passage to the Plaza is a groundbreaking story that shatters the myth of a uniform gendered experience of conflict.

Managing the Dollar, published four years after the Plaza Agreement took place, was the initial analysis of lessons learned and takeaways from the finance ministers' policy efforts in 1985. Based largely on interviews, immediate analysis illuminates the forces at play and the differences of opinions among the policymakers and how collaborative economic integration can be improved. The piece is being republished to celebrate the 30-year anniversary of the accord and as a companion to a new long-term retrospective.