From 1909 until the late 1920s, the Wetherill-Colville Guest Ranch in Kayenta, Arizona, was the primary stopover for writers, geologists, archeologists, adventurers, and tourists visiting Monument Valley and the Tsegi Canyon ruins. The artists who visited Kayenta during the early twentieth century included some of the most well known names in the American Southwest. See their paintings, illustrations, and photos of this beloved Southwest region. In addition, you will find full page guest registry entries illustrated by artists such as Maynard Dixon, William Robinson Leigh, James Swinnerton, Carl Oscar Borg, and Gunnar Widforss. The guest book serves as the archival record of those hardy individuals who ventured to the place that was, according to Dixon, "a long ways from anywhere, in any direction." Using over 390 enthralling illustrations and engaging text, this book explores the similarities and differences in the lives, artistic styles, and beliefs of the men and women who considered northern Arizona their favorite region.

For the first time in paperback with a new foreword by the author, On the Mesa is an autobiographical celebration of life in a fragile and marginal place. On the deserted sagebrush plain just west of his home in Taos, New Mexico, John Nichols finds a healing serenity and an astonishing variety of life and mood that casual observers rarely notice. With On the Mesa, Nichols takes his place with the great nature writers of the West.

Uhtatse becomes the "One Who Smells the Wind" for his Anasazi clan, and sends his mind searching outward for enemy tribes in the Great Plains. When he finally senses peril, he fails to convince his Elders to seek shelter. The attack, when it comes, decimates the Anasazi, forcing them finally to build their cliffside cave dwellings at Mesa Verde. "Ardath Mayhar is superb at creating an alien world from another time and place"--Robert Reginald.

There are strange lights in the desert sky of Northern Arizona and an observatory that never opens its doors. Now something is hunting there.

The Navajo called them the Anasazi, the “ancient enemy,” and their abandoned cities haunt the canyons and plateaus of the Southwest. For centuries the sudden disappearance of these people baffled historians. Summoned to a dark desert plateau by a desperate letter from an old friend, renowned investigator Mike Raglan is drawn into a world of mystery, violence, and explosive revelations. Crossing a border beyond the laws of man and nature, he will learn of the astonishing world of the Anasazi and discover the most extraordinary frontier ever encountered.

When Wes Montana's Arapaho mother is murdered, the hired gun discovers that his white father Ray Eastman, who abandoned them before Wes was born, is still alive and wealthy with a family - and may have ordered her death. Swearing vengeance, Wes yet finds himself on his father's side in the middle of a range war fueled by Eastman's unfaithful wife. As the war explodes, Wes Montana's thirst for vengeance against his own father takes an unexpected turn.

"A light-hearted first-hand account of everyday life in the strange and secret community between 1943 and 1945"--P. [4] of cover.

From creation stories to childhood memories, reflections on tribal rituals to the profound effect, good and bad, of white people on Navajo land and culture. A renowned Navajo artist/writer combines the best of his paintings with his rich poetic voice, to give young readers an insightful glimpse into the lives and souls of his people. Full-color illustrations.