When Seon (Zen) Buddhism was first introduced to Korea around Korea’s late Silla and early Goryeo eras, the function of the “beopdang” (Dharma hall) was transfused to the lecture hall found in ancient Buddhist temples, establishing a pivotal area within the temple compound called the “upper monastic area.” By exploring the structural formation and dissolution of the upper monastic area, the author shows how Korea established its own distinctive Seon temples, unlike those of China and Japan, in the course of assimilating a newly-introduced foreign culture as its own. To accomplish this, the author analyzed the inscriptions on stone monuments which recorded the lives of eminent monks and also numerous excavated temple ruins. These analyses give us a new perspective on the evolution of the upper monastic area, which had the beopdang as its center, at a time when early Seon temples were being established under very adverse and unstable circumstances. The exploration of the spatial organization and layout of Korean Seon temple architecture has illuminated the continuity between Korean Buddhist temples of both the ancient and medieval eras.

This volume focuses on Chinese Chan Buddhism and its spread across East Asia, with special attention to its impacts on Korean Sŏn and Japanese Zen. Zen enthralled the scholarly world throughout much of the twentieth century, and Zen Studies became a major academic discipline in its wake. Interpreted through the lens of Japanese Zen and its reaction to events in the modern world, Zen Studies incorporated a broad range of Zen-related movements in the East Asian Buddhist world. As broad as the scope of Zen Studies was, however, it was clearly rooted in a Japanese context, and aspects of the "Zen experience" that did not fit modern Japanese Zen aspirations tended to be marginalized and ignored. Approaches to Chan, Sŏn, and Zen Studies acknowledges the move beyond Zen Studies to recognize the changing and growing parameters of the field. The volume also examines the modern dynamics in each of these traditions.

Sheaves of Korean Buddhist History, a brief history of Korean Buddhism, is one of the representative works on Korean Buddhism in the modern period. The author Gim Yeongsu was a scholar-monk, who was well known for his influential research on the systems of religious orders in Korean Buddhism by advancing such theories as Five Doctrinal [schools] and Nine Mountains [school of Seon], Five Doctrinal [schools] and Two [Meditative] schools, and Two Schools of Meditative practice and doctrinal Teaching. The first part on the Three Kingdoms and the Unified Silla period includes various topics, such as the introduction of Buddhism to Korean peninsula; the achievements of eminent monks in pursuing the Buddhist truth; the adoption and development of doctrinal learning; the establishment of Buddhist schools, such as the Hwaeom school; and the transmission of Chan and the formation of Nine Mountains school of Seon. The contents of the second part on the Goryeo period include the royal worship of Buddhism, monastic examinations; the activities of eminent monks; the establishment of the Cheontae 天台 school and the Five Doctrinal [schools] and Two [Meditative] schools; the carving of the woodblocks of the Goryeo Buddhist canon; Buddhist cultural exchange with neighboring countries; the flourishing of the Seon school and the introduction of Ganhwa Seon; and so forth. The part on the Joseon period describes the official policy of persecuting Buddhism during the early Joseon period; the forced unification of Buddhist schools; the activities of monk militias during the Hideoyoshi invasion of Korea (1592–1598); synthesis of the three practices of Seon, Gyo (Buddhist doctrines), and chanting the Buddha’s name during the late Joseon; the problem of Dharma lineage of the Imje school; and Buddhist educational systems and practices. The part on the modern period examines such topics as the Temple Ordinances issued by the Japanese Colonial Government and institutional changes in the Buddhist community.

During the unified Silla dynasty period (669-935AD) that followed the Three Kingdom period, Buddhism was being assimilated into the Korean culture and taking on certain aspects not borrowed from China. Buddhist specialists will be interested in the ways in which the various schools were being adapted in this time period.

This book is an easy-to-read general introduction to how Buddhism developed and spread to Korea. The author traces Buddhism's profound influence in China, Japan and Southeast Asia as well as in Korea and how it contributes to the cultural interaction of East and West today.

Since 1911 it has been my privilege to make four journeys into Korea, so long known as “The Hermit Kingdom.” To-day Korea has ceased to be an independent nation; she has been completely absorbed by Japan and forms part of the Japanese Empire. I found much of interest in the country. I studied the people and their daily life; I visited many of the famous points of interest and beauty; I have studied somewhat into Korean history. Nothing, however, has more interested me than the study of Korean religions, particularly Buddhism. When asked to give some public lectures this summer, I consented gladly to speak for three evenings on the subject of Korean Buddhism. My three lectures will deal with History—Condition—Art. The history of Korea falls into three sharply marked periods. The first is known as the era of the Three Kingdoms—it ended with the year 918, a year easy to remember because exactly one thousand years ago. The second is the period of the Koryu Dynasty; it began with the year 918 and ended in 1392, a date easy for us to remember because precisely a century before the discovery of America by Columbus. The third period, known as the period of the Yi Dynasty, began with 1392 and continued until 1910, when the independent history of Korea ended with its absorption by Japan. The history of Buddhism in Korea is divided into the same three periods, as the things which caused breaks in the national history were related to the religion. We shall then speak of the Buddhism of the Three Kingdoms, of the Koryu Dynasty and of the Yi Dynasty.

In his foreword, author Sung-woo Kim says, All people seek after truth. They seek the truth that will explain life and death and help them to make the best of themselves. With Buddhist Architecture of Korea, temples that have dotted the Korean peninsula for almost 2,000 years are examined in great detail, including the role they have played in helping Koreans on their own quest for truth. Buddhist architecture is an integral part of its iconography, making this book indispensable.

At the start of the twentieth century, the Korean Buddhist tradition was arguably at the lowest point in its 1,500-year history in the peninsula. Discriminatory policies and punitive measures imposed on the monastic community during the Chosŏn dynasty (1392–1910) had severely weakened Buddhist institutions. Prior to 1895, monastics were prohibited by law from freely entering major cities and remained isolated in the mountains where most of the surviving temples and monasteries were located. In the coming decades, profound changes in Korean society and politics would present the Buddhist community with new opportunities to pursue meaningful reform. The central pillar of these reform efforts was p’ogyo, the active propagation of Korean Buddhist teachings and practices, which subsequently became a driving force behind the revitalization of Buddhism in twentieth-century Korea. From the Mountains to the Cities traces p’ogyo from the late nineteenth to the early twenty-first century. While advocates stressed the traditional roots and historical precedents of the practice, they also viewed p’ogyo as an effective method for the transformation of Korean Buddhism into a modern religion—a strategy that proved remarkably resilient as a response to rapidly changing social, political, and legal environments. As an organizational goal, the concerted effort to propagate Buddhism conferred legitimacy and legal recognition on Buddhist temples and institutions, enabled the Buddhist community to compete with religious rivals (especially Christian missionaries), and ultimately provided a vehicle for transforming a “mountain-Buddhism” tradition, as it was pejoratively called, into a more accessible and socially active religion with greater lay participation and a visible presence in the cities. Ambitious and meticulously researched, From the Mountains to the Cities will find a ready audience among researchers and scholars of Korean history and religion, modern Buddhist reform movements in Asia, and those interested in religious missions and proselytization more generally.

The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.