A thrilling, thought-provoking novel from one of young-adult literature’s boldest new talents. January 29, 2035. That’s the day the comet is scheduled to hit—the big one. Denise and her mother and sister, Iris, have been assigned to a temporary shelter outside their hometown of Amsterdam to wait out the blast, but Iris is nowhere to be found, and at the rate Denise’s drug-addicted mother is going, they’ll never reach the shelter in time. A last-minute meeting leads them to something better than a temporary shelter—a generation ship, scheduled to leave Earth behind to colonize new worlds after the comet hits. But everyone on the ship has been chosen because of their usefulness. Denise is autistic and fears that she’ll never be allowed to stay. Can she obtain a spot before the ship takes flight? What about her mother and sister? When the future of the human race is at stake, whose lives matter most?

Nolan doesn't see darkness when he closes his eyes. Instead, he’s transported into the mind of Amara, a girl living in a different world. Nolan’s life in his small Arizona town is full of history tests, family tension, and laundry; his parents think he has epilepsy, judging from his frequent blackouts. Amara’s world is full of magic and danger--she’s a mute servant girl who’s tasked with protecting a renegade princess. Nolan is only an observer in Amara's world--until he learns to control her. At first, Amara is terrified. Then, she's furious. But to keep the princess--and themselves--alive, they'll have to work together and discover the truth behind their connection. A fascinating premise, clearly and compellingly written and imagined by a startlingly original debut writer. Praise for Otherbound FOUR STARRED REVIEWS "Original and compelling; a stunning debut." --Kirkus Reviews, starred review "Numerous plot twists drive the story along, and it’s grounded in worldbuilding that creates a believable, authentic setting. Duyvis makes ingenious use of a fascinating premise." --Publishers Weekly, starred review "While Duyvis’s debut is an exciting take on the fantasy genre, as it alternates between our world and that of the Dunelands, the true strength of the novel is in its positive portrayal of LGBT issues." --School Library Journal, starred review "Fantasy and speculative fiction fans will no doubt enjoy the ride, while authors should take note—this is how you do fantasy in a global world." --The Bulletin of The Center for Children’s Books, starred review "Duyvis creates a humdinger of an adventure that contains the agony of loyalty, the allure of magic, and, most gratifyingly, the element of surprise." --The Horn Book Magazine "Debut author Duyvis has written a nice twist on the classic bodysnatchers theme and keeps the pace moving smoothly, even when jumping between Nolan’s and Amara’s perspectives. Her racially diverse characters struggle with both disabilities and sexual identity, but she keeps her focus solidly on the story and character development so that diversity integrates naturally into both Nolan’s and Amara’s experiences." --Booklist

One girl and her doppelgangers try to stop the end of the world in this YA sci-fi adventure When Hazel Stanczak was born, an interdimensional rift tore open near her family’s home, which prompted immediate government attention. They soon learned that if Hazel strayed too far, the rift would become volatile and fling things from other dimensions onto their front lawn—or it could swallow up their whole town. As a result, Hazel has never left her small Pennsylvania town, and the government agents garrisoned on her lawn make sure it stays that way. On her sixteenth birthday, though, the rift spins completely out of control. Hazel comes face-to-face with a surprise: a second Hazel. Then another. And another. Three other Hazels from three different dimensions! Now, for the first time, Hazel has to step into the world to learn about her connection to the rift—and how to close it. But is Hazel—even more than one of her—really capable of saving the world?

From the author of We Are the Ants comes “another winner” (Booklist, starred review) about a boy who believes the universe is slowly shrinking as the things he remembers are being erased from others’ memories. Tommy and Ozzie have been best friends since the second grade, and boyfriends since eighth. They spent countless days dreaming of escaping their small town—and then Tommy vanished. More accurately, he ceased to exist, erased from the minds and memories of everyone who knew him. Everyone except Ozzie. Ozzie doesn’t know how to navigate life without Tommy, and soon he suspects that something else is going on: that the universe is shrinking. When Ozzie is paired up with the reclusive and secretive Calvin for a physics project, it’s hard for him to deny the feelings developing between them, even if he still loves Tommy. But Ozzie knows there isn’t much time left to find Tommy—that once the door closes, it can’t be opened again. And he’s determined to keep it open as long as possible.

Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality. Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity. After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow. Praise for Woman on the Edge of Time “This is one of those rare novels that leave us different people at the end than we were at the beginning. Whether you are reading Marge Piercy’s great work again or for the first time, it will remind you that we are creating the future with every choice we make.”—Gloria Steinem “An ambitious, unusual novel about the possibilities for moral courage in contemporary society.”—The Philadelphia Inquirer “A stunning, even astonishing novel . . . marvelous and compelling.”—Publishers Weekly “Connie Ramos’s world is cuttingly real.”—Newsweek “Absorbing and exciting.”—The New York Times Book Review

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People ∙ O: The Oprah Magazine ∙ Financial Times ∙ Kansas City Star ∙ BookPage ∙ Kirkus Reviews ∙ Publishers Weekly ∙ Booklist NEW YORK TIMES BESTSELLER “A stunner.”—Justin Cronin “It’s never the disasters you see coming that finally come to pass—it’s the ones you don’t expect at all,” says Julia, in this spellbinding novel of catastrophe and survival by a superb new writer. Luminous, suspenseful, unforgettable, The Age of Miracles tells the haunting and beautiful story of Julia and her family as they struggle to live in a time of extraordinary change. On an ordinary Saturday in a California suburb, Julia awakes to discover that something has happened to the rotation of the earth. The days and nights are growing longer and longer; gravity is affected; the birds, the tides, human behavior, and cosmic rhythms are thrown into disarray. In a world that seems filled with danger and loss, Julia also must face surprising developments in herself, and in her personal world—divisions widening between her parents, strange behavior by her friends, the pain and vulnerability of first love, a growing sense of isolation, and a surprising, rebellious new strength. With crystalline prose and the indelible magic of a born storyteller, Karen Thompson Walker gives us a breathtaking portrait of people finding ways to go on in an ever-evolving world. “Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post “Pure magnificence.”—Nathan Englander “Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld “Riveting, heartbreaking, profoundly moving.”—Kirkus Reviews (starred review) Look for special features inside. Join the Circle for author chats and more.

“Riveting . . . While I Was Gone [celebrates] what is impulsive in human nature.” –The New York Times “Miller weaves her themes of secrecy, betrayal, and forgiveness into a narrative that shines.” –Time Jo Becker has every reason to be content. She has three dynamic daughters, a loving marriage, and a rewarding career. But she feels a sense of unease. Then an old housemate reappears, sending Jo back to a distant past when she lived in a communal house in Cambridge, Massachusetts. Drawn deeper into her memories of that fateful summer in 1968, Jo begins to obsess about the person she once was. As she is pulled farther from her present life, her husband, and her world, Jo struggles against becoming enveloped by her past and its dark secret. “[While I Was Gone] swoops gracefully between the past and the present, between a woman’s complex feelings about her husband and her equally complex fantasies–and fears–about another man. . . . [Miller writes] well about the trials of faith.” –The New York Times Book Review “Quietly gripping . . . Jo shines steadily as the flawed and thoroughly modern heroine. As in her 1986 novel, The Good Mother, Miller shows how impulses can fracture the family.” –USA Today “Marvelous . . . poignant . . . powerful.” –Seattle Times/Post Intelligencer

A rogue reporter investigates a grisly multiple murder in Newark, NJ, in this Shamus and Nero Award–winning mystery series debut. Four bodies, each with a single bullet wound in the back of the head, stacked like cordwood in a weed-choked vacant lot: That’s the front-page news facing Carter Ross, investigative reporter with the Newark Eagle-Examiner. Immediately dispatched to the scene, Carter learns that the four victims—an exotic dancer, a drug dealer, a hustler, and a mama’s boy—came from different parts of the city and didn’t seem to know one another. The police, eager to calm jittery residents, leak a theory that the murders are revenge for a bar stickup, and Carter’s paper, hungry for a scoop, hastily prints it. Carter doesn’t come from the streets, but he understands a thing or two about Newark’s neighborhoods. And he knows there are no quick answers when dealing with a crime like this. Determined to uncover the true story, he enlists the aide of Tina Thompson, the paper’s city editor, to run interference at the office; Tommy Hernandez, the paper’s intern, to help him with legwork on the streets; and Tynesha Dales, a local stripper, to take him to Newark’s underside. It turns out that the four victims have one connection after all, and this knowledge will put Carter on the path of one very ambitious killer.

"Taut with tension.… [E]nding with a hint of hope."—Rob Merrill, Associated Press Cathartic, affirming, and steeped in the empathy and precise observations of character for which Dubus is celebrated, Gone So Long explores how the wounds of the past afflict the people we become. Gone So Long is a riveting family drama about an ex-con who did time for murder, the estranged daughter he hasn’t seen in forty years, and the grandmother angry enough to kill him. A profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can’t escape, it confirms Andre Dubus’s reputation as a novelist whose “compassion is unsentimental and unblinking, total and unwavering” (Paul Harding).

The lives of four high school seniors intersect weeks before a meteor is set to pass through Earth's orbit, with a 66.6% chance of striking and destroying all life on the planet.