The Selected Works of Ella Shohat, renowned writer on the Middle-East and critic of Zionism.

A vivid, intellectual journey through the works of the renowned writer

Since September 11, public discourse has often been framed in terms of absolutes: an age of innocence gives way to a present under siege, while the United States and its allies face off against the Axis of Evil. This special issue of Social Text aims to move beyond these binaries toward thoughtful analysis. The editors argue that the challenge for the Left is to develop an antiterrorism stance that acknowledges the legacy of U.S. trade and foreign policy as well as the diversity of the Muslim faith and the dangers presented by fundamentalism of all kinds. Examining the strengths and shortcomings of area, race, and gender studies in the search for understanding, this issue considers cross-cultural feminism as a means of combating terrorism; racial profiling of Muslims in the context of other racist logics; and the homogenization of dissent. The issue includes poetry, photographic work, and an article by Judith Butler on the discursive space surrounding the attacks of September 11. This impressive range of contributions questions the meaning and implications of the events of September 11 and their aftermath. Contributors. Muneer Ahmad, Meena Alexander, Lopamudra Basu, Judith Butler, Zillah Eisenstein, Stefano Harney, Randy Martin, Rosalind C. Morris, Fred Moten, Sandrine Nicoletta, Yigal Nizri, Jasbir K. Puar, Amit S. Rai, Ella Shohat, Ban Wang

A vivid, intellectual journey through the works of the renowned writer

A riveting and revealing tale of an Egypt caught between tradition and modernity, multiculturalism and nationalism, oppression and freedom. Cairo 1925, Haret al-Yahud, the old Jewish Quarter. Esther, a beautiful young woman believed to be possessed by demons, longs to give birth after seven blissful years of marriage. Her husband, blind since childhood, does not object when, in her effort to conceive, she participates in Muslim zar rituals. Zohar, the novel's narrator, comes into the world, but because his mother's breasts are dry, he is nursed by a Muslim peasant--also believed to be possessed--who has just given birth to a girl, Masreya. Suckled at the same breasts and united by a rabbi's amulet, the milk-twins will be consumed by a passionate, earth-shaking love. Part fantastical fable, part realistic history, A Land Like You draws on ethno-psychiatrist Tobie Nathan's deep knowledge of North African folk beliefs to create a glittering tapestry in which spirit possession and religious mysticism exist side by side with sober facts about the British occupation of Egypt and the rise of the Muslim Brotherhood and the Free Officers' Movement. Historical figures such as Gamel Abdel Nasser, Anwar Sadat, and King Farouk mingle with Nathan's fictional characters in this engaging story.

Widely portrayed as the 'success of the war on terror', Afghanistan is now in crisis. Increasingly detached from the people it is meant to serve, and unable to manage the massive amounts of aid that it has sought, the administration in Kabul struggles to govern even the diminishing areas of the country over which it has some sway. Whatever political progress that has been possible now takes place against a backdrop of mounting casualties among innocent Afghan civilians and NATO troops. Many Afghans feel themselves to be trapped, hostage between two forces, both of which claim to be their liberators. Perceived by some to be part of a wider struggle that extends to Iraq and Palestine, NATO's campaign in the south seems 'unwinnable'. Now, more than ever, it is important to understand Afghanistan and examine the recent experience of international engagement, and the myths and half-truths that abound. Drawing on long experience of living and working in Afghanistan, Chris Johnson and Jolyon Leslie examine what the changes of recent years have meant in terms of Afghans' sense of their own identity and hopes for the future. They argue that lasting peace and stability will only be brought about through a form of engagement that respects the rights of Afghans to determine their own political future, while delivering on the responsibilities that come with military intervention.

Starting from a non-idealizing, non-demonological review of Judaism, Jewish history and anti-Semitism, this book presents a sympathetic analysis of the development of political Zionism - and goes on to show how a dream can become both a living reality and a nightmare. While Beit-Hallahmi does not fault the idea of a Jewish state in the abstract, he shows how Zionism in practice and power becomes a kind of settler colonialism trying to ignore its victims - the Palestinians. The purpose of Original Sins is to counter the mystification on both sides of the Arab-Israeli conflict, to examine causes and principles, and to reach an analysis of the current political and moral crisis, in search for a solution to end the suffering on both sides.

WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story. To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost. When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.

The writings of Jacqueline Shohet Kahanoff (1917–1979) offer a refreshing reassessment of Arab-Jewish relations in the Middle East. A member of the bourgeois Jewish community in Cairo, Kahanoff grew up in a time of coexistence. She spent the years of World War II in New York City, where she launched her writing career with publications in prominent American journals. Kahanoff later settled in Israel, where she became a noted cultural and literary critic. Mongrels or Marvels offers Kahanoff's most influential and engaging writings, selected from essays and works of fiction that anticipate contemporary concerns about cultural integration in immigrant societies. Confronted with the breakdown of cosmopolitan Egyptian society, and the stereotypes she encountered as a Jew from the Arab world, she developed a social model, Levantinism, that embraces the idea of a pluralist, multicultural society and counters the prevailing attitudes and identity politics in the Middle East with the possibility of mutual respect and acceptance.