This book deals with the institutional framework in post-socialist, after-empire spaces. It consists of nine case studies and two contributions of a more theoretical nature. Each of these analytical narratives sheds some light on the micro-politics of organised violence. After 1990, Serbs and Croats were competing over access to the resources needed for institution building and state building. Fear in turn triggered ethnic mobilisation. An 'unprofessional' riot of Serbs in the Krajina region developed into a professional war between Serbs and Croats in Croatia, in which several thousand died and several hundred thousand people were forcefully expelled from their homes. The Herceg-Bosnian style of resistance can be surprisingly effective. It is known that most of the heroin transported along the Balkans route passes through the hands of Albanian mafia groups; that this traffic has taken off since summer 1999. The concept of Staatnation is based on the doctrine according to which each 'nation' must have its own territorial State and each State must consist of one 'nation' only. The slow decline and eventual collapse of the Soviet and the Yugoslav empires was partly triggered, partly accompanied by the quest for national sovereignty. Dagestan is notable for its ethnic diversity and, even by post-Soviet standards, its dramatic economic deprivation. The integrative potential of cooperative movements at the republican, the regional and the inter-state level for the Caucasus is analyzed. The book also offers insights into the economics of ending violence. Finally, it addresses the question of reconciliation after ethnic cleansing.

Related to ideas of the great, the awe-inspiring and the overpowering, the sublime has been debated for centuries amongst writers, artists, philosophers and theorists and has become a complex yet crucial concept in many disciplines. In this thoroughly updated edition, Philip Shaw looks at: Early modern and post-Romantic conceptions of the sublime in two brand new chapters The legacy of the earliest classical theories, through those of the long eighteenth century to modernist, postmodernist and avant-garde conceptions of the sublime Critical Introductions to major theorists of the sublime such as Longinus, Burke, Kant, Schopenhauer, Nietzsche, Derrida, Lyotard, Lacan and Žižek The significance of the concept through a range of literary readings, including the Old and New Testaments, Homer, Milton and writing from the Romantic period to the present day How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir The influence of the sublime on recent debates in the fields of politics, theology and psychoanalysis. Offering historical overviews and explanations, this remarkably clear study is essential reading for students of literature, critical and cultural theory.

IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.

First published in 1952, the International Bibliography of the Social Sciences (anthropology, economics, political science, and sociology) is well established as a major bibliographic reference for students, researchers and librarians in the social sciences worldwide. Key features * Authority: Rigorous standards are applied to make the IBSS the most authoritative selective bibliography ever produced. Articles and books are selected on merit by some of the world's most expert librarians and academics. *Breadth: today the IBSS covers over 2000 journals - more than any other comparable resource. The latest monograph publications are also included. *International Coverage: the IBSS reviews scholarship published in over 30 languages, including publications from Eastern Europe and the developing world. *User friendly organization: all non-English titles are word sections. Extensive author, subject and place name indexes are provided in both English and French. Place your standing order now for the 2002 volumes of the the IBSS Anthropology: 2002 Vol.48 December 2003: 234x156: Hb: 0-415-32634-6: £195.00 Economics: 2002 Vol.51 December 2003: 234x156: Hb: 0-415-32635-4: £195.00 Political Science: 2002 Vol.51 December 2003: 234x156: Hb: 0-415-32636-2: £195.00 Sociology: 2002 Vol.52 December 2003: 234x156: Hb: 0-415-32637-0: £195.00

The Routledge Companion to Feminist Philosophy is an outstanding guide and reference source to the key topics, subjects, thinkers, and debates in feminist philosophy. Fifty-six chapters, written by an international team of contributors specifically for the Companion, are organized into five sections: (1) Engaging the Past; (2) Mind, Body, and World; (3) Knowledge, Language, and Science; (4) Intersections; (5) Ethics, Politics, and Aesthetics. The volume provides a mutually enriching representation of the several philosophical traditions that contribute to feminist philosophy. It also foregrounds issues of global concern and scope; shows how feminist theory meshes with rich theoretical approaches that start from transgender identities, race and ethnicity, sexuality, disabilities, and other axes of identity and oppression; and highlights the interdisciplinarity of feminist philosophy and the ways that it both critiques and contributes to the whole range of subfields within philosophy.

Preliminary Material -- The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations /Marie-Luise Kohlke and Christian Gutleben -- The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves /Andrew Smith -- Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic /Cheryl D. Edelson -- Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen /Sebastian Domsch -- A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian Gothic /Jeanne Ellis -- Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master /Patricia Pulham -- 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth /Max Duperray -- Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction /Sarah E. Maier -- Neo-Victorian Female Gothic: Fantasies of Self-Abjection /Marie-Luise Kohlke -- Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam /Van Leavenworth -- Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic /Kym Brindle -- 'Fear is Fun and Fun is Fear': A Reflexion on Humour in Neo-Victorian Gothic /Christian Gutleben -- Contributors -- Index.

For many readers, John Keats's achievement is to have attainted a supreme poetic maturity at so young an age. Canonical poems of resignation and acceptance such as 'To Autumn' are traditionally seen as examples par excellence of this maturity. In this highly innovative study, however, Marggraf Turley examines how, for Keats, an insistence on 'boyishness' in the midst of apparent mature imagery is the very essence of his political contestation of the literary establishment.

This book traces the aesthetic of wonder from the romantic period through contemporary philosophy and literature, arguing for its relevance to ecological consciousness. Most ecocritical scholarship tends to overshadow discussions of wonder with the sublime, failing to treat these two aesthetic categories as distinct. As a result, contemporary scholarship has conflated wonder and the sublime and ultimately lost the nuances that these two concepts conjure for readers and thinkers. Economides illuminates important differences between these aesthetics, particularly their negotiation of issues relevant to gender-based and environmental politics. In turn, readers can utilize the concept of wonder as an open-ended, non-violent framework in contrast to the ethos of domination that often surrounds the sublime.

This study attempts to multiculturalise the Gothic by reading a wide selection of Postcolonial Asian and Asian American narratives in light of familiar Gothic tropes such as the uncanny, the double, spectres, and the sublime. Discussing some of the more important concepts in postcolonialism such as subjectivity, belonging, hybridity and nationalism, the author argues that the trajectory of the postcolonial and diasporic experience is fraught with profound moments of trauma, loss and transgression which the aesthetics of the Gothic can illuminate. Throughout the study, a careful balance is maintained between deploying Gothic criticism and emphasising the narrative's cultural, historical and ideological specificity to ensure that a textual form of colonial imposition does not occur. Writings by well-known authors such as Rushdie, Roy, Ondaatje and Mukherjee, and lesser known ones such as Lan Samantha Chang, K.S, Maniam and Beth Yahp are analysed.