Edited by Yvonne Rainer, this selection of texts and images by Rainer and various authors offers a retrospective portrait of her work, focusing on some of her most notable performances and projects from both the late 1960s (?Trio A?, ?The Mind Is a Muscle?) and since her return to dance with the White Oak Dance Project in 2000. Rainer is known for her challengingly experimental and sometimes minimalist work as a dancer, choreographer, and filmmaker, which spearheaded the rise of postmodern dance. An essay by Rainer frames things from the perspective of an aging dancer who is aware of her physical limitations. With a conversation between Rainer and dancer Trisha Brown.

Every sensitive therapist intuits the wealth of meaning that resides in nonverbal behavior. Yet, trained as they are to discern and communicate verbal insights, few therapists have a clear idea of how to tap that stream of meaning. In On Moving and Being Moved, Frances La Barre remedies this situation in an intellectually broadening and clinically exciting manner. Drawing on an extensive research literature on movement and nonverbal behavior, her background as a dancer, and her extensive analytic experience, she seeks to enhance our perception of movement and our understanding of its role in therapeutic communication. La Barre anchors her contribution in a thorough-going review of both analytic and nonanalytic sources as they bear on clinical issues. Conversant with the language of posture-gesture mergers, of kines and context analysis, and of body attitudes and self-directed touching, she spans the research literatures of all relevant disciplines, from anthropology to developmental psychology to ethology, from studies of temperament to cross-cultural comparisons of interactive rhythms. Turning to the psychoanalytic domain, she begins by considering the traditionally peripheral role of the body that derived from Freud's own belief that action was often an obstacle to verbal understanding. With the advent of the contemporary relational perspective, she holds, the stage is set for a deeper understanding of nonverbal behavior both as a source of meaning and as a ubiquitous shaper of therapeutic communication. For the clinician, On Moving and Being Moved is a wonderfully informative introduction to the realm of the nonverbal that succeeds both as a reference work and as a pivotal contribution to the theory of therapy. La Barre goes on to illuminate the manner in which analytic and nonanalytic insights can be integrated into a flexible yet disciplined approach that restores nonverbal behavior to its rightful place in the "talking cure."

Every sensitive therapist intuits the wealth of meaning that resides in nonverbal behavior. Yet, trained as they are to discern and communicate verbal insights, few therapists have a clear idea of how to tap that stream of meaning. In On Moving and Being Moved, Frances La Barre remedies this situation in an intellectually broadening and clinically exciting manner. Drawing on an extensive research literature on movement and nonverbal behavior, her background as a dancer, and her extensive analytic experience, she seeks to enhance our perception of movement and our understanding of its role in therapeutic communication. La Barre anchors her contribution in a thorough-going review of both analytic and nonanalytic sources as they bear on clinical issues. Conversant with the language of posture-gesture mergers, of kines and context analysis, and of body attitudes and self-directed touching, she spans the research literatures of all relevant disciplines, from anthropology to developmental psychology to ethology, from studies of temperament to cross-cultural comparisons of interactive rhythms. Turning to the psychoanalytic domain, she begins by considering the traditionally peripheral role of the body that derived from Freud's own belief that action was often an obstacle to verbal understanding. With the advent of the contemporary relational perspective, she holds, the stage is set for a deeper understanding of nonverbal behavior both as a source of meaning and as a ubiquitous shaper of therapeutic communication. For the clinician, On Moving and Being Moved is a wonderfully informative introduction to the realm of the nonverbal that succeeds both as a reference work and as a pivotal contribution to the theory of therapy. La Barre goes on to illuminate the manner in which analytic and nonanalytic insights can be integrated into a flexible yet disciplined approach that restores nonverbal behavior to its rightful place in the "talking cure."

A comprehensive, upbeat guide to help you survive the moving process from start to finish, filled with fresh strategies and checklists for timing and supplies, choosing which items to toss and which to keep, determining the best place to live, saying farewell and looking forward to hello. Moving is a major life change—time consuming, expensive, often overwhelming, and sometimes scary. But it doesn’t have to be! Instead of looking at it as a burdensome chore, consider it a new adventure. Ali Wenzke and her husband moved ten times in eleven years, living in seven states across the U.S. She created her popular blog, The Art of Happy Moving, to help others build a happier life before, during, and after a move. Infused with her infectious optimistic spirit, The Art of Happy Moving builds on her blog, offering step-by-step guidance, much-needed comfort, practical information, and welcome advice on every step of the process, including: How to stage your home for prospective buyers How to choose your next neighborhood How to discard your belongings and organize your packing How to say goodbye to your friends How to make the transition easier for your kids How to decorate your new home How to build a new community And so much more. Ali shares invaluable personal anecdotes from her many moves, and packs each chapter with a wealth of information and ingenious tips (Did you know that if you have an extra-large welcome mat at the entrance of your home, it’s more likely to sell?). Ali also includes checklists for packing and staging, and agendas for the big moving day. Whether you’re a relocating professional, newly married, a family with kids and pets, or a retiree looking to downsize, The Art of Happy Moving will help you discover ways to help make your transition an easier one—and be even happier than you were before.

"Kids love to move. But how do we harness all that kinetic energy effectively for math learning? In Math on the Move, Malke Rosenfeld shows how pairing math concepts and whole body movement creates opportunities for students to make sense of math in entirely new ways. Malke shares her experience creating dynamic learning environments by: exploring the use of the body as a thinking tool, highlighting mathematical ideas that are usefully explored with a moving body, providing a range of entry points for learning to facilitate a moving math classroom. ..."--Publisher description.

Patrizia Pallaro's second volume of essays on Authentic Movement, eight years after her first, is a tour de force. It is indeed "an extraordinary array of papers", as Pallaro puts it, and an immensely rich, moving and highly readable sweep through the landscapes of Authentic Movement, "this form of creative expression, meditative discipline and/or psychotherapeutic endeavour". You don't need to practice Authentic Movement to get a lot out of this book, but it certainly helps! I defy anyone to read the first two sections and not be curious to have their own experience.' - Sesame Institute 'Authentic Movement can be seen as a means by which analysts can become more sensitive to unconscious, especially pre-verbal aspects of themselves and their patients.' - Body Psychotherapy Journal Newsletter 'This book is a collection of articles, some of which are interviews, brought together for the first time. It is very valuable to have them all together in one place...It is a wonderful collection of articles on topics you have always wanted to read, such as the role of transference in dance therapy or Jung and dance therapy. The book also includes scripts for exercises.' - Somatics Authentic Movement, an exploration of the unconscious through movement, was largely defined by the work of Mary Starks Whitehouse, Janet Adler and Joan Chodorow. The basic concepts of Authentic Movement are expressed for the first time in one volume through interviews and conversations with these important figures, and their key papers. They emphasize the importance of movement as a means of communication, particularly unconscious or 'authentic' movement, emerging when the individual has a deep, self-sensing awareness - an attitude of 'inner listening'. Such movement can trigger powerful images, feelings and kinesthetic sensations arising from the depths of our stored childhood memories or connecting our inner selves to the transcendent. In exploring Authentic Movement these questions are asked: - How does authentic movement differ from other forms of dance and movement therapy? - How may 'authentic' movement be experienced?

An essential relocation guide refreshed and updated for today’s movers. More than 34 million Americans move each year, and studies show it can be one of the heaviest strains on a marriage. For women especially, relocating can be a traumatic event. With true stories, ingenious insights, and helpful hints, this great book makes transitioning smoother so women can get on with their lives. Those who are moving will find this valuable book as important as packing tape. Divided into three sections, After the Boxes are Unpacked helps recent movers focus on letting go of their past, starting over, and moving ahead. Topics include the following: How to manage the emotional stress of leaving family and friends How to support your spouse through a relocation How to build new relationships in a new city How to help children adjust to new surroundings and make friends How to find a new church home How to navigate financial challenges related to moving How to discover God’s will for you and your family in a new city This evergreen book has been a staple for movers for 20 years and has been extensively refreshed with additional content for today’s movers. “Susan is doing a tremendous job of helping women deal with the trauma of transition. This resource will help anyone who wants to move ahead in a healthy way after they’ve experienced a move. I highly recommend this book.” —John Trent, PhD, President of StrongFamilies.com

A guide to managing data in the digital age. Winner of the ALCTS Outstanding Publication Award by the Association for Library Collections & Technical Services, Winner of the Waldo Gifford Leland Award by the Society of American Archivists Many people believe that what is on the Internet will be around forever. At the same time, warnings of an impending "digital dark age"—where records of the recent past become completely lost or inaccessible—appear with regular frequency in the popular press. It's as if we need a system to safeguard our digital records for future scholars and researchers. Digital preservation experts, however, suggest that this is an illusory dream not worth chasing. Ensuring long-term access to digital information is not that straightforward; it is a complex issue with a significant ethical dimension. It is a vocation. In The Theory and Craft of Digital Preservation, librarian Trevor Owens establishes a baseline for practice in this field. In the first section of the book, Owens synthesizes work on the history of preservation in a range of areas (archives, manuscripts, recorded sound, etc.) and sets that history in dialogue with work in new media studies, platform studies, and media archeology. In later chapters, Owens builds from this theoretical framework and maps out a more deliberate and intentional approach to digital preservation. A basic introduction to the issues and practices of digital preservation, the book is anchored in an understanding of the traditions of preservation and the nature of digital objects and media. Based on extensive reading, research, and writing on digital preservation, Owens's work will prove an invaluable reference for archivists, librarians, and museum professionals, as well as scholars and researchers in the digital humanities.

The close relationship between motion (bodily movement) and emotion (feelings) is not an etymological coincidence. While moving ourselves, we move others; in observing others move – we are moved ourselves. The fundamentally interpersonal nature of mind and language has recently received due attention, but the key role of (e)motion in this context has remained something of a blind spot. The present book rectifies this gap by gathering contributions from leading philosophers, psychologists and linguists working in the area. Framed by an introducing prologue and a summarizing epilogue (written by Colwyn Trevarthen, who brought the phenomenological notion of intersubjectivity to a wider audience some 30 years ago) the volume elaborates a dynamical, active view of emotion, along with an affect-laden view of motion – and explores their significance for consciousness, intersubjectivity, and language. As such, it contributes to the emerging interdisciplinary field of mind science, transcending hitherto dominant computationalist and cognitivist approaches. Now Open Access as part of the Knowledge Unlatched 2017 Backlist Collection.

Praise for the first volume: `It is very valuable to have [this collection of articles] all together in one place...a rich repository of insights and experiences for all the somatic disciplines. It is a wonderful collection of articles.' - Somatics 1999/2000 This second volume on Authentic Movement - a new discipline aiding the creative process in choreography, writing, theatre performance, dance, graphic and expressive arts, as well as spirituality - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge work on creative expression, meditative discipline and psychotherapeutic endeavour. Part I comprises five chapters written by the most prominent Authentic Movement practitioners and teachers and introducing the foundations and principles of Authentic Movement. In Part II, the contributors return to the source of Authentic Movement - the psychotherapeutic setting - and provide an in-depth examination of the personal processes in the therapeutic relationship and the potential of Authentic Movement to facilitate personal growth and change. Part III traces the development of Authentic Movement as a spiritual path and as interface with other spiritual practices. Part IV provides an overview of new developments in Authentic Movement, Part V offers inspiring personal accounts and Part VI provides guidelines drawn from practice as well as tools and resources. These latter chapters sow the seeds for a new understanding and directions for the developments of Authentic Movement. This authoritative text is indispensable for practitioners of Authentic Movement, students and teachers working in the field of dance therapy, art therapists, all creative arts therapists and body psychoanalysts.